The Private Government of Public Money: Community and Policy Inside British Politics
Author: Hugh Heclo File Type: pdf p DejaVu SansLittle has been written that would tell anyone how the spending departments, Treasury officials and Cabinet members actually interact with each other and with the world outside to produce the mammoth pattern of public spending. Admirable historical work has given us some knowledge about the control of public monies during former centuries, but evidence on current practices is almost non-existent. The struggle for money continues today and remains as politically informative as ever. This book is about that struggle.p DejaVu Sans**
Author: Jacques Rancière
File Type: pdf
In this book the influential philosopher Jacques Ranciere, in discussion with Peter Engelmann, explores the enduring connection between politics and aesthetics, arguing that aesthetics forms the fundamental basis for social and political upheaval. Beginning from his rejection of structuralist Marxism, Ranciere outlines the development of his thought from his early studies on workers emancipation to his recent work on literature, film and visual art. Rather than discussing aesthetics within narrow terms of how we contemplate art or beauty, Ranciere argues that aesthetics underpins our entire regime of experience. He shows how political relations develop from sensual experience, as individual feelings and perceptions become the concern of the community as a whole. Since politics emerges from the division of the sensual, aesthetic experience becomes a radically emancipatory and egalitarian means to disrupt this order and transform political reality. Investigating new forms of emancipatory politics arising from current art practices and social movements, this short book will appeal to anyone interested in contemporary art, aesthetics, philosophy and political theory.
Author: John Morrill
File Type: pdf
First published as part of the best-selling The Oxford Illustrated History of Britain, John Morrills Very Short Introduction to Stuart Britain sets the Revolution into its political, religious, social, economic, intellectual, and cultural contexts. It thus seeks to integrate what most other surveys pull apart. It gives a graphic account of the effects of a century-long period during which population was growing inexorably and faster than both the food supply and the employment market. It looks at the failed attempts of successive governments to make all those under their authority obedient members of a unified national church it looks at how Charles I blundered into a civil war which then took on a terrifying momentum of its own. The result was his trial and execution, the abolition of the monarchy, the house of lords, the bishops, the prayer book and the celebration of Christmas. As a result everything else that people took for granted came up for challenge, and this book shows how painfully and with what difficulty order and obedience was restored. Vividly illustrated and full of startling detail, this is an ideal introduction to those interested in getting into the period, and also contains much to challenge and stimulate those who already feel at home in Stuart England.
Author: Thérèse Migraine-George
File Type: pdf
In 2007 the French newspaper Le Monde published a manifesto titled Toward a World Literature in French, signed by forty-four writers, many from Frances former colonies. Proclaiming that the francophone label encompassed people who had little in common besides the fact that they all spoke French, the manifestos proponents, the so-called francophone writers themselves, sought to energize a battle cry against the discriminatory effects and prescriptive claims of francophonie. In one of the first books to study the movement away from the term francophone to world literature in French, Therese Migraine-George engages a literary analysis of contemporary works in exploring the tensions and theoretical debates surrounding world literature in French. She focuses on works by a diverse group of contemporary French-speaking writers who straddle continentsNina Bouraoui, Helene Cixous, Maryse Conde, Marie NDiaye, Tierno Monenembo, and Lyonel Trouillot. What these writers have in common beyond their use of French is their resistance to the centralizing power of a language, their rejection of exclusive definitions, and their claim for creative autonomy. **
Author: Bill Pittman
File Type: epub
The never before told story of the forces that inspired the fellowship of Alcoholics Anonymous. The Roots of Alcoholics Anonymous is a fascinating history of treatment for alcoholism that traces societys shifting sentiments towards recovery. Author Bill Pittman uncovers a wealth of new and fascinating information about the people, movements and organizations behind Alcoholics Anonymous.Pittman has dug deeply into the early history of AA. He has used recent scholarship on the subject well and done a mountain of new research. The entire Alcohol Studies field should find this book highly interesting.Penny Booth Page, Rutgers Center for Alcohol StudiesA challenging and thought provoking book.Ernest Kurtz, Ph.D., author of Not God A History of AAI like Bill Pittmans factual approach to the years leading up to the birth of AA.Ruth Hock Crecellius, Bill Wilsons first secretaryAn honest, accurate and readable history of AA.Bob Morris, Minneapolis, MinnesotaComplete and informative--a valuable book for anyone in the alcohol studies field.Curtis M., New York CityPittman has written a comprehensive and insightful history of the evolution of AA.Peter L., Waltham, Massachusetts
Author: Michael Harner
File Type: pdf
This classic on shamanism pioneered the modern shamanic renaissance. It is the foremost resource and reference on shamanism. Now, with a new introduction and a guide to current resources, anthropologist Michael Harner provides the definitive handbook on practical shamanism what it is, where it came from, how you can participate.Wonderful, fascinating Harner really knows what hes talking about.CARLOS CASTANEDAAn intimate and practical guide to the art of shamanic healing and the technology of the sacred. Michael Harner is not just an anthropologist who has studied shamanism he is an authentic white shaman.STANILAV GROF, author of The Adventure Of Self DiscoveryHarner has impeccable credentials, both as an academic and as a practising shaman. Without doubt (since the recent death of Mircea Eliade) the worlds leading authority on shamanism.NEVILL DRURY, author of The Elements of ShamanismMichael Harner, Ph.D., has practised shamanism and shamanic healing for more than a quarter of a century. He is the founder and director of the Foundation for Shamanic Studies in Norwalk, Connecticut.ReviewWonderful, fascinating...Harner really knows what hes talking about. (Carlos Castaneda )An intimate and practical guide to the art of shamanic healing and the technology of the sacred. Michael Harner is not just an anthropologist who has studied shamanism he is an authentic white shaman. (Stanislav Grof, author of The Adventure of Self-Discovery )Harner has impeccable credentials, both as an academic and as a practicing shaman. Without doubt (since the death of Mircea Eliade) the worlds leading authority on shamanism. (Nevill Drury, author of The Elements of Shamanism )What Yogananda did for Hinduism and D.T. Suzuki did for Zen, Michael harner has done for shamanism. (Roger Walsh and Charles S. Grob, authors of Higher Wisdom ) About the AuthorMichael Harner, Ph.D., has taught anthropology at various institutions, including the University of California at Berkeley, Columbia University, Yale University, and the New School in New York, and has practiced shamanism and shamanic healing since 1961 when he was initiated into Upper Amazonian shamanism. He is the founder of the Foundation for Shamanic Studies in Mill Valley, California.
Author: Helen L. Parish
File Type: pdf
When, in October 1517, Martin Luther pinned his Ninety-Five Theses to the door of All Saints Church in Wittenberg he shattered the foundations of western Christendom. The Reformation of doctrine and practice that followed Luthers seismic action, and protest against the sale of indulgences, fragmented the Church and overturned previously accepted certainties and priorities. But it did more, challenging the relationship between spiritual and secular authority, perceptions of the supernatural, the interpretation of the past, the role of women in society and church, and clerical attitudes towards marriage and sex. Drawing on the most recent historiography, Helen L Parish locates the Protestant Reformation in its many cultural, social and political contexts. She assesses the Reformers impact on art and architecture on notions of authority, scripture and tradition and - reflecting on the extent to which the printing press helped spread Reformation ideas - on oral, print and written culture.**About the Author Helen L Parish is a senior lecturer in history at the University of Reading. Her previous books include Monks, Miracles and Magic Reformation Representations of the Medieval Church (2005) and Clerical Marriage and the English Reformation Precedent, Policy and Practice (2000).
Author: Richard Viladesau
File Type: pdf
From the earliest period of its existence, Christianity has been recognized as the religion of the cross. Some of the great monuments of Western art are representations of the brutal torture and execution of Christ. Despite the horror of crucifixion, we often find such images beautiful. The beauty of the cross expresses the central paradox of Christian faith the cross of Christs execution is the symbol of Gods victory over death and sin. The cross as an aesthetic object and as a means of devotion corresponds to the mystery of Gods wisdom and power manifest in suffering and apparent failure. In this volume, Richard Viladesau seeks to understand the beauty of the cross as it developed in both theology and art from their beginnings until the eve of the renaissance. He argues that art and symbolism functioned as an alternative strand of theological expression -- sometimes parallel to, sometimes interwoven with, and sometimes in tension with formal theological reflection on the meaning of the Crucifixion and its role in salvation history. Using specific works of art to epitomize particular artistic and theological paradigms, Viladesau then explores the contours of each paradigm through the works of representative theologians as well as liturgical, poetic, artistic, and musical sources. The beauty of the cross is examined from Patristic theology and the earliest representations of the Logos on the cross, to the monastic theology of victory and the Romanesque crucified majesty, to the Anselmian revolution that centered theological and artistic attention on the suffering humanity of Jesus, and finally to the breakdown of the high scholastic theology of the redemption in empirically concentrated nominalism and the beginnings of naturalism in art. By examining the relationship between aesthetic and conceptual theology, Viladesau deepens our understanding of the foremost symbol of Christianity. This volume makes an important contribution to an emerging field, breaking new ground in theological aesthetics. The Beauty of the Cross is a valuable resource for scholars, students, and anyone interested in the passion of Christ and its representation. *
Author: Nick Dyer-Witheford
File Type: pdf
In the first decade of the twenty-first century, video games are an integral part of global media culture, rivaling Hollywood in revenue and influence. No longer confined to a subculture of adolescent males, video games today are played by adults around the world. At the same time, video games have become major sites of corporate exploitation and military recruitment.In Games of Empire, Nick Dyer-Witheford and Greig de Peuter offer a radical political critique of such video games and virtual environments as Second Life, World of Warcraft, and Grand Theft Auto, analyzing them as the exemplary media of Empire, the twenty-first-century hypercapitalist complex theorized by Michael Hardt and Antonio Negri. The authors trace the ascent of virtual gaming, assess its impact on creators and players alike, and delineate the relationships between games and reality, body and avatar, screen and street.Games of Empire forcefully connects video games to real-world concerns about globalization, militarism, and exploitation, from the horrors of African mines and Indian e-waste sites that underlie the entire industry, the role of labor in commercial game development, and the synergy between military simulation software and the battlefields of Iraq and Afghanistan exemplified by Full Spectrum Warrior to the substantial virtual economies surrounding World of Warcraft, the urban neoliberalism made playable in Grand Theft Auto, and the emergence of an alternative game culture through activist games and open-source game development.Rejecting both moral panic and glib enthusiasm, Games of Empire demonstrates how virtual games crystallize the cultural, political, and economic forces of global capital, while also providing a means of resisting them.**