Author: David Stafford
File Type: epub
In June 1940 Britain was driven from the continent by Hitlers conquering armies. As the British stared invasion in the face, a group of unconventional warriors planned a new form of warfareand the Special Operations Executive was born. With a brief from Winston Churchill to set Europe ablaze, this top-secret agency was given the dangerous task of coordinating subversion and sabotage against the enemy by all means necessary using disguise, deception, bribery, explosives (sometimes disguised inside objects such as a dead rat or a chianti bottle), guerrilla warfareand even assassination. The intriguing details of the men and womenmany of them civilians with no qualifications or experiencewho risked their lives to fight this secret war are recounted here. Through the personal reminiscences of these courageous individuals, Secret Agent reveals the covert world of the SOE how the operatives were recruited the daring operations they carried out the radio and coding systems that kept them in touch with London and the James Bond-style gadgets designed to help them carry out their missions. Breaking their long silence, these brave survivors finally tell their own stories in their own words. More than just a war-time thriller, Secret Agent narrates the true story of this remarkable group of people and the secret war they waged behind enemy lines. **
Author: Andrew Hemingway
File Type: pdf
At a time of growing interest in relations between Marxism and Romanticism, Andrew Hemingway s essays on British art and art theory reopen the question of Romantic painting s ideological functions and, in some cases, its critical purchase. Half the volume exposes the voices of competing class interests in aesthetics and art theory in the tumultuous years of British history between the American Revolution and the 1832 Parliamentary Reform Act. Half offers new perspectives on works by some of the most important landscape painters of the time John Constable, J.M.W. Turner, John Crome, and John Sell Cotman. Four essays are hitherto unpublished, and the remainder have been updated and in several cases substantially rewritten for this volume. **
Author: George Eliot
File Type: epub
On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliots brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged. **
Author: Luigi Pirandello
File Type: pdf
In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandellos love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actormanager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Martas long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. **
Author: Natsumi Nonaka
File Type: pdf
This book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the gardenthe pergolabecame a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature. **
Author: F. A. Hayek
File Type: pdf
From the $700 billion bailout of the banking industry to president Barack Obamas $787 billion stimulus package to the highly controversial passage of federal health-care reform, conservatives and concerned citizens alike have grown increasingly fearful of big government. Enter Nobel Prizewinning economist and political theorist F. A. Hayek, whose passionate warning against empowering states with greater economic control, The Road to Serfdom, became an overnight sensation last summer when it was endorsed by Glenn Beck. The book has since sold over 150,000 copies.The latest entry in the University of Chicago Presss series of newly edited editions of Hayeks works, The Constitution of Liberty is, like Serfdom, just as relevant to our present moment. The book is considered Hayeks classic statement on the ideals of freedom and liberty, ideals that he believes have guidedand must continue to guidethe growth of Western civilization. Here Hayek defends the principles of a free society, casting a skeptical eye on the growth of the welfare state and examining the challenges to freedom posed by an ever expanding governmentas well as its corrosive effect on the creation, preservation, and utilization of knowledge. In opposition to those who call for the state to play a greater role in society, Hayek puts forward a nuanced argument for prudence. Guided by this quality, he elegantly demonstrates that a free market system in a democratic polityunder the rule of law and with strong constitutional protections of individual rightsrepresents the best chance for the continuing existence of liberty.Striking a balance between skepticism and hope, Hayeks profound insights are timelier and more welcome than ever before. This definitive edition of The Constitution of Liberty will give a new generation the opportunity to learn from his enduring wisdom.
Author: Jane de Gay
File Type: pdf
This book argues that Woolfs preoccupation with the literary past had a profound impact on the content and structure of her novels. It analyses Woolfs reading and writing practices via her essays, diaries and reading notebooks in order to provide a framework for examining her response to the literary past. It presents chronological studies of eight novels, exploring how Woolfs intensive reading surfaced in her fiction. The book sheds light on Woolfs varied and intricate use of literary allusions examines ways in which Woolf revisited and revised plots and tropes from earlier fiction and looks at how she used parody as a means both of critical comment and homage. Key Features * The first book-length study of intertextuality in Virginia Woolfs novels * Offers a challenging and provocative new perspective on Woolfs art as a novelist * Develops detailed close readings offering fresh insights into individual works * Presents complex ideas in a lucid and accessible fashion.
Author: Omedi Ochieng
File Type: pdf
The Intellectual Imagination unfolds a sweeping vision of the form, meaning, and value of intellectual practice. The book breaks new ground in offering a comprehensive vision of the intellectual vocation. Omedi Ochieng argues that robust and rigorous thought about the form and contours of intellectual practices is best envisioned in light of a comprehensive critical contextual ontologythat is, a systematic account of the context, forms, and dimensions in and through which knowledge and aesthetic practices are created, embodied, translated, and learned. Such an ontology not only accounts for the embeddedness of intellectual practices in the deep structures of politics, economics, and culture, but also in turn demonstrates the constitutive power of critical inquiry. It is against this background that Ochieng unfolds a multidimensional and capacious theory of knowledge and aesthetics. In a critique of the oppositional binaries that now reign in the modern and postmodern academybinaries that pit fact versus value, science versus the humanities, knowledge versus aestheticsOchieng argues for the inextricable intertwinement of reason, interpretation, and the imagination. The book offers a close and deep reading of North Atlantic and African philosophers, thereby illuminating the resonances and contrasts between diverse intellectual traditions. The upshot is an incisively rich, layered, and textured reading of the archetypal intellectual styles and aesthetic forms that have fired the imagination of intellectuals across the globe. Ochiengs book is a radical summons to a practice and an imagination of the intellectual life as the realization of good societies and good lives. **About the Author Omedi Ochieng is assistant professor of communication at Denison University. He is the author of a number of books and articles, including Groundwork for the Practice of the Good Life Politics and Ethics at the Intersection of North Atlantic and African Philosophy.
Author: Christine Schenk
File Type: pdf
Discovering reliable information about women in early Christianity is a challenging enterprise. Most people have never heard of Bitalia, Veneranda, Crispina, Petronella, Leta, Sofia the Deacon, and many others even though their catacomb and tomb art suggests their authority was influential and valued by early Christian communities. This book explores visual imagery found on burial artifacts of prominent early Christian women. It carefully situates the tomb art within the cultural context of customary Roman commemorations of the dead. Recent scholarship about Roman portrait sarcophagi and the interpretation of early Christian art is also given significant attention. An in-depth review of womens history in the first four centuries of Christianity provides important context. A fascinating picture emerges of womens authority in the early church, a picture either not available or sadly distorted in the written history. It is often said a picture is worth a thousand words. The portrait tombs of fourth-century Christian women suggest that they viewed themselves andor their loved ones viewed them as persons of authority with religious influence. **