Author: Ali Smith
File Type: epub
Ali Smith, twice shortlisted for both the Man Booker and the Orange Prizes, is back with the sparkling There but for the... There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party . . . As time passes by and the consequences of this strangers actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they at first appear. There but for the has been hailed as one of the best books of 2011 by Jeanette Winterson, A.S. Byatt, Patrick Ness, Sebastian Barry, Boyd Tonkin, Erica Wagner and Nick Barley. Dazzlingly inventive A.S. Byatt Whimsically devastating. Playful, humorous, serious, profoundly clever and profoundly affecting Guardian A real gem Erica Wagner, The Times Eccentric, adventurous, intoxicating, dazzling. This is a novel with serious ambitions that remains huge fun to read Literary Review If you liked Smiths earlier fiction, you will know that she enjoys setting up a situation before chucking in a literary Molotov cocktail then describing what happens Sunday Express Wonderful, word-playful, compelling Jeanette Winterson Smith can make anything happen, which is why she is one of our most exciting writers today Daily Telegraph I take my hat off to Ali Smith. Her writing lifts the soul Evening Standard Ali Smith is the author of novels Girl Meets Boy, Like and the bestsellers The Accidental and Hotel World. She has published the short story collections The First Person and Other Stories, Free Love and Other Stories, Other Stories and Other Stories and The Whole Story and Other Stories. She has been twice-shortlisted for the Man Booker Prize, twice nominated for the Orange Prize and won the Whitbread Novel of the Year in 2005.
Author: William W. Sokoloff
File Type: pdf
Defends confrontational modes of citizenship as a means to reinvigorate democratic participation and regime accountability. A growing number of people are enraged about the quality and direction of public life, despise politicians, and are desperate for real political change. How can the contemporary neoliberal global political order be challenged and rebuilt in an egalitarian and humanitarian manner? What type of political agency and new political institutions are needed for this? In order to answer these questions, Confrontational Citizenship draws on a broad base of perspectives to articulate the concept of confrontational citizenship. William W. Sokoloff defends extra-institutional and confrontational modes of political activity along with new ways of conceiving political institutions as a way to create political orders accountable to the people. In contrast to many forms of democratic theory, Sokoloff argues that confrontational modes of citizenship (e.g., protest) are good because they increase the accountability of a regime to the people, increase the legitimacy of regimes, lead to improvements in a political order, and serve as a means to vent frustration. The goal is to make the word citizen relevant and dangerous to the settled and closed practices that structure our political world and to provide a hopeful vision of what it means to be politically progressive today. William W. Sokoloff is Associate Professor of Political Science at the University of Texas, Rio Grande Valley. **
Author: Judith Pallott
File Type: pdf
The Russian Federation has one of the largest prison populations in the world. Women in particular are profoundly affected by the imprisonment of a family member. Families and Punishment in Russia details the experiences of these women be they wives, mothers, girlfriends, daughters - who, as relatives of Russias three-quarters of a million prisoners, are the invisible victims of the countrys harsh penal policy. A pioneering work that offers a unique lens through which various aspects of life in twenty-first century Russia can be observed the workings of criminal sub-cultures societal attitudes to parenthood, marriage and marital fidelity young womens quests for a husband nostalgia for the Soviet period state strategies towards dealing with political opponents and the social construction of gender roles. **Review This new publication by Judith Pallot and Elena Katz is a remarkable, moving, and accessible examination of a hitherto neglected phenomenon The book is essential reading for scholars, students and general readers with an interest in Russia and in all aspects of incarceration. (The Howard Journal) About the Author Judith Pallot is a Professor of the Human Geography of Russia, School of Geography and Environment, University of Oxford. Her interest in Russia spans four decades and she is a regular commentator for the media - including BBC Radio 4, Womens Hour, Radio Free Europe and NBC (Canada) - on questions of the Russian penal system. She is the author of a number of books, including most recently (with Laura Piacentini) Gender, Geography and Punishment Womens Experiences of Carceral Russia (2012), which was awarded the Barbara Heldt prize for the best book in SlavicEast EuropeanEurasian Womens Studies Studies. (2016-05-06)
Author: John Richard Sageng
File Type: pdf
Computer games have become a major cultural and economic force, and a subject of extensive academic interest. Up until now, however, computer games have received relatively little attention from philosophy. Seeking to remedy this, the present collection of newly written papers by philosophers and media researchers addresses a range of philosophical questions related to three issues of crucial importance for understanding the phenomenon of computer games the nature of gameplay and player experience, the moral evaluability of player and avatar actions, and the reality status of the gaming environment. By doing so, the book aims to establish the philosophy of computer games as an important strand of computer games research, and as a separate field of philosophical inquiry. The book is required reading for anyone with an academic or professional interest in computer games, and will also be of value to readers curious about the philosophical issues raised by contemporary digital culture. **Review From the reviews This anthology of 16 essays discusses games from a philosophical perspective. Game designers and those interested in philosophy will find the book illuminating and a springboard for new ways to think about games and interactive media. Summing Up Recommended. Upper-division undergraduates, graduate students, researchersfaculty, and professionalspractitioners in game design. (A. Chen, Choice, Vol. 50 (6), February, 2013) This book is really about the philosophy of computer games. Previously, foundational books in computer games were more sociological in their orientation. This book begins to add an important pillar to that foundation. It asks and attempts to answer some very serious questions. I would recommend it first to philosophers in related fields such as the philosophy of fiction or media studies. I would also recommend it to designers of video games and virtual worlds . (J. M. Artz, ACM Computing Reviews, October, 2012) From the Back Cover Computer games have become a major cultural and economic force, and the last decade has seen the emergence of extensive academic study of such games. Up until now there has been little attention from philosophy to investigate the philosophical problems that arise from the phenomenon of computer games. This book fill this lacuna by bringing philosophers and media researchers together in discussions of the basic concepts needed to understand computer games. The essays address central issues such as the reality status of the game environment, gameplay, and the moral evaluation of player or avatar actions. The anthology is required reading for anyone with an academic or professional interest in computer games, and will also be valuable to any reader curious about the philosophical issues that are raised by modern-day digital culture.
Author: Fabio Gironi
File Type: pdf
Contemporary interest in realism and naturalism, emerging under the banner of speculative or new realism, has prompted continentally-trained philosophers to consider a number of texts from the canon of analytic philosophy. The philosophy of Wilfrid Sellars, in particular, has proven remarkably able to offer a contemporary re-formulation of traditional continental concerns that is amenable to realist and rationalist considerations, and serves as an accessible entry point into the Anglo-American tradition for continental philosophers. With the aim of appraising this fertile theoretical convergence, this volume brings together experts of both analytic and continental philosophy to discuss the legacy of Kantianism in contemporary philosophy. The individual essays explore the ways in which Sellars can be put into dialogue with the widely influential work of Quentin Meillassoux, explaining howeven thought their methods, language, and proximal influences are widely differenttheir philosophical stances can be compared thanks to their shared Kantian heritage and interest in the problem of realism. This book will be appeal to students and scholars who are interested in Sellars, Meillassoux, contemporary realist movements in continental philosophy, and the analytic-continental debate in contemporary philosophy. **Review This book takes up the contemporary legacy of Kant and his transcendental idealism in dialogue with two of his most influential recent interpreters Wilfrid Sellars and Quentin Meillassoux. Though situated on different sides of the analyticcontinental divide, both of these philosophers interpretations have revitalized the discussion of Kants philosophy and its associated metaphysics and transformed it for contemporary philosophical discussion. This is the first book to bring Sellars and Meillassouxs respective treatments of Kant explicitly into dialogue and, as such, will be essential in laying the groundwork for a twenty-first century discussion of Kants epistemology and metaphysics beyond the analyticcontinental divide. Paul M. Livingston, University of New Mexico, USA About the Author Fabio Gironi holds an Irish Research Council Postdoctoral Fellowship in the School of Philosophy at University College Dublin, Ireland. He has published numerous articles on realism in contemporary continental philosophy, on Wilfrid Sellars, and on Quentin Meillassoux.
Author: Deborah Cluff
File Type: pdf
Shame remains at the core of much psychological distress and can eventuate as physical symptoms, yet experiential approaches to healing shame are sparse. Links between shame and art making have been felt, intuited, and examined, but have not been sufficiently documented by depth psychologists. Shame and the Making of Art addresses this lacuna by surveying depth psychological conceptions of shame, art, and the role of creativity in healing, contemporary and historical shame ideologies,as well asrecent psychobiological studies on shame. Drawing on research conducted with participants in three different countries, the book includes candid discussions of shame experiences. These experiences are accompanied by Cluffs heuristic inquiry into shame with an interpretative phenomenological analysis that focuses on how participants negotiate the relationship between shame and the making of art. Cluffs movement through archetypal dimensions, especially Dionysian,is developed and discussed throughout the book. The results of the research are further explicated in terms of comparative studies, wherein the psychological processes and impacts observed by other researchers and effects on self-conscious maladaptive emotions are described. ul l*l ul Shame and the Making of Art should be essential reading for academics, researchers, and postgraduate students engaged in the study of psychology and the arts. It will be of particular interest to psychologists, Jungian psychotherapists, psychiatrists, social workers, creativity researchers, and anyone interested in understanding the dynamics of this shame and self-expression. **
Author: Todd Walatka
File Type: pdf
Hans Urs von Balthasars vast corpus of theological, philosophical, literary, and pastoral writings remains one of the most impressive achievements in 20th century thought. In light of liberation theology and now the papacy of Francis, however, a theological affirmation of the option for the poor remains dangerously weak in Balthasars corpus. Von Balthasar and the Option for the Poor offers a sympathetic reforming of Balthasars account of the drama of salvationwhat he calls theodramatics in response to this weakness. Balthasar argues that his theodramatics intends to do justice to human existence as personal, social, and political, but his regular inattention to Gods concern for and solidarity with the oppressed undercuts his own intentions. Von Balthasar and the Option for the Poor strongly affirms Balthasars most fundamental theological commitments, but then reimagines his theodramatics in light of a strong recognition of the option for the poor within divine revelation and oppression as a force within the drama of salvation. The first half of the book offers a clear account of Balthasars most fundamental philosophical and theological commitments as a foundation for developing a liberating theodramatics. The second half offers a creative reworking of Balthasars Christology, anthropology, and ecclesiology in light of the work of Gustavo Gutierrez, Oscar Romero, and Jon Sobrino as well as seldom engaged texts in Balthasars corpus. In so doing, Von Balthasar and the Option for the Poor provides a rich and unmatched dialogical engagement between Balthasar and Latin American liberation theologyan engagement that brings greater consistency to Balthasars thought, increased attentiveness to the shape of divine revelation, and greater responsiveness to the challenges facing the Church in the modern age. As a liberating theodramatics, Balthasars theological vision is opened to and reformed by a robust affirmation of Gods merciful partiality towards the poor and oppressed, the option for the poor as an essential dimension of the Christian life, and the recognition that oppressive structures are theodramatic realities that oppose Gods gift of life. **
Author: Daniel Punday
File Type: pdf
While some cultural critics are pronouncing the death of the novel, a whole generation of novelists have turned to other media with curiosity rather than fear. These novelists are not simply incorporating references to other media into their work for the sake of verisimilitude, they are also engaging precisely such media as a way of talking about what it means to write and read narrative in a society filled with stories told outside the print medium. By examining how some of our best fiction writers have taken up the challenge of film, television, video games, and hypertext, Daniel Punday offers an enlightening look into the current status of such fundamental narrative concepts as character, plot, and setting. He considers well-known postmodernists like Thomas Pynchon and Robert Coover, more-accessible authors like Maxine Hong Kingston and Oscar Hijuelos, and unjustly overlooked writers like Susan Daitch and Kenneth Gangemi, and asks how their works investigate the nature and limits of print as a medium for storytelling. Writing at the Limit explores how novelists locate print writing within the contemporary media ecology, and what it really means to be writing at print?s media limit.