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18 Jan 2021 10:06:16 UTC
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58871
Author: Sander L. Gilman
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Nietzsches friend, the philosopher Paul Ree, once said that Nietzsche was more important for his letters than for his books, and even more important for his conversations than for his letters. In Conversations with Nietzsche, Sander Gilman and David Parent present a fascinating selection of eighty-seven memoirs, anecdotes, and informal recollections by friends and acquaintances of Nietzsche. Translated from the definitive German collection, Begegnungen mit Nietzsche, these biographical pieces--some of which have never before appeared in English--cover the entire span of Nietzsches life his boyhood friendships, his arrival at the University of Bonn, his appointment to professor at Basel at age twenty-four, the impact of The Birth of Tragedy, his friendship with Wagner, his life in Italy, his confinement at the Jena Sanatorium, and his death. They present the philosopher in dialogue with friends and acquaintances, and provide new insights into him as a thinker and as a commentator on his times, recounting his views on some of the greats of history, including Burckhardt, Goethe, Kant, Dostoevsky, Napoleon, and numerous others. In his selections, Gilman has carefully balanced documents concerning Nietzsches personal life with others on his intellectual development, resulting in an entertaining and informative book that will appeal to a wide audience of educated readers. **From Library Journal These accounts of Nietzsche by acquaintances, translated from a larger German collection, give us recollections of conversations with Nietzsche and descriptions of him at all stages of his life. The informants include his mother and sister friends such as Lou Salome Pforta pupils former teachers and students colleagues and their wives and walking and table companions. While much of this material will be familiar to readers of the standard biographies, some of the anecdotes from minor characters in Nietzsches life will be of interest. Nietzsche would have been pleased that these accounts are given from very different perspectives and are invariably favorable. Richard Hogan, Philosophy Dept., Southeastern Massachusetts Univ., North Dartmouth 1987 Reed Business Information, Inc. Review An exceedingly interesting, and often touching, collection of memories.--The New York Review of Books An excellent exposition of the life of Nietzsche as seen from the outside looking in. A nice complement to his own views of himself from the inside looking out.--Manuel Davenport, Texas A&M University Indispensable for senior students of Nietzsche.--Mark Migotti, University of Ottawa What sort of life emerges from this reading? A richer life, I think, than his biographers have been willing to grant....Since hero worshippers and then fascists depopulated the Zarathustra landscape, one can only be grateful to Gilman and his capable translator, David J. Parent, for repopulating that world again.--American Historical Review Not for Nietzsche scholars only, this exemplary collection is for anyone interested in a unique man, one as unforgettable for the exquisite fineness of his outer life as for the fire within.--Kirkus Reviews
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128487
Author: VĂ©ronique Lane
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The Francophilia of the Beat circle in the New York of the mid-1940s is well known, as is the importance of the Beat Hotel in the Paris of the late 1950s and early 1960s, but how exactly did French literature and culture participate in the emergence of the Beat Generation? French modernism did much more than inspire its first major writers, it materially shaped their works, as this comparative study reveals through close textual analysis of William Burroughs, Allen Ginsberg and Jack Kerouacs appropriations of French literature and culture. Sometimes acknowledged, sometimes not, their appropriations take multiple forms, ranging from allusions, invocations and citations to adaptations and translations, and they involve a vast array of works, including the poetic realist films of Carne and Cocteau, the existentialist philosophy of Sartre, and the poems and novels of Baudelaire, Rimbaud, Proust, Gide, Apollinaire, St.-John Perse, Artaud, Celine, Genet and Michaux. While clarifying the extent of Burroughs, Ginsberg and Kerouacs engagements with French literature and culture, in-depth analysis of their textual appropriations emphasises differences in their views of literature, philosophy and politics, which help us understand the early Beat circle was divided from the start. The books close-readings also transform our perception of Burroughs cut-up practice, Kerouacs spontaneous prose, and Ginsbergs poetics of open secrecy. **Review Veronique Lanes The French Genealogy of the Beat Generation fills an important and often unacknowledged gap in the study of these seemingly echt-American rebels. The Beats literary Frenchness is more than an artifact of their time-it is a key to their literary values and a measure of the tradition of literary revolt that spread from 19th-century France across continents and centuries. Lane elucidates the connections with wit, grace, and style. Luc Sante, Visiting Professor of Writing and the History of Photography, Bard College, USA, and author of The Other Paris (2015) Lane has written a pearl of a book, illuminating a central aspect of Beat literature thats long been obscure. Ann Charters, Professor of American Literature, University of Connecticut, USA This timely and informative book establishes the importance of French writers for the Beat generation of writers so effortlessly and convincingly that one can only wonder why it has never been done before. Deploying an intimate grasp of the works of Burroughs, Ginsberg and Kerouac based on detailed textual analysis, this ambitious study is sure to be a reference-point for many years to come. Mairead Hanrahan, Professor and Chair of French, University College London, UK About the Author Veronique Lane has taught French critical thought on the Vassar-Wesleyan Program in Paris, France, and has been Assistant Professor of French at Wesleyan University, USA, as well as Postdoctoral Fellow in the Research Institute for the Humanities at Keele University, UK. She has a PhD on Artaud and Genet from the Universite Paris Diderot - Paris VII.
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