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7 Jan 2021 11:12:00 UTC
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Apocalypse and Anti-Catholicism in Seventeenth-Century English Drama
Author: Adrian Streete
File Type: pdf
This book examines the many and varied uses of apocalyptic and anti-Catholic language in seventeenth-century English drama. Adrian Streete argues that this rhetoric is not simply an expression of religious bigotry, nor is it only deployed at moments of political crisis. Rather, it is an adaptable and flexible language with national and international implications. It offers a measure of cohesion and order in a volatile century. By rethinking the relationship between theatre, theology and polemic, Streete shows how playwrights exploited these connections for a diverse range of political ends. Chapters focus on playwrights like Marston, Middleton, Massinger, Shirley, Dryden and Lee, and on a range of topics including imperialism, reason of state, commerce, prostitution, resistance, prophecy, church reform and liberty. Drawing on important recent work in religious and political history, this is a major re-interpretation of how and why religious ideas are debated in the early modern theatre. **Review Its comprehensiveness is staggering en route to close reading particular plays, Streete provides numerous examples and quotations from a variety of contemporaneous plays, poems, speeches, and sermons, making it the most crossgeneric monograph this reader has seen and enjoyed. Streetes sensitivity and command of early modern culture is unparalleled ... Streetes ability to trace ripples of fear through his encyclopaedic grasp of the periods publishing history makes his argument virtually airtight. Kyle Sebastian Vitale, The Review of English Studies A finely detailed and instructive study of how political and religious discourses are reconfigured in the language, plot and personation of drama ... an excellent resource that will propel further scholarly interest. Daniel Cattell, The Seventeenth Century Book Description Streete studies the political uses of apocalyptic and anti-Catholic rhetoric in a wide range of seventeenth-century English drama, focusing on the plays of Marston, Middleton, Massinger, and Dryden. Drawing on recent work in religious and political history, he rethinks how religion is debated in the early modern theatre.
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