Author: Jessica Lack File Type: epub Art is not a luxury. Art is a basic social need to which everyone has a right.This extraordinary collection of 100 artists manifestos from across the globe over the last 100 years brings together political activists, anti-colonialists, surrealists, socialists, nihilists and a host of other voices. From the Negritude movement in Europe, Africa and Martinique to Japans Bikyoto, from Iraqi modernism to Australian cyberfeminism, they are by turns personal, political, utopian, angry, sublime and revolutionary. Some have not been published in English before some were written in climates of censorship and brutality some contain visions of a future still on the horizon. What unites them is the belief that art can change the world.
Author: Shipu Wang
File Type: pdf
A few short days has changed my status in this country, although I myself have not changed at all. On December 8, 1941, artist Yasuo Kuniyoshi (1889-1953) awoke to find himself branded an enemy alien by the U.S. government in the aftermath of Japans attack on Pearl Harbor. The historical crisis forced Kuniyoshi, an emigre Japanese with a distinguished career in American art, to rethink his pictorial strategies and to confront questions of loyalty, assimilation, national and racial identity that he had carefully avoided in his prewar art. As an immigrant who had proclaimed himself to be as American as the next fellow, the realization of his now fractured and precarious status catalyzed the development of an emphatic and conscious identity construct that would underlie Kuniyoshis art and public image for the remainder of his life. Drawing on previously unexamined primary sources, Becoming American? is the first scholarly book in over two decades to offer an in-depth and critical analysis of Yasuo Kuniyoshis pivotal works, including his anti-Japan posters and radio broadcasts for U.S. propaganda, and his coded and increasingly enigmatic paintings, within their historical contexts. Through the prism of an identity crisis, the book examines Kuniyoshis imagery and writings as vital means for him to engage, albeit often reluctantly and ambivalently, in discussions about American democracy and ideals at a time when racial and national origins were grounds for mass incarceration and discrimination. It is also among the first scholarly studies to investigate the activities of Americans of Japanese descent outside the internment camps and the intense pressures with which they had to deal in the aftermath of Pearl Harbor. As an art historical book, Becoming American? foregrounds broader historical debates of what constituted American art, a central preoccupation of Kuniyoshis artistic milieu. It illuminates the complicating factors of race, diasporas, and ideology in the construction of an American cultural identity. Timely and provocative, the book historicizes and elucidates the ways in which minority artists have been, and continue to be, both championed and marginalized for their cultural and ethnic difference within the twentieth-century American art canon.
Author: Timothy Wiarda
File Type: pdf
A number of New Testament passages depict the Holy Spirit acting in conjunction with gospel preaching or other forms of humanly given communication about Jesus, yet there is considerable disagreement about how these passages should be interpreted. Unresolved exegetical debates about the correlative action (the dual testimony?) of the Spirit and the humanly conveyed word plague the interpretation of whole writings, extended sections of individual works, and important themes. This book examines this contested motif in a focused and comprehensive way. It begins by taking the Pauline, Johannine, and Lucan writings in turn, subjecting the central texts that express dual testimony to detailed exegetical analysis. On the basis of this exegetical work it then moves to a big-picture analysis of the way each corpus expresses and uses the dual-testimony motif, identifying individual emphases and tendencies as well as shared elements that can be observed across the three bodies of writing. Two final chapters offer brief reflections on possible developmental scenarios and points at which the preceding exegetical findings may impinge on questions of contemporary theology.
Author: Gregory Conti
File Type: pdf
The notion of representative democracy seems unquestionably familiar today, but how did the Victorian era - the epoch when the modern democratic state was made - understand democracy, parliamentary representation, and diversity? In the famous nineteenth-century debates about representation and parliamentary reform, two interlocked ideals were of the greatest importance descriptive representation, that the House of Commons mirror the diversity that marked society, and deliberation within the legislative assembly. These ideals presented a major obstacle to the acceptance of a democratic suffrage, which it was widely feared would produce an unrepresentative and un-deliberative House of Commons. Here, Gregory Conti examines how the Victorians conceived the representative and deliberative functions of the House of Commons and what it meant for parliament to be the mirror of the nation. Combining historical analysis and political theory, he analyses the fascinating nineteenth-century debates among contending schools of thought over the norms and institutions of deliberative representative government, and explores the consequences of recovering this debate.Book DescriptionHow did the Victorian era - the epoch when the modern democratic state was made - understand democracy, parliamentary representation, and diversity? Here, Gregory Conti examines how the Victorians conceived the representative and deliberative functions of the House of Commons and what it meant for parliament to be the mirror of the nation. About the Author bGregory Contib is Assistant Professor of Politics at Princeton University, New Jersey. He has written numerous articles about the history of liberalism and democratic theory, with a special focus on questions of representation and freedom of speech. He has served as a research fellow at Jesus College, Cambridge.
Author: Jose Saramago
File Type: epub
Beginning on the eve of the 2008 US presidential election, The Notebook evokes life in Saramagos beloved Lisbon, revisits conversations with friends, and offers meditations on the authors favorite writers. Precise observations and moments of arresting significance are rendered with pointillist detail, and together demonstrate an acute understanding of our times. Characteristically critical and uncompromising, Saramago dissects the financial crisis, deplores Israels punishment of Gaza, and reflects on the rise of Barack Obama. The Notebook is a unique journey into the personal and political world of one of the greatest writers of our time. **html
Author: Tom Finkelpearl
File Type: pdf
In What We Made, Tom Finkelpearl examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art. He suggests social cooperation as a meaningful way to think about this work and provides a framework for understanding its emergence and acceptance. In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media. Issues discussed include the experiences of working in public and of working with museums and libraries, opportunities for social change, the lines between education and art, spirituality, collaborative opportunities made available by new media, and the elusive criteria for evaluating cooperative art. Finkelpearl engages the art historians Grant Kester and Claire Bishop in conversation on the challenges of writing critically about this work and the aesthetic status of the dialogical encounter. He also interviews the often overlooked co-creators of cooperative art, expert participants who have worked with artists. In his conclusion, Finkelpearl argues that pragmatism offers a useful critical platform for understanding the experiential nature of social cooperation, and he brings pragmatism to bear in a discussion of Houstons Project Row Houses. Interviewees. Naomi Beckwith, Claire Bishop, Tania Bruguera, Brett Cook, Teddy Cruz, Jay Dykeman, Wendy Ewald, Sondra Farganis, Harrell Fletcher, David Henry, Gregg Horowitz, Grant Kester, Mierle Laderman Ukeles, Pedro Lasch, Rick Lowe, Daniel Martinez, Lee Mingwei, Jonah Peretti, Ernesto Pujol, Evan Roth, Ethan Seltzer, and Mark Stern **
Author: Philip Jodidio
File Type: pdf
Contemporary architecture by country TASCHENs new architecture series brings a unique perspective to world architecture, highlighting architectural trends by country. Each book features 15 to 20 architects?from the firmly established to the up-and-coming?with the focus on how they have contributed to very recent architecture in the chosen nation. Entries include contact information and short biographies in addition to copiously illustrated descriptions of the architects or firms most significant recent projects. Crossing the globe from country to country, this new series celebrates the richly hued architectural personality of each nation featured. Architects featured Matali Crasset Odile Decq Jean-Marie Duthilleul Edouard Fran?ois Manuelle Gautrand Jakob + MacFarlane Lacaton & Vassal Jean Nouvel Marin-TrottinP?riph?riques Dominique Perrault Christian de Portzamparc Rudy Ricciotti Valode & Pistre Jean-Paul Viguier Jean-Michel Wilmotte Series author Philip Jodidio studied art history and economics at Harvard University, and was Editor-in-Chief of the leading French art journal Connaissance des Arts for over two decades. He has published numerous articles and books, including TASCHENs Architecture Now series, Building a New Millennium, and monographs on Norman Foster, Richard Meier, ?lvaro Siza, Tadao Ando, and Renzo Piano.About the AuthorPhilip Jodidio studied art history and economics at harvard University, and was Editor-in-Chief of the leading French art journal Connaissance des Arts for over two decades. He has published numerous articles and books, including TASCHENs Architecture Now series, Building a New Millennium, and monographs on Norman Foster, Richard Meier, Alvaro Siza, Tadao Ando, and Renzo Piano.
Author: Shadi Mokhtari
File Type: pdf
Mokhtaris book examines the changes in the human rights discourse in the United States and the Middle East after the maltreatment and torture of the U.S. captives in the Abu Ghraib and other prisons became public. Through the text analysis of speeches and news reports, as well as in-depth interviews with human rights NGO officials, she makes a thorough assessment that both credits and criticizes the NGOs. Mokhtari shows that human rights advocacy has been successful in pushing the U.S. courts and Congress to recognize the relevance of international human rights law.ReviewInsightful, sober, and forward looking analysis of the practice of human rights in the harsh realities of violent conflict and moral ambivalence. This is how to uphold principled commitment to human rights, through critical pragmatic optimism, not unrealistic naivety or futile mutual aggression.ullDr. Abdullahi A. An-NaimCharles Howard Candler Professor of Law Emory UniversitylulCritical of the constructivist theorys omission of human rights violations in western states, Mokhtari examines the human rights discourse that emerged in the US after the torture of the US captives in the Abu Ghraib and other prisons became public. She shows that human rights advocacy has been successful in pushing the US courts and Congress to recognize the relevance of international human rights law, but only by reproducing the prevalent EastWest geography of human rights, which treats the US as the origin and innate holder of international human rights norms and the East as the outlaw to be tamed and taught. Moreover, the Middle Eastern human rights NGOs appear to have accepted and internalized the core assumption of this binary. This book is not only original and timely, but it also has strong ethical and theoretical dimensions. As a documented commentary on policy, constructivist theory, and NGO strategies, it is a must reading for all who are concerned about human rights issues. ullZehra F. Kabasakal AratJuanita and Joseph Leff ProfessorPolitical Science, Purchase College, SUNYlulBook DescriptionThe book presents human rights struggles within and between the United States and the Middle East in the post-September 11th era. This book looks at both the human rights failings and opportunities that emerged after September 11th and particularly after Abu Ghraib. It is also unique in placing American and Middle Eastern human rights developments side by side in a way that provides a fuller picture of the eras human rights struggles and achievements.
Author: James Joseph Dean
File Type: pdf
Since the Stonewall Riots in 1969, the politics of sexual identity in America have drastically transformed. Its almost old news that recent generations of Americans have grown up in a culture more accepting of out lesbians and gay men, seen the proliferation of LGBTQ media representation, and witnessed the attainment of a range of legal rights for same-sex couples. But the changes wrought by a so-called post-closeted culture have not just affected the queer communityheterosexuals are also in the midst of a sea change in how their sexuality plays out in everyday life. In Straights, James Joseph Dean argues that heterosexuals can neither assume the invisibility of gays and lesbians, nor count on the assumption that their own heterosexuality will go unchallenged. The presumption that we are all heterosexual, or that there is such a thing as compulsory heterosexuality, he claims, has vanished.Based on 60 in-depth interviews with a diverse group of straight men and women, Straights explores how straight Americans make sense of their sexual and gendered selves in this new landscape, particularly with an understanding of how race does and does not play a role in these conceptions. Dean provides a historical understanding of heterosexuality and how it was first established, then moves on to examine the changing nature of masculinity and femininity and, most importantly, the emergence of a new kind of heterosexualitynotably, for men, the metrosexual, and for women, the emergence of a more fluid sexuality. The book also documents the way heterosexuals interact and form relationships with their LGBTQ family members, friends, acquaintances, and coworkers. Although homophobia persists among straight individuals, Dean shows that being gay-friendly or against homophobic expressions is also increasingly common among straight Americans. A fascinating study, Straights provides an in-depth look at the changing nature of sexual expression in America.Instructors PowerPoint slides for each chapter are available by clicking on the files below.Introduction Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6**
Author: Rowan Moore
File Type: epub
In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotionssuch as hope, power, sex, and our changing relationship to the idea of homeare the most powerful force behind architecture, yesterday and (especially) today.We are living in the most dramatic period in architectural history in more than half a century a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are being invented overnight in exotic locales or here in the United States.Now, in a bold and wide-ranging new work, Rowan Mooreformer director of the Architecture Foundation, now the architecture critic for The Observerexplores the reasons behind these changes in our built environment, and how they in turn are changing the way we live in the world. Taking as his starting point dramatic examples such as the High Line in New York City and the outrageous island experiment of Dubai, Moore then reaches far and wide back in time to explore the Covent Garden brothels of eighteenth-century London and the fetishistic minimalism of Adolf Loos across the world to assess a software magnates grandiose mansion in Atlanta and Daniel Libeskinds failed design for the World Trade Center site and finally to the deeply naturalistic work of Lina Bo Bardi, whom he celebrates as the most underrated architect of the modern era.**