Rabih Alameddinee grew up in Kuwait and Lebanon. He holds degrees from UCLA and the University of San Francisco and received a Guggenheim Foundation fellowship in 2002. He is the author of Koolaids, I, the Divine, The Perv, and, most recently, The Hakawati. His pieces have appeared in Zoetrope, The Los Angeles Times, The Evening Standard, Corriere Della Sera, and Al-Hayat, among others. He divides his time between San Francisco and Beirut.
http://storyhour.berkeley.edu/
Pauline Yu presented her lecture as part of the Townsend Center for the Humanities' Forum on the Humanities and the Public World. Yu has been President of the American Council of Learned Societies since July 2003. She has previously served as Professor of East Asian Languages and Cultures and Dean of Humanities in the College of Letters and Science at the University of California, Los Angeles. Professor Yu has written numerous books and articles on classical Chinese poetry, comparative literature, and issues in the humanities.
A long discussion of how we can understand the direction that Chinese painting took after the end of the Song dynasty, and why the great Song tradition of ink-monochrome landscape was not really continued in China. Some additional thoughts on the quality of representational truthfulness, "likeness" or "mimesis," which we are admonished by Orthodoxy advocates not to look for in Chinese painting, ends this lecture.