Computer Science 188, 001 - Spring 2015
Introduction to Artificial Intelligence - Pieter Abbeel, Dan Klein
Creative Commons 3.0: Attribution-NonCommercial-NoDerivs
Choosing the President: Campaigning and Governing in War and Peace - Healthcare
Co-sponsored with the School of Public Health
Helen Halpin, Professor of Health Policy; Director, Center for Health and Public Policy Studies, University of California at Berkeley
Mark A. Peterson, Professor of Public Policy and Political Science, UCLA
Moderator: Stephen M. Shortell, Dean and Professor, School of Public Health, University of California at Berkeley
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Introduction: NEPA and the Power of Information
Instructor Holly Doremus. This introductory course is designed to explore fundamental legal and policy issues in environmental law. Through examination of environmental common law and key federal environmental statutes, including the National Environmental Policy Act, Clean Air Act, and Clean Water Act, it exposes students to the major challenges to environmental law and the principal approaches to meeting those challenges, including litigation, command and control regulation, technology forcing, market incentives, and information disclosure requirements. With the addition of cross-cutting topics such as risk assessment and environmental federalism, it also gives students a grounding in how choices about regulatory standards and levels of regulatory authority are made.
http://www.law.berkeley.edu/students/curricularprograms/envirolaw/index.html
Watch in HD1080p: https://www.youtube.com/watch?v=5DVYa82kKjA&list=PLOyuQaVrp4qqS8yBeQpIeMQ5bDoijOQ9c&index=14
After an opening discussion of the unwarranted neglect of Southern Song Academy masters in studies of our subject, this lecture treats a succession of these masters and their works: paintings of children, of animals and birds, of flowers, of narrative and genre scenes. A handscroll depicting "The West Lake at Hangzhou," paintings of arhats by Liu Songnian, and some evocative paintings of figures in various settings conclude the lecture.
Frida Kahlo was a figure at the center of cultural and political life in Mexico City in the period of the artistic renaissance that occurred there from the 1920s to the 1940s. Looking at her artistic works, it is possible to find traces of her myriad artistic sources, which provide clues for interpreting Mexican culture in that period. By combining elements of ancient and colonial culture in Mexico with the popular traditions and politics of her time, she forged a modern form of art parallel to that of her husband Diego Rivera.
John Zarobell is an Assistant Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. He acted as the coordinating curator of the 2008 Frida Kahlo exhibit and has taught at Berkeley, Stanford, Tulane and the University of San Francisco.