Author: James Harvey File Type: pdf In Jacques Ranciere and the Politics of Art Cinema, James Harvey contends that Rancieres writing allows us to broach art and politics on the very same terms each involves the visible and the invisible, the heard and unheard, and the distribution of bodies in a perceivable social order. Between making, performing, viewing and sharing films, a space is constructed for tracing and realigning the margins of society, allowing us to consider the potential of cinema to create new political subjects. Drawing on case studies of films including Charlie Kaufmans Synecdoche, New York, Nuri Bilge Ceylans Climates and John Akomfrahs The Nine Muses, this books asks to what extent is politics shaping art cinema? And, in turn, could art cinema possibly affect the political structure of the world as we know it? **
Author: Daisy L. Machado
File Type: pdf
Machado shows that, although there was a large Hispanic population in Texas during this period, the Christian Church failed to develop a significant presence in Hispanic communities. Much of this failure can be traced, she argues, to the notion of the frontier, which influenced and shaped both church policy and theology for Disciples ministering to the Hispanic community. The frontier ethos - with its focus on divine providence and election, ideas about a chosen race and virgin land, and understanding of the church as a socializing and Americanizing agent - provided an AngloAmerican prism through which Disciples saw themselves and others. The acceptance and implementation of these ideologies meant that while the Christian Church was taking its place as a member of the American Protestant establishment it was simultaneously failing in its work among Hispanics.--BOOK JACKET.
Author: Enda Walsh
File Type: pdf
The relationship between words and movement in Enda Walshs new play, in which two weirdly innocent men are trapped in an endless knockabout farce, is more seamless than any Irish dramatist since Beckett. Irish Times Mr. Walshs words in this case are there to feed the adrenaline rush of the event as a whole... you dont so much as see Ballyturk as you surrender to it. New York Times Delirious and captivatingthis is thrilling theatre, visceral and cerebral, hilarious and sad. Irish Examiner I thought we knew everything there was to know . . . The lives of two men unravel over the course of ninety minutes. Where are they? Who are they? What room is this, and what might be beyond the walls? Gut-wrenchingly funny and achingly sad, and featuring jaw-dropping moments of physical comedy, Ballyturk is an ambitious, profound and tender work from one of Irelands leading playwrights. One of our most innovative and beguiling writers, Enda Walsh is the author of five Edinburgh Fringe First Awardwinning plays, including The Walworth Farce and The New Electric Ballroom. His other plays include Penelope, misterman and the book for the Tony and Olivier Awardwinning musical Once. He also wrote the screenplay for Hunger, which won the Camera dOr at the Cannes Film Festival. **
Author: Steven High
File Type: pdf
Theres a pervasive sense of betrayal in areas scarred by mine, mill and factory closures. Steven Highs One Job Town delves into the long history of deindustrialization in the paper-making town of Sturgeon Falls, Ontario, located on Canadas resource periphery. Much like hundreds of other towns and cities across North America and Europe, Sturgeon Falls has lost their primary source of industry, resulting in the displacement of workers and their families. One Job Town takes us into the making of a culture of industrialism and the significance of industrial work for mill-working families. One Job Town approaches deindustrialization as a long term, economic, political, and cultural process, which did not begin and simply end with the closure of the local mill in 2002. High examines the work-life histories of fifty paper mill workers and managers, as well as city officials, to gain an in-depth understanding of the impact of the formation and dissolution of a culture of industrialism. Oral history and memory are at the heart of One Job Town, challenging us to rethink the relationship between the past and the present in what was formerly known as the industrialized world.
Author: Roy Pascal
File Type: pdf
Originally published in 1960. Is there an art of autobiography? What are its origins and how has it come to acquire the form we know today? For what does the autobiographer seek, and why should it be so popular? This study suggests some of the answers to these questions. It takes the view that autobiography is one of the dominant and characteristic forms of literary self-expression and deserves examination for its own sake. This book outlines a definition of the form and traces its historical origins and development, analyses its truth and talks about what sort of self-knowledge it investigates.
Author: Philip G. Ziegler
File Type: pdf
How ought Christian faith and theology understand the concept of human immortality today? And what, if anything, might be distinctively Christian about such a concept? The contributors to this volume explore how our thinking about the prospect of human immortality is decisively determined by what we receive of the limitless life of the triune God of the gospel, and how our understanding of immortality is made concrete by the Christian hope in the resurrection of the body and the life everlasting. Debates about how best to understand the eternal life of God are directly significant to how we can imagine the promise of eternal life. While immortality is generally conceived to be a future qualification of human reality, theological approaches to the question of personal immortality must investigate the difference that the hope and promise of such eternal life makes in the living of present-day spiritual life as well as in our common moral and political existence. To understand immortality as an eschatological gift of God requires that we take account of it as a formative factor at the foundations of the Christian life.
Author: Gabriel Kolko
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Another Century of War? is a candid and critical look at Americas new wars by a brilliant and provocative analyst of its old ones. Gabriel Kolkos masterly studies of conflict have redefined our views of modern warfare and its effects in this urgent and timely treatise, he turns his attention to our current crisis and the dark future it portends.Another Century of War? insists that the roots of terrorism lie in Americas own cynical policies in the Middle East and Afghanistan, a half-century of real politik justified by crusades for oil and against communism. The latter threat has disappeared, but America has become even more ambitious in its imperialist adventures and, as the recent crisis proves, even less secure.America, Kolko contends, reacts to the complexity of world affairs with its advanced technology and superior firepower, not with realistic political response and negotiation. He offers a critical and well-informed assessment of whether such a policy offers any hope of attaining greater security for America. Raising the same hard-hitting questions that made his Century of War a crucial (Globe and Mail) assessment of our age of conflict, Kolko asks whether the wars of the future will end differently from those in our past.
Author: Brian Regal
File Type: pdf
What makes science science? How do we tell which assertions, beliefs, and methods are scientifically sound, and which are not? Brian Regals authoritative, entertaining new reference, Pseudoscience A Critical Encyclopedia gets at the heart of these questions by helping readers understand how the scientific method works, how to critically analyze all kinds of evidence, and how to sort through long-running myths and current pseudoscience controversies.Ranging from the dawn of history to the present and across world cultures, Pseudoscience uses a field of endless fascination as a means of driving home the importance of solid scientific reasoning. The encyclopedia spans the full spectrum of scientific and nonscientific pursuits, from chemistry, biology, psychology, and medicine to eugenics, religion, cryptozoology, the occult, and paranormal activities. Specific entries focus on general concepts of science, the lives of individuals, and claims of abilities. Throughout, these entries go beyond simply stating facts by constantly engaging readers in a discussion about the very nature of true scientific discovery.**
Author: Frank Spencer
File Type: pdf
In one of the most spectacular cases of scientific fraud ever, ancient human skull fragments found in 1912 near the English town of Piltdown were proven a deliberate hoax 40 years later. However the identity of the perpetrator has remained a mystery. The recently published book The Piltdown Forgery (Oxford 1990) reopens the case with a detailed examination of the evidence and a fresh attempt to name the hoaxer. This companion volume gathers together for the first time the relevant historical documents, presenting a selection of some 500 letters and other papers covering the period. The material has been drawn largely from the archives of the British Museum (Natural History). The resulting fully annotated catalog provides a unique resource for those interested in the history of science as well as the basis for a reassessment of the Piltdown episode.
Author: Matthew Ryan Hauge
File Type: pdf
It is difficult to underestimate the significance of the story of the Rich Man and Lazarus in Luke 1619-31 within the biblical tradition. Although hell occupies a prominent position in popular Christianrhetoric today, it plays a relatively minor role in the Christian canon. The most important biblical texts that explicitly describe the fate of the dead are in the Synoptic Gospels. Yet among these passages, only the Lukan tradition is intent on explicitly describing the abode of the dead it is the only biblical tour of hell.Hauge examines the story of the Rich Man and Lazarus in Luke 1619-31, uniquely the only parable that is set within a supernatural context. The parables characteristically feature concrete realities of first-century Mediterranean life, but the majority of Luke 1619-31 is narrated from the perspective of the tormented dead. This volume demonstrates that the distinctive features of the story of the Rich Man and Lazarus are the result of a strategic imitation, creative transformation, and Christian transvaluation of the descent of Odysseus into the house of hades in Odyssey Book 11, the literary model par excellence of postmortem revelation in antiquity.