Author: Koichi Shinohara File Type: pdf Koichi Shinohara traces the evolution of Esoteric Buddhist rituals from the simple recitation of spells in the fifth century to complex systems involving image worship, mandala initiation, and visualization practices in the ninth century. He presents an important new reading of a seventh-century Chinese text called the Collected Dharani Sutras, which shows how earlier rituals for specific deities were synthesized into a general Esoteric initiation ceremony and how, for the first time, the notion of an Esoteric Buddhist pantheon emerged. In the Collected Dharani Sutras, rituals for specific deities were typically performed around images of the deities, yet Esoteric Buddhist rituals in earlier sources involved the recitation of spells rather than the use of images. The first part of this study explores how such simpler rituals came to be associated with the images of specific deities and ultimately gave rise to the general Esoteric initiation ceremony described in the crucial example of the All-Gathering mandala ritual in the Collected Dharani Sutras. The visualization practices so important to later Esoteric Buddhist rituals were absent from this ceremony, and their introduction would fundamentally change Esoteric Buddhist practice. This study examines the translations of dharani sutras made by Bodhiruci in the early eighth century and later Esoteric texts, such as Yixings commentary on the Mahavairocana sutra and Amoghavajras ritual manuals, to show how incorporation of image worship greatly enriched Esoteric rituals and helped develop elaborate iconographies for the deities. Yet over time, the ritual function of images became less certain, and the emphasis shifted further toward visualization. This study clarifies the complex relationship between images and ritual, changing how we perceive Esoteric Buddhist art as well as ritual.**ReviewThis book will transform the scholarly discourse concerning the relationship between dharani scriptures and esoteric Buddhism in the late Mahayana. In an area rife with confusing and competing theories, Shinohara has waded in and done the nitty-gritty textual work necessary to advance a coherent thesis on the evolution of the use of images and the emergence of practices of visualization. (Charles D. Orzech, Glasgow University) Spells, Images, and Mandalas is the first study of early Buddhist Tantra to make full use of a vast trove of Chinese sources that predate, often by many centuries, extant Sanskrit and Tibetan materials. Through exacting detective work, Koichi Shinohara reconstructs the evolution of Buddhist Tantra from its origins in simple incantation rituals to more elaborate forms of image worship and finally to full-blown ma??ala and visualization rites. The result is a groundbreaking account of the development of Buddhist ritual traditions. (Robert Sharf, University of California, Berkeley) Shinohara has given us an insightful and detailed examination of the transition between Mahayana and early Esoteric Buddhism based on Chinese sources. He has illuminated the development of practices that include the worship of images, visualizations, and the use of mandalas, and his painstaking discussions of rituals give us a vivid sense of how practices might have been performed. (Paul Groner, University of Virginia) Shinohara has produced a bold, insightful, and original work that marks a milestone in the study of Esoteric Buddhist ritual. Among his many important findings are well-reasoned hypotheses regarding textual accretion, ritual theory, and the evolving role of images and visualization in the development of Esoteric Buddhist rituals between the fifth and ninth centuries. Shinoharas hard-won erudition is palpable on every page and expressed in clear and concise prose. Spells, Images, and Mandalas is sure to remain the definitive work on Esoteric Buddhist ritual for years to come. (James Robson, Harvard University) Spells, Images, and Mandalas is a tour de force and the culmination of a lifetimes scholarly accomplishments.... It is a great contribution not only to the field of Chinese Esoteric Buddhism, but to the study of Buddhist tantra as a whole. (Zhaohua Yang Studies in Chinese Religions) An important contribution to the study of Esoteric Buddhism. (Journal of the American Academy of Religion) Impressive. (Review of Religion and Chinese Society) This is a landmark study that greatly advances our understanding of the history of Buddhist ritual practice in both India and East Asia. (Paul Copp Journal of the American Oriental Society) An important book by the right person. (Religious Studies Review) About the Author Koichi Shinohara teaches in the Department of Religious Studies at Yale University. He is the coauthor of Speaking of Monks Religious Biography in India and China and the coeditor of Images in Asian Religions Texts and Contexts and Sins and Sinners Perspectives from Asian Religions.

Author: Robert Zaretsky File Type: epub Exploring themes that preoccupied Albert Camus--absurdity, silence, revolt, fidelity, and moderation--Robert Zaretsky portrays a moralist who refused to be fooled by the nobler names we assign to our actions, and who pushed himself, and those about him, to challenge the status quo. For Camus, rebellion against injustice is the human condition. **

Author: Allison Mary Levy File Type: pdf From Pliny to Petrarch to Pope-Hennessy and beyond, many have understood the obvious connection between portraiture and commemorative practice. This book expands and nuances our understanding of Renaissance portraiture the author shows it to be complexly generated within a discourse of male anxiety and pre-mortuary mourning. She argues that portraiture could defer memory loss or, at the very least, pictorially console the subject against his own potentially unmourned death. This book recognizes a socio-cultural anxiety - the fear not merely of death but also of being forgotten - and identifies a set of pictorial, literary and theoretical strategies consequently formulated to ensure memory. To explore this phenomenon, this interdisciplinary but fundamentally art historical project merges early modern visual culture and critical theories of the body.

Author: Christopher Robbins File Type: pdf The incredible inside story of the worlds most extraordinary covert operation.Air America - a secret airline run by the CIA - flew missions no one else would touch, from General Claire Cennaults legendary Flying Tigers in WW II to two brutal decades cruising over the bomb-savaged jungles of Southeast Asia. Their pilots dared all and did all - a high-rolling, fast-playing bunch of has-beens and hellraisers whose motto was Anything, Anywhere, Anytime. Whether it was delivering food and weapons or spooks and opium, Air America was the one airline where you didnt need reservations - just a hell of a lot of courage and a willingness to fly to the bitter end.