Watch in HD1080p: https://www.youtube.com/watch?v=_jQQuCNuf44&list=PLOyuQaVrp4qqS8yBeQpIeMQ5bDoijOQ9c&index=24 Our final lecture, which winds up the series (except for a postlude and two addenda), deals with the many Chan-associated paintings preserved in Japan that are grouped here, loosely, under the term Sōgenga. It concludes with the surviving works from two series of "Eight Views of the Xiao-Xiang Region," one attributed to Muqi, the other by Yujian—paintings that can be taken as representing the last stage in the long development of landscape painting in China that has been the central subject of this series.