The Desire to Desire: The Womans Film of the 1940s
Author: Mary Ann Doane File Type: pdf Brilliantly argued and lucidly written... the definitive psychoanalytic account of the repression of woman in Hollywood cinema. Tania Modleski... complex and challenging... The Womens Review of Books... magnificently ambitious... some of the most original and intelligent essays in film theory today. Journal of Modern Literature... deeply commited to the psychoanalytic approach... Contemporary SociologyThe Desire to Desire traces the way in which female spectatorship is specified primarily by its lapses or failures, arguing that the womens film simultaneously asserts and denies female desire, attributing to the woman only an impossible gaze.Amazon.com ReviewWhat is female spectatorship? When Hollywood films are geared for an audience of women, what ideals do they tend to promote? How should feminist theory contend with the image of women that the cinema passes on? In The Desire to Desire Mary Ann Doane responds to these questions, focusing specifically on womans pictures of the 1940s. She argues that while most of the films she discusses are conceived through lenses that are masculine in nature, feminists attempting to critique these films should not dismiss them as sexist or attempt to develop a way of seeing that is simply the opposite of the one handed down. Instead, Doane offers a critique of vision itself, contrasting the way the camera views the women in these films, the way the films female characters look out onto their worlds, and the way the Hollywood movie industry manufactures images that it expects female audiences to consume. From Publishers WeeklyA professor of film and semiotic theory at Brown University and co-editor of Re-vision Essays in Feminist Film Criticism, Doane offers a study of four genre subgroups of the womans film of the 1940s medical discourse films, in which male doctors treat female patients (Possessed maternal melodramas (To Each His Own love stories (Humoresque and paranoid womens films (Rebecca. Using elements of feminism, psychoanalysis and film theory, she argues that these films simultaneously assert and deny female desire, attributing to the woman only a gaze that is impossible for her to expand on or realize. She also asserts that the processes of imaging women and of specifying the gaze in relation to sexual difference, like most forms of sexism, are far more deeply ingrained than one might suspect. While suggesting avenues for future study, this work is mainly for those committed to the authors viewpoint. 1987 Reed Business Information, Inc.
Author: Justin Seitz
File Type: epub
When it comes to creating powerful and effective hacking tools, Python is the language of choice for most security analysts. But just how does the magic happen?In Black Hat Python, the latest from Justin Seitz (author of the best-selling Gray Hat Python), youll explore the darker side of Pythons capabilitieswriting network sniffers, manipulating packets, infecting virtual machines, creating stealthy trojans, and more. Youll learn how toullCreate a trojan command-and-control using GitHubllDetect sandboxing and automate common malware tasks, like keylogging and screenshottingllEscalate Windows privileges with creative process controlllUse offensive memory forensics tricks to retrieve password hashes and inject shellcode into a virtual machinellExtend the popular Burp Suite web-hacking toolllAbuse Windows COM automation to perform a man-in-the-browser attackllExfiltrate data from a network most sneakilylulInsider techniques and creative challenges throughout show you how to extend the hacks and how to write your own exploits.When it comes to offensive security, your ability to create powerful tools on the fly is indispensable. Learn how in Black Hat Python.**
Author: Holly Rogers
File Type: pdf
This book explores musicsound-image relationships in non-mainstream screen repertoire from the earliest examples of experimental audiovisuality to the most recent forms of expanded and digital technology. It challenges presumptions of visual primacy in experimental cinema and rethinks screen music discourse in light of the aesthetics of non-commercial imperatives. Several themes run through the book, connecting with and significantly enlarging upon current critical discourse surrounding realism and audibility in the fiction film, the role of music in mainstream cinema, and the audiovisual strategies of experimental film. The contributors investigate repertoires and artists from Europe and the USA through the critical lenses of synchronicity and animated sound, interrelations of experimentation in image and sound, audiovisual synchresis and dissonance, experimental soundscape traditions, found-footage film, re-mediation of pre-existent music and sound, popular and queer sound cultures, and a diversity of radical technological, aesthetic, tropes in film media traversing the work of early pioneers such as Walther Ruttmann and Len Lye, through the mid-century innovations of Norman McLaren, Stan Brakhage, Lis Rhodes, Kenneth Anger, Andy Warhol, and studio collectives in Poland, to latter-day experimentalists John Smith and Bill Morrison, as well as the contemporary practices of Vjing. **
Author: Julia Southard Lee
File Type: pdf
ReviewLees book is valuable not only for demonstrating how much Victorian novels have in common with American slave narratives, but for beginning to address the questions this kinship raises...This book breaks new ground, and later critics will build upon it to deepen our understanding of the relationship between the slave narrative and the Victorian novel. --Victorian StudiesThe great originality of Julia Sun-Joo Lees work lies in the way it traces the influence of African American writing within the traditional heart of British Victorian literature, demonstrating how canonical writers such as Thackeray, Dickens, Gaskell, and Charlotte Bronti were responding in different ways to the genre of the slave narrative. With its surprising but illuminating juxtapositions, this is an example of transatlantic critical practice at its best.-Paul Giles, author of Atlantic Republic The slaves narrative, meant solely to help in the abolishing of slavery, has always had its own literary integrity and importance. Here in this brilliant and original book, Julia Lee shows us the profound influence and transformation it had on the imagination of some of our great writers. With much splendid clarity of words and thought, The American Slave Narrative and the Victorian Novel will continue that tradition of influence and transformation.-Jamaica Kincaid, author of A Small Place Julia Sun-Joo Lee makes the case for the influence of American slavery and the slave narrative on the Victorian novel. Her carefully researched, elegantly written, and original studies of texts by Bronti, Thackeray, Gaskell, Dickens, and Stevenson are sure to become staples.-Audrey Fisch, author of American Slaves in Victorian England Fresh and surefooted, Julia Sun-Joo Lees book does what no other book has done before it presents the American slave narrative as a point of origin for English narratives of dissent, resistance, and freedom. This is a welcome and, as Lees authoritative work shows, a well-founded change in critical orientation. Lees pathbreaking book will transform the fields of Victorian, transatlantic, and African American studies.-Henry Louis Gates Jr., author of The Signifying Monkey Offers compelling evidence of the depth of Victorian writers engagement with the plots, images, and motifs of American slave narratives...The American Slave Narrative and the Victorian Novel offers a rich array of information and ideas that will make it a rewarding read for any student of Victorian literature. --Nineteenth-Century Gender StudiesAbout the AuthorJulia Sun-Joo Lee is a Visiting Assistant Professor at Loyola Marymount University and a Fellow at the W. E. B. Du Bois Institute for African and African American Research at Harvard University.
Author: Selim Deringil
File Type: pdf
The Great War is still seen as a mostly European war. The Middle Eastern theater is, at best, considered a sideshow written from the western perspective. This book fills an important gap in the literature by giving an insight through annotated translations from five Ottoman memoirs, previously not available in English, of actors who witnessed the last few years of Turkish presence in the Arab lands. It provides the historical background to many of the crises in the Middle East today, such as the ArabIsraeli confrontation, the conflict-ridden emergence of Syria and Lebanon, the struggle over the holy places of Islam in the Hejaz, and the mutual prejudices of Arabs and Turks about each other.
Author: Lia Purpura
File Type: epub
A powerful new collection from poet, essayist, and frequent New Yorker contributor Lia Purpura Lia Purpura has won national acclaim as both a poet and an essayist. The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects--time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being--each poem explores a bright, crisp, singular moment of awareness or shock or revelation. Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.
Author: Fred R. Shapiro
File Type: pdf
This reader-friendly volume contains more than 12,000 famous quotations, arranged alphabetically by author. It is unique in its focus on American quotations and its inclusion of items not only from literary and historical sources but also from popular culture, sports, computers, science, politics, law, and the social sciences. Anonymously authored items appear in sections devoted to folk songs, advertising slogans, television catchphrases, proverbs, and others. For each quotation, a source and first date of use is cited. In many cases, new research for this book has uncovered an earlier date or a different author than had previously been understood. (It was Beatrice Kaufman, not Sophie Tucker, who exclaimed, Ive been poor and Ive been rich. Rich is better! William Tecumseh Sherman wasnt the originator of War is hell! It was Napoleon.) Numerous entries are enhanced with annotations to clarify meaning or context for the reader. These interesting annotations, along with extensive cross-references that identify related quotations and a large keyword index, will satisfy both the reader who seeks specific information and the curious browser who appreciates an amble through entertaining pages.
Author: Diana Butler Bass
File Type: epub
For too long, the history of Christianity has been told as the triumph of orthodox doctrine imposed through power and hierarchy. In A Peoples History of Christianity, historian and religion expert Diana Butler Bass reveals an alternate history that includes a deep social ethic and far-reaching inclusivity the other side of the story is not a modern phenomenon, but has always been practiced within the church. Butler Bass persuasively argues that correctiveeven subversivebeliefs and practices have always been hallmarks of Christianity and are necessary to nourish communities of faith.In the same spirit as Howard Zinns groundbreaking work The Peoples History of the United States, Butler Basss A Peoples History of Christianity brings to life the movements, personalities, and spiritual disciplines that have always informed and ignited Christian worship and social activism.A Peoples History of Christianity authenticates the vital, emerging Christian movements of our time, providing the historical evidence that celebrates these movements as thoroughly Christian and faithful to the mission and message of Jesus.
Author: Patricia Novillo-Corvalán
File Type: pdf
This book is the first in-depth exploration of the relationship between Latin American and European modernisms during the long twentieth century. Drawing on comparative, historical, and postcolonial reading strategies (including archival research), it seeks to reenergize the study of modernism by putting the spotlight on the cultural networks and aesthetic dialogues that developed between European and non-European writers, including Pablo Neruda, James Joyce, Leonard Woolf, Virginia Woolf, Jorge Luis Borges, Victoria Ocampo, Roberto Bolano, Julio Corter, Samuel Beckett, Octavio Paz, Carlos Fuentes, and Malcolm Lowry. The book explores a wide range of texts that reflect these writers complex concerns with questions of exile, space, empire, colonization, reception, translation, human subjectivity, and modernist experimentation. By rethinking modernism comparatively and by placing this intricate web of cultural interconnections within an expansive transnational (and transcontinental) framework, this unique study opens up new perspectives that delineate the construction of a polycentric geography of modernism. It will be of interest to those studying global modernisms, as well as Latin American literature, transatlantic studies, comparative literature, world literature, translation studies, and the global south.
Author: Lina Wright Berle
File Type: pdf
Originally published in 1917. This volume from the Cornell University Librarys print collections was scanned on an APT BookScan and converted to JPG 2000 format by Kirtas Technologies. All titles scanned cover to cover and pages may include marks notations and other marginalia present in the original volume.