mind,-modernity,-madness-the-impact-of
Here are some highlights from this 2013 book by sociologist Liah Greenfeld: https://lukeford.net/blog/?p=143670
* It must have been this peculiar association of madness and poetry in English which gave rise to the popular among English-speaking psychiatrists and psychologists view that manic-depressive illness, specifically, is just another expression of genes responsible for exceptional creativity, which implied in a “too much of a good thing” type of argument that the more creative one is, the more one is likely to suffer from manic-depressive illness. It is certainly both more logical and more consistent with the available evidence, however, to conclude the opposite: the more disturbed one is in the mind, the more likely one is to turn to language, abstaining oneself and letting it fix, and fixate, one’s unhinged world. In this sense, what explains the striking similarity between schizophrenic thought and language and modern poetry (so meticulously documented by Louis Sass) is the fact that this particular (usually formless) form is a function, a creation, of mental disease. It is, at its root, a symptom, an expression of madness, a desperate “I am” sign—indeed so often made by our “leading poets”:
* A Frenchman, Jean Bernard, abbé Le Blanc, having spent seven years in England, acquired a broader picture, however, and thus commented in his letters already in mid-eighteenth century on the mental disposition of the farmers as well. They were, he said, unquestionably better off, from the material point of view, than their counterpart group in France—French peasants. “However, in the midst of this plenty, we easily perceive that the farmer is not so gay here, as in France; so that he may perhaps be richer, without being happier. The English of all ranks have that melancholy air, which makes part of their national character. The farmers here, shew very little mirth, even in their drunkenness; whereas in France, the farmers in several provinces drink nothing but water, and yet are as gay as possible.” It is quite stunning that this comment was made less than forty years before the French Revolution. Still, Le Blanc, too, found the people of condition more affected by the national disease, which, like Cheyne, he attributed to inactivity and too much wealth. And then he summed up the French point of view: “This cheerfulness, which is characteristic of our nation, in the eye of an Englishman passes almost for folly; but is their gloominess a greater mark of wisdom? And folly against folly, is not the most cheerful sort the best? At least if our gaiety makes them sad, they ought not to find it strange if their seriousness makes us laugh.”
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