Author: Richard A. Krause
File Type: pdf
In A Universal Theory of Pottery Production, award-winning archaeologist Richard A. Krause presents an ethnographic account of pottery production based on archaeological evidence. Krause posits that the careful study of an archaeological sites ceramics can be used to formulate a step-and-stage theory of pottery production for the area. Krauses work suggests that by comparing the results of inquiries conducted at different sites and for different times, archaeologists may be able to create a general ethnographic theory of pottery production. Krause demonstrates this process through a comprehensive analysis of potsherds from the highly stratified Puerto Rican site of Paso del Indio. He first provides a comprehensive explanation of the archaeological concepts of attribute, mode, feature, association, site, analysis, and classification. Using these seven concepts, he categorizes the production and decorative techniques in the Paso del Indio site. Krause then applies the concept of focal form vessels to the sites largest fragments to test his step-and-stage theory of production against the evidence they provide. Finally, he assigns the ceramics at Paso del Indio to previously discussed potting traditions. Unlike other books on the subject that use statistical methods to frame basic archaeological concepts, Krause approaches these topics from the perspective of epistemology and the explicatory practices of empirical science. In A Universal Theory of Pottery Production Krause offers much of interest to North American, Caribbean, and South American archaeologists interested in the manufacture, decoration, and classification of prehistoric pottery, as well as for archaeologists interested in archaeological theory.
Author: Lynne P. Sullivan
File Type: pdf
A richly detailed edited volume that reexamines Mississippian mortuary practices in light of current anthropological and archaeological theoretical perspectives.--C. Cliff Boyd, Radford UniversityShows that instead of reflecting status, mortuary programs actually use the dead to refract, realign, and repurpose the roles and relations of the living.--Alex W. Barker, University of MissouriThe residents of Mississippian towns principally located in the southeastern and midwestern United States from 900 to1500 A.D. made many beautiful objects, which included elaborate and well-crafted copper and shell ornaments, pottery vessels, and stonework. Some of these objects were socially valued goods and often were placed in ritual context, such as graves.The funerary context of these artifacts has sparked considerable study and debate among archaeologists, raising questions about the place in society of the individuals interred with such items, as well as the nature of the societies in which these people lived.By focusing on how mortuary practices serve as symbols of beliefs and values for the living, the contributors to Mississippian Mortuary Practicesexplore how burial of the dead reflects and reinforces the cosmology of specific cultures, the status of living participants in the burial ceremony, ongoing kin relationships, and other aspects of social organization.**
Author: Michael Wiedorn
File Type: pdf
p Segoe UIA career-spanning assessment of Glissants work as a philosophical project.p Segoe UIWith a career spanning more than fifty years as a writer, scholar, and public intellectual, Edouard Glissant produced an astonishingly wide range of work, including poems, novels, essays, pamphlets, and theater. InThink Like an Archipelago, Michael Wiedorn offers a fresh interpretation of Glissants work as a cohesive and explicitly philosophical project, paying particular attention to the last two decades of his career, which have received much less attention in the English-speaking world despite their remarkable productivity. Focusing his study on the idea of paradox, Wiedorn argues that it is fundamental to Caribbean culture and thought, and at the heart of Glissants philosophy.p Segoe UIThe question of difference has long played a central role in the literary and philosophical traditions of the West, however to think differently, Glissant suggests focusing elsewhere on the post-plantation societies of the Caribbean, and the Americas more broadly. For Glissant, paradoxical lessons drawn from the natural and cultural realities of the Caribbean can point to new ways of thinking and being in the world in other words, to the creation of what Glissant calls a new category of literature, and in turn to the attainment of his utopian political vision. Thinking through such paradoxes, Wiedorn demonstrates, can offer new perspectives on the old questions of totality, alterity, teleology, and the potential of philosophy itself.p Segoe UIMichael Wiedorn is Assistant Professor of French at the Georgia Institute of Technology.p Segoe UI**h3 Segoe UIReviewp Segoe UIThe books use of the central concept of paradox is both original and convincing, and allows Wiedorn to reframe many of the issues surrounding Glissants thought in a new and illuminating way. -- Celia Britton, author ofEdouard Glissant and Postcolonial Theory Strategies of Language and Resistanceh3 Segoe UIAbout the Authorp Segoe UIMichael Wiedorn is Assistant Professor of French at the Georgia Institute of Technology.
Author: Suzanne Loftus
File Type: pdf
This book offers an analysis of Putins approval ratings from the fall of the USSR to the present day. It considers contemporary materials, statistics and a discourse analysis to assess how Putins approval ratings have stayed so high despite the current economic turndown. Through a comparative analysis with Yeltsins time in office, the author demonstrates that higher levels of security, a better standard of living, increasingly assertive foreign policy and greater centralization of power led to positive approval ratings for Putinabsent characteristics during Yeltsins termsand fostered positive national self-esteem in Russia, a national sentiment that has persisted through current economic difficulties. Recommended reading for academics and students of Russian studies in the field of International Relations, Foreign Policy and Comparative Politics. **Review In this book, Suzanne Loftus provides a cogent, comprehensive, and valuable analysis of how President Putin retains his authority and favorable standing with the Russian people. Its a splash of reality for those of us hoping that Russias declining economy and social ills could lead to change in Russias leadership and policies. (Barry M. Blechman, co-founder of the Stimson Center, USA) Suzanne Loftus offers a complex and compelling explanation of Vladimir Putins national popularity. She stresses that economic performance is secondary to such popularity and that it largely rests on Putins ability to tap into the realm of national values and self-esteem. If true, the explanation should prove wrong those expecting Western economic sanctions to make Putin reverse his assertive foreign policy. (Andrei P. Tsygankov, Professor, San Francisco State University, USA) From the Back Cover This book offers an analysis of Putins approval ratings from the fall of the USSR to the present day. It considers contemporary materials, statistics and a discourse analysis to assess how Putins approval ratings have stayed so high despite the current economic turndown. Through a comparative analysis with Yeltsins time in office, the author demonstrates that higher levels of security, a better standard of living, increasingly assertive foreign policy and greater centralization of power led to positive approval ratings for Putinabsent characteristics during Yeltsins termsand fostered positive national self-esteem in Russia, a national sentiment that has persisted through current economic difficulties. Recommended reading for academics and students of Russian studies in the field of International Relations, Foreign Policy and Comparative Politics. Suzanne Loftus is Researcher at the University of Miami, USA.
Author: Marcus Du Sautoy
File Type: pdf
Symmetry is all around us. Of fundamental significance to the way we interpret the world, this unique, pervasive phenomenon indicates a dynamic relationship between objects. Combining a rich historical narrative with his own personal journey as a mathematician, Marcus du Sautoy takes a unique look into the mathematical mind as he explores deep conjectures about symmetry and brings us face-to-face with the oddball mathematicians, both past and present, who have battled to understand symmetrys elusive qualities. From Publishers WeeklyWhen most of us think of symmetry, we think of looking into a mirror or playing patty-cake with a child. As Oxford don du Sautoy (The Music of the Primes) tells readers, this is only the tip of the triangle in the mathematical realms of symmetry, where symmetrical objects exist in dimensions far beyond our ability to imagine. The author takes readers gently by the hand and leads them elegantly through some steep and rocky terrain as he explains the various kinds of symmetry and the objects they swirl around. Du Sautoy explains how this twirling world of geometric figures has strange but marvelous connections to number theory, and how the ultimate symmetrical object, nicknamed the Monster, is related to string theory. This book is also a memoir in which du Sautoy describes a mathematicians life and how one makes a discovery in these strange lands. He also blends in minibiographies of famous figures like Galois, who played significant roles in this field. This is mainly for science buffs, but fans of scientific biographies will also find it appealing. B&w illus. (Mar.) Reed Business Information, a division of Reed Elsevier Inc. From BooklistDu Sautoy specializes in symmetry, and that concept isinstantly visualized in thetiling of the Moorish Alhambra Palace, which initiates his tour through the history and ideas of his mathematical subject. This accessible introduction makes for a shrewd start, for, as seems congenital with mathematicians and their abstract pursuits,du Sautoytakes symmetry in this work to the nth degreespecifically, to the 196,883d dimension. But far from stumping his readers,the authorinveigles them with clarity about symmetrys foundational concepts, cast of mathematical heroes, and wry portrayals of the quirky personalities among his contemporary colleagues in group theory, as symmetry is technically called. The package works as well here asin his highly praisedThe Music of the Primes (2003), with the addition of imparting the personal frisson of making a mathematical discovery. Relating his triumphs, confiding his worry about whether, at age 40, hes still got the creative spark, du Sautoy well demonstrates that whatever discoveries he has yet to make, hes able to engage general readers in the cerebral dramas of pure mathematics. --Gilbert Taylor
Author: Brooke Wendt
File Type: pdf
In The Allure of the Selfie Instagram and the New Self-Portrait, Brooke Wendt examines the great hold that the selfie, or the digital self-portrait, has over self and society. Using the work of Vilem Flusser and Marshall McLuhan, Wendt analyzes Instagram users self-portraits in order to examine the changing nature of identity and the self-portrait in the age of Instagram.
Author: Margherita Sarrocchi
File Type: pdf
The first historical heroic epic authored by a woman, Scanderbeide recounts the exploits of fifteenth-century Albanian warrior-prince George Scanderbeg and his war of resistance against the Ottoman sultanate. Filled with scenes of intense and suspenseful battles contrasted with romantic episodes, Scanderbeide combines the action and fantasy characteristic of the genre with analysis of its characters motivations. In selecting a military campaign as her material and epic poetry as her medium, Margherita Sarrocchi (1560?1617) not only engages in the masculine subjects of political conflict and warfare but also tackles a genre that was, until that point, the sole purview of men.First published posthumously in 1623, Scanderbeide reemerges here in an adroit English prose translation that maintains the suspense of the original text and gives ample context to its rich cultural implications.ReviewRussells meticulous introduction gives indispensable biographical information as well as important historical and pseudohistorical contexts for various episodes in the poem. . . . As a whole the volume is impresively rich and comprehensive.(Nathalie Hester Renaissance Quarterly ) About the AuthorRinaldina Russell is professor emerita of European languages and literatures at the City University of New York, Queens College.Sheis coeditor and cotranslator of Tullia dAragonas Dialogue on the Infinity of Love, also published by the University of Chicago Press.