Converting to Islam: Understanding the Experiences of White American Females
Author: Amy Melissa Guimond File Type: pdf This text aims to discover the shared lived experiences of white American female converts to Islam in post- 911 America. It explores the increasingly hostile social climate faced by Muslim Americans, as well as the spiritual, social, physical, and mental integration of these women into the Muslim-American population. In the United States, rates of conversion to Islam are rapidly increasingalongside Islamophobic sentiment and hate crimes against Muslims. For a period of time, there was a lull in this negative sentiment. However, in light of the Paris terror attacks, the increased prominence of ISISISIL, and the influx of refugees from Syria, anti-Muslim rhetoric is once again on the rise. This volume analyzes how a singular collection of female converts have adapted to life in the United States in the shadow of 911. **
Author: David Evans
File Type: pdf
Theodore de Banville (1823-1891) was a prolific poet, dramatist, critic and prose fiction writer whose significant contribution to poetic and aesthetic debates in nineteenth-century France has long been overlooked. Despite his profound influence on major writers such as Baudelaire, Rimbaud, Verlaine and Mallarme, Banville polarised critical opinion throughout his fifty-year career. While supporters championed him as a virtuoso of French verse, many critics dismissed his formal pyrotechnics, effervescent rhythms and extravagant rhymes as mere clowning. This book explores how Banvilles remarkably coherent body of verse theory and practice, full of provocative energy and mischievous humour, shaped debates about poetic value and how to identify it during a period of aesthetic uncertainty caused by diverse social, economic, political and artistic factors. It features a detailed new reading of Banvilles most infamous and misunderstood text, the Petit Traitede poesie francaise, as well as extended analyses of verse collections such as Les Stalactites, Odes funambulesques, Les Exiles, Trente-six Ballades and Rondels, illuminated by wide reference to Banvilles plays, fiction and journalism. Evans elucidates not only aesthetic tensions at the heart of nineteenth-century French verse, but also a centuries-old tension between verse mechanisms and an unquantifiable, mysterious and elusive poeticity which emerges as one of the defining narratives of poetic value from the Middle Ages, via the Grands Rhetoriqueurs and Dada, to the experiments of the OuLiPo and beyond. **About the Author David Evans is Senior Lecturer in French at the University of St Andrews, UK.
Author: George C. Thomas
File Type: epub
How did the United States, a nation known for protecting the right to remain silent become notorious for condoning and using controversial tactics like water boarding and extraordinary rendition to extract information? What forces determine the laws that define acceptable interrogation techniques and how do they shift so quickly from one extreme to another? In Confessions of Guilt, esteemed scholars George C. Thomas III and Richard A. Leo tell the story of how, over the centuries, the law of interrogation has moved from indifference about extreme force to concern over the slightest pressure, and back again. The history of interrogation in the Anglo-American world, they reveal, has been a swinging pendulum rather than a gradual continuum of violence. Exploring a realist explanation of this pattern, Thomas and Leo demonstrate that the law of interrogation and the process of its enforcement are both inherently unstable and highly dependent on the perceived levels of threat felt by a society. Laws react to fear, they argue, and none more so than those that govern the treatment of suspected criminals. From England of the late eighteenth century to America at the dawn of the twenty-first, Confessions of Guilt traces the disturbing yet fascinating history of interrogation practices, new and old, and the laws that govern them. Thomas and Leo expertly explain the social dynamics that underpin the continual transformation of interrogation law and practice and look critically forward to what their future might hold.**
Author: Geoff Hamilton
File Type: pdf
Beginning with the writings of Samson Occom, and extending through a range of fiction and nonfiction works by William Apess, Sarah Winnemucca, Zitkala-Sa, N. Scott Momaday, Gerald Vizenor, and Louise Erdrich, Geoff Hamilton sketches a movement of gradual but resolute ascent in Native American literature. The history of this rich tradition of storytellers begins with desperate early efforts pitted against the historical realities of genocide and cultural annihilation. It moves to attempts to preserve any sense of self and community, and finally toward expressions of a resurgent autonomy that affirm new, indigenous models of what Hamilton labels as eunomia, a fertile blending of human and natural orders.The first book to chart autonomys conceptual growth in Native American literature from the late eighteenth to the early twenty-first century,A New Continent of Libertyexamines, against the backdrop of Euro-American Literature, how Native American authors have sought to reclaim and redefine distinctive versions of an ideal of self-rule grounded in the natural world.**ReviewThis book is without a doubt an original, substantial contribution to both Native American and American literary studies, as well as to the pedagogy of both. Hamilton not only deepens and broadens our understanding of the implicit dialogue between Native and non-Native art but also offers a valuable perspective on American autonomy as a foundational ideal.(Catherine Rainwater, St. Edwards University, editor of Leslie Marmon Silkos Storyteller New Perspectives) A New Continent of Liberty is an interesting and important long-look engagement with the social and cultural development of Native and non-Native American literature and the dual politics from which they emerge. An excellent addition for scholars and students of comparative literary analysis who examine works from the U.S. and Native Nations as well American literature, history, and philosophy more broadly.(Theodore Van Alst, Portland State University, author of Sacred Smokes) About the Author Geoff Hamilton, who teaches humanities at Medicine Hat College in Alberta, Canada, is the author of The Life and Undeath of Autonomy in American Literature (Virginia).
Author: Susan Niditch
File Type: epub
The Companion to Ancient Israel offers an innovative overview of ancient Israelite culture and history, richly informed by a variety of approaches and fields. Distinguished scholars provide original contributions that explore the tradition in all its complexity, multiplicity and diversity. A methodologically sophisticated overview of ancient Israelite culture that provides insights into political and social history, culture, and methodology Explores what we can say about the cultures and history of the people of Israel and Judah, but also investigates how we know what we know Presents fresh insights, richly informed by a variety of approaches and fields Delves into religion as lived, an approach that asks about the everyday lives of ordinary people and the material cultures that they construct and experience Each essay is an original contribution to the subject
Author: Mark Monmonier
File Type: pdf
Originally Published in 1999Weather maps have made our atmosphere visible, understandable, and at least moderately predictable. In Air Apparent Mark Monmonier traces debates among scientists eager to unravel the enigma of storms and global change, explains strategies for mapping the upper atmosphere and forecasting disaster, and discusses efforts to detect and control air pollution. Fascinating in its scope and detail, Air Apparent makes us take a second look at the weather map, an image that has been, and continues to be, central to our daily lives. Clever title, rewarding book. Monmonier . . . offers here a basic course in meteorology, which he presents gracefully by means of a history of weather maps. Scientific American Mark Monmonier is onto a winner with Air Apparent. . . . It is good, accessible science and excellent history. . . . Read it. Fred Pearce, New Scientist [Air Apparent] is a superb first reading for any backyard novice of weather . . . but even the veteran forecaster or researcher will find it engaging and, in some cases, enlightening. Joe Venuti, Bulletin of the American Meteorological Society Monmonier is solid enough in his discussion of geographic and meteorological information to satisfy the experienced weather watcher. But even if this information were not presented in such a lively and engaging manner, it would still hook most any reader who checks the weather map every morning or who sits happily entranced through a full cycle of forecasts on the Weather Channel.Michael Kennedy, Boston Globe**From Scientific AmericanClever title, rewarding book. Monmonier, professor of geography at Syracuse University, offers here a basic course in meteorology, which he presents gracefully by means of a history of weather maps. The earliest of the many such maps that illustrate the book was published in 1686 by English astronomer Edmond Halley it showed trade winds and monsoons in, as Halley put it, the Seas between and near the Tropicks, with an Attempt to Assign the Phisical Cause of the Said Winds. By the end of the book, one is looking at maps based on such high-tech meteorological aids as weather satellites, radar and the Total Ozone Mapping Spectrometer. Contemporary meteorology, Monmonier says, is arguably todays single most map-intensive scientific enterprise. Review Air Apparent ... is good, accessible science and excellent history. Monmonier jumps skillfully from anecdote to meteorological theory to cartography. And he is no slouch at modern forecasts. -- New Scientist, Fred Pearce
Author: Gautam Chakravarty
File Type: pdf
Gautam Chakravarty explores representations of the Indian Mutiny of 1857 in British popular fiction and historiography and within the wider context of British involvement in India. Drawing on diaries, autobiographies and state papers, Chakravarty demonstrates how narratives of the rebellion were inflected by the concerns of colonial policy and the demands of imperial self-image. The book has a broad interdisciplinary appeal. **
Author: Sarah Finley
File Type: pdf
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin Americanpoet and nun Sor Juana Ines de la Cruz(16485195). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juanas work, however, links betweenthe poets musical inheritance and subjects such as acoustics, cognition, writing, andvisual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism anda corresponding visual dominance in scholarship on Sor Juanaand indeed in early modern cultural production in general. As in many areas of her work, Sor Juanas engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key.Hearing Voices focuses on these aural conceits in highlighting the importance of sound andin most casesits relationship with gender in Sor Juanas work and early modern culture. Sarah Finley explores attitudes toward womens voices and music making intersections of music, rhetoric, and painting aurality in Baroque visual art sound and ritual and theconnections between optics and acoustics. Finley demonstrates how Sor Juanas striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor mens voices. Sound becomes a vehicle for womens agency and responds to anxiety about the female voice, particularly in early modern convent culture. **Review A much-needed and valuable contribution to the field of Sor Juana studies. The books focus on Sor Juanas engagement with non-musical sound significantly complements existing scholarship on musical sound, whether from a musicological or literary perspective. The broad approach to aurality and sound that the author undertakesfrom harmony to resonance, sound, echo, and silencewill make it an indispensable study on the subject.Mario Ortiz, associate professor of Spanish at the Catholic University of America (Mario Ortiz 2018-03-05) Sarah Finley brings a unique combination of expertise in early modern musicology and current sound studies to illuminate a web of connections among aesthetic, philosophical, scientific, gendered, and political contexts. This book will interest scholars in early modern European and Hispanic colonial literary studies and musicology and in gender and womens studies.Emilie Bergmann, professor of Spanish and Portuguese at the University of California, Berkeley, and coeditor of Approaches to Teaching Sor Juana Ines de la Cruz (Emilie Bergmann 2018-03-05) About the Author Sarah Finley is an assistant professor of Spanish at Christopher Newport University.