This is the Most technology advanced water filter that uses Reverse Osmosis filtration and does not require any plumbing. BETTER THAN BOTTLED WATER RIGHT FROM YOUR TAP; SAME GREAT TASTE AND NO PLASTIC WASTE!
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AquaTru's exclusive, patent-pending Ultra Pure Reverse Osmosis Technology miniaturized the same reverse osmosis technology used by all the major bottled brands and puts it into a compact countertop water purifier. AquaTru removes toxic chemicals in your tap water. ... https://www.youtube.com/watch?v=txjlfpMKtH4
Get It Here: http://bit.ly/stringlibraries
ALCHEMIST 2 - Cinematic Impacts is available in two packages.
FULL VERSION (download size 6.3GB)
A total of 6+GB of original sample material (Full Quality WAV files).
3.8+GB of brand new samples plus all samples included in the first version of Alchemist Cinematic Impacts Vers.1 (2.4+GB)
Two Instruments:
Alchemist 2 Cinematic Impacts 2: 2.4GB of brand new sample material and 300 of new snapshots powered by the new ALCHEMIST 2 engine.
Alchemist 2 Cinematic Impacts 1: All samples (1.6GB) and snapshots (195) of the first version of Alchemist Impacts powered by the new ALCHEMIST 2 engine.
900+ high-quality WAV total samples.
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https://www.youtube.com/watch?v=MASqBIG9F_o
Here's a Classic vintage Commercial of Sony's Betamax vs VHS. It reveals Betamax had a clearer picture than VHS in the fight for home video cassette dominance.
The first Betamax device introduced in the United States was the LV-1901 console, which included a 19-inch (48 cm) color monitor, and appeared in stores in early November 1975. The cassettes contain 0.50-inch-wide (12.7 mm) videotape in a design similar to that of the earlier, professional 0.75-inch-wide (19 mm), U-matic format.
Like the rival videotape format VHS (introduced in Japan by JVC in September 1976[6] and in the United States by RCA in August 1977),[7] Betamax has no guard band and uses azimuth recording to reduce crosstalk. According to Sony's history webpages, the name had a double meaning: beta is the Japanese word used to describe the way in which signals are recorded on the tape; and the shape of the lowercase Greek letter beta (β) resembles the course of the tape through the transport. The suffix -max, from the word "maximum", was added to suggest greatness.[8] In 1977, Sony issued the first long-play Betamax VCR, the SL-8200. This VCR had two recording speeds: normal, and the newer half speed. This provided two hours' recording on the L-500 Beta videocassette. The SL-8200 was to compete against the VHS VCRs, which allowed up to 4, and later 6 and 8, hours of recording on one cassette.
Initially, Sony was able to tout several Betamax-only features, such as BetaScan—a high speed picture search in either direction—and BetaSkipScan, a technique that allowed the operator to see where they were on the tape by pressing the FF key (or REW, if in that mode): the transport would switch into the BetaScan mode until the key was released. This feature is discussed in more detail on Peep Search. Sony believed that the M-Load transports used by VHS machines made copying these trick modes impossible. BetaSkipScan (Peep Search) is now available on miniature M-load formats, but even Sony was unable to fully replicate this on VHS. BetaScan was originally called "Videola" until the company that made the Moviola threatened legal action.
Sanyo marketed its own Betamax-compatible recorders under the Betacord brand (also casually referred to as "Beta"). In addition to Sony and Sanyo, Beta-format video recorders were manufactured and sold by Toshiba, Pioneer, Murphy, Aiwa, and NEC. Zenith Electronics and WEGA contracted with Sony to produce VCRs for their product lines. The department stores Sears (in the United States and Canada) and Quelle (in Germany) sold Beta-format VCRs under their house brands, as did the RadioShack chain of electronic stores.
Industrial and professional usage
Sony also offered a range of industrial Betamax products, a Beta I-only format for industrial and instituti
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https://www.youtube.com/watch?v=rolvzg9jTy8
Get DIGITAL ANALOG CLOUDS Here: http://bit.ly/audioplugins
Sample Sound Review does a PLAYTHROUGH of DIGITAL ANALOG CLOUDS by RIOT AUDIO that is currently 67% OFF for a LIMITED TIME through the Link above.
For just $34 (normally $109), get Riot Audio’s DIGITAL ANALOG CLOUDS, a morphing pad instrument based on sounds processed through a hybrid digital/analog rig including a range of modular effects.
Digital Analago Clouds was created in collaboration with composer and sound designer Simone Vallecorsa, also known under his electronic music alias Aeph.
Riot Audio’s acclaimed CLOUDS engine generates organic movement between different sample sources and groups. It contains two layers, A and B, each of which in turn contains a base sublayer and a target sublayer, i.e. four layers in total.
Originally $109, Digital Analog Clouds is now available for only $34 (you save $75). This is a great offer you should not miss!
LAYERS
Riot Audio’s acclaimed CLOUDS engine generates organic movement between different sample sources and groups. It contains two layers, A and B, each of which in turn contains a base sublayer and a target sublayer, i.e. four layers in total.
MORPHING: This section controls the morphing parameters of the engine. The engine is configured to modulate from the base sublayers of layer A and layer B to their target sublayers over time.
Amount: This controls how much the base layers morph into the target layers. This can be controlled for A and B separately.
Speed: Controls the speed of the morphing from the base layers to the target layers. Low settings equal speeds of ~300ms, while higher settings result in a morphing speed of around 9 seconds.
OCTAVES: Each layer (A, B) contains three octaves, each within their own Kontakt group and with subtle individual differences, such as different recording takes, pitch shift variations etc. This section allows for volume control of each of the octave groups. Choose one group only for a simple, thin sound, or dial them all in for a full, organ-like multi-octave spread.
X-FADE: This fader allows you to transition between the main layers A and B. We recommend automating this or controlling it via MIDI CC (modwheel etc) as this gives you maximum expressivity during playing.
FX
The effects section contains controls for Distortion, BP (Bandpass) Filter, Delay and Reverb.
Distortion toggle button: Turns Tape distortion/saturation on and off.
Distortion: Regulates the amount of saturation/distortion. At the higher end of the control you will hear tape compression kicking in – this stops the levels going all out of proportion.
BP Filter Freq(uency): Controls the centre of the Bandpass filter. We’ve opted for a fairly wide BP filter with smooth curves for a natural, warm sound. Nevertheless,
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https://www.youtube.com/watch?v=IcYR5JbIp1w
Stardust : https://infinitemindscape.bandcamp.com/releases
Infinite Mindscape is a Cinematic Hybrid Synth Project project created by DARKMOOD. The song STARDUST is a single from the upcoming album 'Space' to be released later this year. Influences include Vangelis and Tangerine Dream.
#tangerineDream #Vangelis #synthwave #instrumentalmusic #Soundtrack #musicvideo #Soundtrack #ambient #retro
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https://www.youtube.com/watch?v=DwPPvE4hmuQ
Get Power Move Here: http://bit.ly/PowermoveSynth
In this video, Sample Sound Review does a patch walk-through demo of this amazing new Kontakt library Retro Classic 80’s & Synthwave Instruments. If your a fan of the new soundtracks being scored with synths you have to check out Powermove!
More Details:
Power Move was created with one goal in mind: to re-create that warm, vintage, retro futuristic sound we remember from the 80’s (nowadays called “Synthwave“).
The entire library has a distinct analog sound and feel and every patch you play instantly transports you back in time.
The inspiration for this library was drawn from multiple sources in both Synthwave and 80’s styles including modern films like Drive, Stranger Things, The Guest and Kung Fury to classics like Big Trouble in Little China, Knightrider and Bladerunner.
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https://www.youtube.com/watch?v=pPETZpL56g8
Get the Slasher Album Here: https://darkmoodmusic.bandcamp.com/
'The Creeping' is a track from the DARKMOOD album 'SLASHER'. If you enjoy horror soundtrack music please consider adding it to your playlist. You can download the album from Amazon, Bandcamp, Cd Baby, and can be streamed via Spotify. Slasher takes you on a terrifying listening experience that also pays tribute to the Slasher film genre.
DARKMOOD is a project created by AKA composer Steve Montgomery.
Spotify: https://open.spotify.com/artist/2GC23dvR5jMFCWoKGAaVRO
Amazon: https://amzn.to/3CVkO5j
#darkmood #halloweenmusic #thecreeping #originalmusic #instrumental #darkambient #soundtrack #slasher #scarymusic #darkmusic
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https://www.youtube.com/watch?v=2FTHqIjbJmI
Jason and Freddy are the Perfect Pair of bobbleheads - Have a Happy October!
Music by DARKMOOD : https://darkmoodmusic.bandcamp.com/
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https://www.youtube.com/watch?v=gDtKGxHaIuY
Steve Montgomery from Sample Sound Review does a Review and Walkthrough of DAMAGE DRUM KIT by Heavyocity. Full Written Review Available Here: https://www.samplesoundreview.com/2022/06/review-damage-drum-kit-by-heavyocity.html
Damage Drum Kit, a massive-sounding premium hard rock and metal kit that brings you the powerful and punchy sound of heavy drums.
Designed for quick and easy beat creation, experience the only drum kit capable of inflicting the kind of DAMAGE your tracks deserve. Featuring over 450 sources housed in the powerful Damage 2 engine, the Damage Drum Kit offers a lethal yet versatile drum kit and a massive collection of Organic, Hybrid, and Damaged loops. Much like Damage 2, all of the content in the Damage Drum Kit works in three distinct instruments (Kit Designer, Ensemble Designer, and Loop Designer), each providing a uniquely inspiring and customizable workflow.
With over 23,800 samples and 24 GB of gut-punching impact, the Damage Drum Kit delivers a dynamic take on crushing beat and groove production. Three snares, two kicks, four toms, and eight pristine cymbals were meticulously recorded with multiple layers of dynamic variation by the Heavyocity team, to ensure that every detail was captured with precision. Now, bringing artists, composers, producers, and sound designers the most expressive and comprehensive drum set we have ever conceived.
“With the Damage Drum Kit, we were looking to build on the power of Damage 2,” said Neil Goldberg, Co-Founder and Partner, Heavyocity. “And deliver a monstrous-sounding, playable drum kit, specifically tailored for the epic aggression of modern music and scoring.”
As a “powered-by-Kontakt” instrument the Damage Drum Kit offers all playback and sound-shaping functionality through the full version of Kontakt
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For Reviews & News visit: https://samplesoundreview.com
Damage Drum Kit Available Here: https://www.heavyocity.com
or Plugin Boutique: https://bit.ly/DamageDrumKit
#heavyocity #DamageDrumKit #Review #walkthrough #playthrough #kontakt #nativeinstruments #reviews #musicproduction #damage
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https://www.youtube.com/watch?v=sOEdGc016Zw
Get DRUM WEAPONS 4 Here: http://bit.ly/vstdeal
In this video, Sample Sound Review does a kit Walkthrough of Drum Weapons 4 VST by Music Weapons that is currently 77% off for a limited time.
Drum Weapons 4” is an all new 120 Kit Library of head nodding beat-inspired authentic Boom-Bap Hip Hop flavor, with a rebuilt high resolution audio engine, brand new True Analog Technology, SP1200 and MP60 variations built-in, touchscreen compatibility and countless other new features.
From more modern types of Hip Hop kits but still with gritty character, to off the wall insane kits, to our traditional Boom Bap sound, to legit all the way grimey vinyl kits, “Drum Weapons 4” has you covered!
9GB Of Drums Of Mass Production!
“Drum Weapons 4” has the authentic Hip Hop sound that you all love plus a diverse collection of kits to cover all modern types of Hip Hop including:
Trap
Off the wall insane kits
Boom Bap sounds
Legit grimey vinyl kits
32 Best Of Drum Weapons 2 Kits Included
32 Best of Drum Weapons 3 Kits Included
Drum Weapons 4‘ (DW4) makes every other Hip Hop VSTi/AU and WAV Drum Collection seem like child’s play in comparison. Other products claim to have “bangin sounds” but they often fall short and have no more than 2 or 3 usable sounds.
‘Drum Weapons 4‘ by Music Weapons builds on everything Music Weapons did right in Drum Weapons 2 & Drum Weapons 3 that made Music Weapons one of the fastest growing music software companies in the world.
With an all new 120 Kits, 1452 One-Shots in total – this is a dope library of head nodding beat inspired authentic Boom Bap Hip Hop flavor. With a rebuilt high resolution audio engine, brand new true analog technology, sp1200 and mp60 variations built-in, along with countless other new features, it make DW4 the most exciting Hip Hop plugin to come along since our flagship Drum Weapons 2 & 3.
DW4 still has the authentic Hip Hop sound that you all love but it now has a more diverse collection of kits ranging from more modern types of Hip Hop kits but still with gritty character, to off the wall insane kits, to their traditional Boom Bap sound, to legit all the way grimey vinyl kits.
Each kit now contains 12 completely different sounds, over 1450 Sounds make up DW4… all meticulously ran through high end gear.
FEATURES
120 Kit Library
12 Different Sounds per Kit, 1452 Sounds Total
Fully Customized & Optimized GUI
All New Improved Audio Engine
True Analog Technology w/Classic Console & Tape Machine Sounds
57 Factory Kits Included
32 Best Of Drum Weapons 2 Kits Included
32 Best of Drum Weapons 3 Kits Included
Expansion Slot for Future Drum Kits
Create & Save Your Own Drum Kits!
The illest Drums ever made… period
For News and Reviews visit: https://www.samplesoundreview.com
Get DRUM WEAPON
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https://www.youtube.com/watch?v=4W9Pms9B03M