Beginning IOS 5 Games Development: Using the IOS SDK for IPad, IPhone and IPod Touch
Author: Lucas Jordan File Type: pdf Game apps on iPhone and now iPad remain one of the most popular type of apps in the Apple iTunes App Store. Does Angry Birds ring a bell? What you were once able to do just for the iPhone (and iPod touch) is now possible for the populariPad,using the new iOS 5 SDK. Beginning iOS 5 Games Development provides a clear path for you to create games using the iOS 5 SDK platform for the iPad, iPhone, and iPad touch. Youll learn how to use classes to create game apps, including graphics, and animations. The latest version of Xcode will be used in parts of the book to guide you along the way of building your apps.Other topics include iOS 5 game appsdevelopment with the newest iOS Game Center update, persisting user data, and designing a compelling user experience. After readingthis book, youllcome away with the skills and techniques for building a game app, top to bottom, that could perhaps even be sold on the Apple iTunes App Store. What youll learnullHow to use UIViews to display game assets llHow to create frame-by-frame animations for action games llHow to integrate with Game Center and other social media services lulWho this book is forThis book is for new iOS developers who want to create compelling 2D games. A basic understanding of Xcode and Objective-C is assumed. Table of ContentsollIntroduction and HelloGame llSetting Up your Game App Project llExplore the Game App Life cycle llQuickly Build anInput Driven Game llQuickly Build a Frame by Frame Game llBuild Your Game Game Engine, Image Actors, and Behaviors llBuild Your Game Vector Actors and Particles llBuild Your GameUnderstand Gestures and Movements llBuild Your Game Apples Game Center and Social Media llA Complete Example Belt Commander llDesign and Create Graphics llMonetizing via the Apple App Store lolAbout the AuthorLucas L. Jordan is a lifelong computer enthusiast and has worked for many years as a Java developer, focusing on user interface. He has previously written JavaFX Special Effects Taking Java RIA to the Extreme with Animation, Multimedia, and Game Elements. Lucas is interested in mobile application development in its many forms.
Author: Thomas F. Scanlon
File Type: pdf
This volume provides an accessible, comprehensive, and up-to-date survey of the ancient Greek genre of historical writing from its origins before Herodotus to the Greek historians of the Roman imperial era, seven centuries later. Focuses on the themes of power and human nature, causation, divine justice, leadership, civilization versus barbarism, legacy, and literary reception Includes thorough summaries alongside textual analysis that signpost key passages and highlight thematic connections, helping readers navigate their way through the original texts Situates historical writing among the forms of epic and lyric poetry, drama, philosophy, and science Uses the best current translations and includes a detailed list of further reading that includes important new scholarship
Author: Hikmet Sidney Loe
File Type: pdf
Copublished with the Tanner Trust Fund, J. Willard Marriott Library. Robert Smithsons earthwork, Spiral Jetty (1970), an icon of the Land Art movement of the 1960s and 1970s, is located on the northern shores of Utahs Great Salt Lake. Smithson built a masterpiece from local materials, one that spirals counterclockwise into the lake and appears or is submerged with fluctuations in the lakes locally red, saline water. The Spiral Jetty Encyclo draws on Smithsons writings for encyclopedic entries that bring to light the contextof the earthwork and Smithsons many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his ability to use diverse mediums to create a cohesive and lasting work of art. Containing some 220 images, most of them in color, with some historical black and whites, The Spiral Jetty Encyclo lets readers explore the construction, connections, and significance of Smithsons 1,500-foot-long curl into Great Salt Lake, created, in Smithsons words, of mud, salt crystals, rocks, water. **
Author: Euclides Da Cunha
File Type: pdf
Euclides da Cunhas classic account of the brutal campaigns against religious mystic Antonio Conselheiro has been called the Bible of Brazilian nationality. Euclides da Cunha went on the campaigns [against Conselheiro] as a journalist and what he returned with and published in 1902 is still unsurpassed in Latin American literature. Cunha is a talent as grand, spacious, entangled with knowledge, curiosity, and bafflement as the country itself. . . . On every page there is a heart of idea, speculation, dramatic observation that tells of a creative mission undertaken, the identity of the nation, and also the creation of a pure and eloquent prose style.Elizabeth Hardwick, Bartleby in Manhattan **
Author: Véronique M. Fóti
File Type: pdf
The French philosopher Renaud Barbaras remarked that late in Maurice Merleau-Pontys career, The phenomenology of perception fulfills itself as a philosophy of expression. In Tracing Expression in Merleau-Ponty Aesthetics, Philosophy of Biology, and Ontology, Veronique M. Foti addresses the guiding yet neglected theme of expression in Merleau-Pontys thought. She traces Merleau-Pontys ideas about how individuals express creative or artistic impulses through his three essays on aesthetics, his engagement with animality and the new biology in the second of his lecture courses on nature of 195758, and in his late ontology, articulated in 1964 in the fragmentary text of Le visible et linvisible (The Visible and the Invisible). With the exception of a discussion of Merleau-Pontys 1945 essay Cezannes Doubt, Foti engages with Merleau-Pontys late and final thought, with close attention to both his scientific and philosophical interlocutors, especially the continental rationalists. Expression shows itself, in Merleau-Pontys thought, to be primordial, and this innate and fundamental nature of expression has implications for his understanding of artistic creation, science, and philosophy. **
Author: Rachel Eisendrath
File Type: pdf
We have become used to looking at art from a stance of detachment. In order to be objective, we create a mental space between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as things in themselvesthings, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance discovery of the observable world. In Poetry in a World of Things, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects. *
Author: Saida Hodžić
File Type: pdf
The last three decades have witnessed a proliferation of nongovernmental organizations engaging in new campaigns to end the practice of female genital cutting across Africa. These campaigns have in turn spurred new institutions, discourses, and political projects, bringing about unexpected social transformations, both intended and unintended. Consequently, cutting is waning across the continent. At the same time, these endings are misrecognized and disavowed by public and scholarly discourses across the political spectrum. What does it mean to say that while cutting is ending, the Western discourse surrounding it is on the rise? And what kind of a feminist anthropology is needed in such a moment?The Twilight of Cutting examines these and other questions from the vantage point of Ghanaian feminist and reproductive health NGOs that have organized campaigns against cutting for over thirty years. The book looks at these NGOs not as solutions but as sites of problematization. The purpose of understanding these Ghanaian campaigns, their transnational and regional encounters, and the forms of governmentality they produce is not to charge them with providing answers to the question, how do we end cutting? Instead, it is to account for their work, their historicity, the life worlds and subjectivities they engender, and the modes of reflection, imminent critique, and opposition they set in motion. **From the Inside Flap In this bold, compelling book, Hodzic shows why female genital cutting has served as the test case for claims regarding humane imperialism and human rights, and for debates about cultural relativism, liberal tolerance, and feminist activism. NorthSouth collaboration to end the practice might serve as a tool of governance, but it also yields unforeseen awareness, questioning, and the unmasking of fetishism. An original, erudite, and important work.Jean Comaroff,Harvard University A tour-de-force feminist analysis of the problem of cutting. Without passing judgment, yet with critical eye intact, Hodzics ethnography explores how Ghanaian NGOs changed lifeworlds and laws about female genital mutilation (FGM) in their efforts to end the practice.Erica Bornstein, author of Disquieting Gifts Humanitarianism in New Delhi About the Author Saida Hodzicis Assistant Professor of Anthropology and Feminist, Gender, and Sexuality Studies at Cornell University.
Author: Vanessa A. Camilleri
File Type: pdf
Healing the Inner City Child presents a diverse collection of creative arts therapies approaches to meeting the specific mental health needs of inner city children, who are disproportionately likely to experience violence, crime and family pressures and are at risk of depression and behavioural disorders as a result. The contributors draw on their professional experience in school and community settings to describe a wide variety of suitable therapeutic interventions, including music, play and art therapy as well as psychodrama and dancemovement approaches, that enable children to deal with experiences of trauma, loss, abuse, and other risk factors that may affect their ability to reach their full academic and personal potentials. The contributors examine current research and psychoeducational trends and build a compelling case for the use of creative arts therapies with inner city populations. A must-read for creative arts therapists, psychologists, social workers and educators, this book offers a comprehensive overview of arts-based interventions for anyone working to improve the lives of children growing up in inner city areas. **Review The writing style allows accessibility for a wide range of readers. There are excellent references and subject index, with good signposting for the reader who wants to dip into the book. This is worth reading for the political argument for intervention at a global level and the psychodynamic understanding of life... This should be read by Managers of Children and Young Peoples Directorates and managers of Social Care and Local Service teams. Also any practitioners in multi-agency teams working directly with vulnerable families and young people would appreciate the book. -- British Psychological Society This book is an act of love and dedication and supplies a valuable resource for clinicians, educators, researchers, and students in creative arts therapies and other related human service professions. Given the state of our world, and the plight of youth in our inner cities, it supplies hope, and indeed, makes one proud to be creative art therapist. -- American Dance Therapy Association The contributors use their professional experiences to set out a wide variety of therapeutic interventions such as art, music, drama, and dance therapy, that help children to deal with traumatic experiences and loss in their lives. This particular approach to helping inner city children is based upon the belief that such children are at particular risk of future depression and behavioural problems given their increased exposure to pollution, and instances of violence and crime. -- Child Right I believe that this book is an incredibly useful resource for those of us who work with children at risk it certainly puts arts therapist on the map. I would recommend this book as an extremely useful resource offering sound research, clear definitions and useful examples. -- Sesame Institute Journal This two-part book exposes the reader to professionals who use creative arts therapies and related modalities in working with urban youth. I highly recommend this text to art therapists who are interested in working with urban young people, or who are currently doing this rewarding and challenging work. Camilleri provides a solid foundation for understanding the complexity of this population, and the contributing authors bring a human face to an often underrepresented population. -- Journal of the Art Therapy Association As one of the first educations in the fields of art, music, and dancemovement therapy, I recommend this book to educators, students, and practitioners. The case studies are moving, the implementation of the arts therapies professional and inspiring, and the personal observations insightful. This work is a wonderful testimony to the uniqueness, power, and validity of the creative arts therapies. -- The Arts in Psychotherapy About the Author Vanessa A. Camilleri holds a BA in Psychology and Education from Vassar College in Poughkeepsie, New York, and an MA in Music Therapy from New York University. She has run two music therapy programs in inner city charter schools in New York City and Washington DC to help children develop social skills that enable them to succeed in school and beyond. She has also supervised undergraduate and graduate level students of music therapy, published several journal articles and book chapters, and has presented at regional and national conferences.
Author: William H. Beezley
File Type: pdf
Music has been critical to national identity in Latin America, especially since the worldwide emphasis on nations and cultural identity that followed World War I. Unlike European countries with unified ethnic populations, Latin American nations claimed blended ethnicities--indigenous, Caucasian, African, and Asian--and the process of national stereotyping that began in the 1920s drew on the themes of indigenous and African cultures. Composers and performers drew on the folklore and heritage of ethnic and immigrant groups in different nations to produce what became the music representative of different countries. Mexico became the nation of mariachi bands, Argentina the land of the tango, Brazil the country of Samba, and Cuba the island of Afro-Cuban rhythms, including the rhumba. The essays collected here offer a useful introduction to the twin themes of music and national identity and melodies and ethnic identification. The contributors examine a variety of countries where powerful historical movements were shaped intentionally by music. **