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font face=DejaVu Sans, serifspan 12pxThe Aga Khan Program for Islamic Architecture Thirtieth Anniversary Special Volumespanfontfont face=DejaVu Sans, serifspan 12pxMuqarnas is sponsored by The Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts. In Muqarnas articles are being published on all aspects of Islamic visual culture, historical and contemporary, as well as articles dealing with unpublished textual primary sources.spanfontspan 12pxCONTENTSspanspan 12pxIn Tribute to Oleg Grabarspanspan 12pxPatricia Crone, Barefoot and Naked What Did the Bedouin of the Arab Conquests Look Like?spanfont face=DejaVu Sans, serifspan 12pxMichael Cook, The Namesake Taboospanfontfont face=DejaVu Sans, serifspan 12pxGulru Neci.poAlu, The Dome of the Rock as Palimpsest {Abd al-Maliks Grand Narrativespanfontspan 12pxand Sultan Suleymans Glossesspanfont face=DejaVu Sans, serifspan 12pxEva R. Hoffman, Between East and West The Wall Paintings of Samarra and the Construction ofspanfontspan 12pxAbbasid Princely Culturespanfont face=DejaVu Sans, serifspan 12pxYasser Tabbaa, Andalusian Roots and Abbasid Homage in the Qubbat al-Barudiyyin in Marrakechspanfontfont face=DejaVu Sans, serifspan 12pxNasser Rabbat, Design without Representation in Medieval Egyptspanfontfont face=DejaVu Sans, serifspan 12pxSheila S. Blair, A Brief Biography of Abu Zaydspanfontfont face=DejaVu Sans, serifspan 12pxScott Redford, A Newly Read Inscription on the Walls of Antalya, Turkeyspanfontfont face=DejaVu Sans, serifspan 12pxCynthia Robinson, Marginal Ornament Poetics, Mimesis, and Devotion in the Palace of the Lionsspanfontfont face=DejaVu Sans, serifspan 12pxHowayda Al-Harithy, Weaving Historical Narratives Beiruts Last Mamluk Monumentspanfontfont face=DejaVu Sans, serifspan 12pxJonathan M. Bloom, The ?Fatimid? Doors of the Fakahani Mosque in Cairospanfontfont face=DejaVu Sans, serifspan 12pxLisa Golombek, From Timur to Tivoli Reflections on il giardino allitalianaspanfontfont face=DejaVu Sans, serifspan 12pxAnthony Welch, The Emperors Grief Two Mughal Tombsspanfontfont face=DejaVu Sans, serifspan 12pxDavid J. Roxburgh, The Eye Is Favored for Seeing the Writings Form On the Sensual and thespanfontspan 12pxSensuous in Islamic Calligraphyspanfont face=DejaVu Sans, serifspan 12pxTulay Artan, A Book of Kings Produced and Presented as a Treatise on Huntingspanfontfont face=DejaVu Sans, serifspan 12pxMika Natif, The SOAS Anvr-i Suhayl The Journey of a ReincarnatedManuscriptspanfontfont face=DejaVu Sans, serifspan 12pxMarianna Shreve Simpson, Mostly Modern Miniatures Classical Persian Painting in the Earlyspanfontspan 12pxTwentieth Centuryspan
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