Here I'm simply introducing myself, giving you some background history and describing some stuff here on my YouTube channel.
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https://www.youtube.com/watch?v=9Aq9OFP1eyI
"Santa Baby" is a song originally performed by American singer Eartha Kitt with Henri René and His Orchestra and originally released in 1953. The song was written by Joan Javits and Philip Springer, who also used the pseudonym Tony Springer in an attempt to speed up the song's publishing process. Lyrically, the song is a tongue-in-cheek look at a Christmas list addressed to Santa Claus by a woman who wants extravagant gifts such as sables, yachts, and decorations from Tiffany's.
The lyrical content of "Santa Baby" proved controversial, resulting in temporary bans of the song in the Southern United States. Music critics gave mixed reviews to the single, with some calling it too suggestive for a holiday-themed song. Springer was initially dissatisfied with "Santa Baby" and called it one of his weakest works. It has since been included on lists of both the best and worst Christmas songs ever written.
With me is my good friend and legendary harmonica player--look him up!--Stan 'The Baron' Behrens. He graciously took the time to do this and another video just because it's the holiday season. He hadn't heard of the song before (he even introduced it as 'Christmas, Baby') By the time he came by to my place, he had it nailed down.
Stan's YouTube Channel: https://www.youtube.com/user/bluesbaron
Welcome to my first video in my updated and more detailed Beatles analysis videos beginning with the first Beatles British Release album, "Please Please Me," and beginning with a song from that release, "There's A Place. "
Find the UMG upload of 'There's A Place' here: https://www.youtube.com/watch?v=vTsbYbN8VVI
BitChute Link to this video: https://www.bitchute.com/video/b5AXOVqdaE5f/
DISCLAIMER: I am in no way attempting to replicate the EXACT guitar parts that the Beatles played. That's for other pundits to do. I am speaking here of pure music theory and chord movement. If I play an A maj. Barre Chord, for example, and John played the open chord on the 2nd fret, for the sake of chord movement analysis, there is no need to do an exact replica. An Amaj is an Amaj is an Amaj. The only time I will do exact replications of guitar fingerings is when it's truly necessary, for example, in a song like Blackbird. So I really will not very much appreciate nitpicking remarks about how "John didn't play it that way." If you want to parrot their moves, there are plenty of other YouTube channels for that!
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https://www.youtube.com/watch?v=MQBUqkGm66Q
Why is this System called the Parallel/Relative Switch? What is 'The Decatonic Blues Model?' The I7, IV7 and V7 of a 12 Bar Blues cannot be found within the confines of one diatonic scale or key. The Decatonic Blues Model solves this problem.
2:47 Why is this System Called 'The Parallel/Relative Switch?
6:04 Building the Decatonic Blues Model
7:25 Solving the problem of the I7, IV7 and V7
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https://www.youtube.com/watch?v=MZsaZTiLWYc
One of the revolutionary changes that the Blues System brought about was the idea of playing a minor scale under a major chord progression. Prior to the Blues, if you asked a musician to play a minor scale under a major chord progression, the guy would've rolled his eyes and told you to leave him alone. That is just how radical a change minor-under-major is.
Note: I mentioned Rick Beato's music channel. Do check him out!
https://www.youtube.com/user/pegzch
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https://www.youtube.com/watch?v=cCeKYylYa2Y