Author: Christoph Hermann File Type: epub John Maynard Keynes expected that around the year 2030 people would only work 15 hours a week. In the mid-1960s, Jean Fourastie still anticipated the introduction of the 30-hour week in the year 2000, when productivity would continue to grow at an established pace. Productivity growth slowed down somewhat in the 1970s and 1980s, but rebounded in the 1990s with the spread of new information and communication technologies. The knowledge economy, however, did not bring about a jobless future or a world without work, as some scholars had predicted. With few exceptions, work hours of full-time employees have hardly fallen in the advanced capitalist countries in the last three decades, while in a number of countries they have actually increased since the 1980s. This book takes the persistence of long work hours as starting point to investigate the relationship between capitalism and work time. It does so by discussing major theoretical schools and their explanations for the length and distribution of work hours, as well as tracing major changes in production and reproduction systems, and analyzing their consequences for work hours. Furthermore, this volume explores the struggle for shorter work hours, starting from the introduction of the ten-hour work day in the nineteenth century to the introduction of the 35-hour week in France and Germany at the end of the twentieth century. However, the book also shows how neoliberalism has eroded collective work time regulations and resulted in an increase and polarization of work hours since the 1980s. Finally, the book argues that shorter work hours not only means more free time for workers, but also reduces inequality and improves human and ecological sustainability.

Author: Nicholas Fox Weber File Type: epub Freuds Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired. John Banville, author of The Sea and The Blue Guitar This is an ingenious and fascinating reading of Freuds response to Signorellis frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty. Colm Toibin, author of Brooklyn and Nora Webster After a visit to the cathedral at Orvieto in Italy, Sigmund Freud deemed Luca Signorellis frescoes the greatest artwork hed ever encountered yet, a year later, he couldnt recall the artists name. When the name came back to him, the images he had so admired vanished from his minds eye. This is known as the Signorelli parapraxis in the annals of Freudian psychoanalysis and is a famous example from Freuds own life of his principle of repressed memory. What was at the bottom of this? There have been many theories on the subject, but Nicholas Fox Weber is the first to study the actual Signorelli frescoes for clues. What Weber finds in these extraordinary Renaissance paintings provides unexpected insight into this famously confounding incident in Freuds biography. As he sounds the depths of Freuds feelings surrounding his masculinity and Jewish identity, Weber is drawn back into his own past, including his memories of an adolescent obsession with a much older woman. Freuds Trip to Orvieto is an intellectual mystery with a very personal, intimate dimension. Through rich illustrations, Weber evokes arts singular capacity to provoke, destabilize, and enchant us, as it did Freud, and awaken our deepest memories, fears, and desires. Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and author of fourteen books, including biographies of Balthus and Le Corbusier. He has written for the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications.**ReviewAdvance Praise for *Freuds Trip to Orvieto* Freuds Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired. John Banville, author of The Sea and The Blue Guitar This is an ingenious and fascinating reading of Freuds response to Signorellis frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty. Colm Toibin, author of Brooklyn and Nora Webster This sui generis volume displays the authors polymathic talents at their exhilarating best. Not content with his role as critic, autobiographist, analysand, Freud scholar, Bauhaus curator, textual sleuth, and reflective Talmudist, Weber infuses familiar territory with freshness and vitality. His journey starts at Signorellis Orvieto and Freuds legendary moment of forgetting. Via Breuer, Solnit, Sartre, Klee, Zweig, Raphael, Titian, as well as his personal inamoratas, we are granted new visions from the art and psychoanalytic worlds. Breathless but still upright, the reader understands better what it means to be a child, a parent, and a living, desiring, failing, dying, struggling, and ultimately triumphant human. Jeremy Holmes, author of John Bowlby and Attachment Theory and The Therapeutic Imagination Advance Praise for *Freuds Trip to Orvieto* Freuds Trip to Orvieto is at once profound and wonderfully diverse, and as gripping as any detective story. Nicholas Fox Weber mixes psychoanalysis, art history, and the personal with an intricacy and spiritedness that Freud himself would have admired. John Banville, author of The Sea and The Blue Guitar This is an ingenious and fascinating reading of Freuds response to Signorellis frescoes at Orvieto. It is also a meditation on Jewish identity, and on masculinity, memory, and the power of the image. It is filled with intelligence, wit, and clear-eyed analysis not only of the paintings themselves, but how we respond to them in all their startling sexuality and invigorating beauty. Colm Toibin, author of Brooklyn and Nora Webster This sui generis volume displays the authors polymathic talents at their exhilarating best. Not content with his role as critic, autobiographist, analysand, Freud scholar, Bauhaus curator, textual sleuth, and reflective Talmudist, Weber infuses familiar territory with freshness and vitality. His journey starts at Signorellis Orvieto and Freuds legendary moment of forgetting. Via Breuer, Solnit, Sartre, Klee, Zweig, Raphael, Titian, as well as his personal inamoratas, we are granted new visions from the art and psychoanalytic worlds. Breathless but still upright, the reader understands better what it means to be a child, a parent, and a living, desiring, failing, dying, struggling, and ultimately triumphant human. Jeremy Holmes, author of John Bowlby and Attachment Theory and The Therapeutic Imagination About the Author Nicholas Fox Weber is the director of the Josef and Anni Albers Foundation and founder and president of Le Korsa, a nonprofit organization devoted to medical care, education, and the arts in isolated villages in rural Senegal. He is the author of fourteen books, including Freuds Trip to Orvieto (forthcoming from Bellevue Literary Press), biographies of Balthus and Le Corbusier, and numerous exhibition catalogs. His writing has also appeared in the New Yorker, New York Times, Los Angeles Times, Wall Street Journal, Le Monde, ARTnews, Town & Country, and Vogue, among other publications. He is married to the novelist Katharine Weber, has two adult daughters, and lives in Connecticut, Paris, and southwest Ireland.