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39545
Author: Marguerite Yourcenar
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p DejaVu Sans, serif 14pxPublished to great acclaim in France in 1993, this collection is not only a delight for Marguerite Yourcenar fans but a welcome port of entry for any reader not yet familiar with the authors lengthier, more demanding works. The sole published work of fiction by Yourcenar yet to be translated into English, this collection includes three stories written between 1927 and 1930 when the author was in her mid-twenties. These stories cover a range of themes, from an allegory on greed and a scene from the war of the sexes, to a witchhunt that obsessively creates its own quarry. p DejaVu Sans, serif 14pxFor the devoted readers of Yourcenar, this collection allows a rare glimpse at the beginnings of a writers craft. In these accomplished but forgotten pieces, edited and introduced by her biographer, Josyane Savigneau, the reader will find the blend of fable and fairy tale of Oriental Tales, the psychological chronicle of Dear Departed, the ironic realism of A Coin in Nine Hands. Read as an introduction to Yourcenars work, the stories take us into the writers workshop, as it were, to the early days of creation. In either case, A Blue Tale and Other Stories carries the unmistakable voice of a formidable and vastly talented writer. p DejaVu Sans, serif 14pxMarguerite Yourcenar (her pseudonym was an anagram of her family name, Crayencour) was born in Brussels in 1903 and died in Maine in 1987. One of the most respected writers in the French language, she is best known as the author of the best-selling Memoirs of Hadrian and The Abyss. She was awarded many literary honors, most notably election to the Academie Francaise in 1980, the first woman to be so honored. p DejaVu Sans, serif 14px**h3 DejaVu Sans, serif 14pxFrom Publishers Weekly p DejaVu Sans, serif 14pxWritten between 1927 and 1930, when Yourcenar (1903-1987) was in her mid-20s, these three exquisite stories prefigure the Belgian-born French novelists mature dramatic powers. In the title piece, Yourcenar describes the external world in myriad shades of blue. Unfolding like a folktale, this tonal experiment concerns a band of seafaring European merchants (Dutch, Irish, Greek, Castilian) who seek a cave full of sapphires, aided by a deaf-mute female slave with blue-black hair. She is kidnapped by the greedy Greek merchant (her tears turn to aquamarines), then stripped and lashed to the mast by the ships crew, but this act of violation signals the mariners undoing. Male arrogance and misogyny also underlie The First Evening, which was written by Yourcenars father, Michel de Crayencour, then revised and completed by her in a curious collaboration. Honeymooning with his new wife, a man resents receiving the news that his ex-mistress has thrown herself under a bus. In The Evil Spell, set in a Mediterranean village, an Italian peasant woman dying of tuberculosis, seemingly inflicted by a jealous rivals magic curse, is aided by a male healers spell-breaking rituals. In sensual yet precise prose, Yourcenar probes the workings of greed, faith, credulity and empathy in human relationships. 1995 Reed Business Information, Inc. h3 DejaVu Sans, serif 14pxFrom Library Journal p DejaVu Sans, serif 14pxDiscovered among Yourcenars papers after her death in 1987, the three stories in this slim volume were written from 1927 and 1930, when the author was in her mid-twenties, and are a startling achievement. They reveal her preoccupation with storytelling methods she later developed in her novels?reworking of oral traditions and an incandescent point of view?as well as a fascination with the fable and the occult. Only A Blue Tale, told entirely in timbres of blue, has not been published. An Evil Spell concerns a young Italian peasant who confesses to sorcery out of fear yet finds a new power in the terror she now inspires. The First Evening is the most compelling of the three tales On his wedding night, a bridegroom reflects on his new possession then receives notice that his ex-mistress has been struck by a bus. The story, created by Yourcenars father as a young man and reworked by the daughter, reveals the cold, sure eye of a writer beyond her years. A good introduction to Yourcenars work for literature collections.?Amy Boaz, Library Journal 1995 Reed Business Information, Inc.font face=DejaVu Sans, serifspan 14pxhttpwww.archive.orgdetailsbluetaleothersto00yourspanfont
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1 year ago
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38013
Author: Terry Eagleton
File Type: mobi
Written by one of the worlds leading literary theorists, this book provides a wide-ranging, accessible and humorous introduction to the English novel from Daniel Defoe to the present day. ullCovers the works of major authors, including Daniel Defoe, Henry Fielding, Samuel Richardson, Laurence Sterne, Walter Scott, Jane Austen, the Brontes, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Joseph Conrad, Virginia Woolf, D.H. Lawrence and James Joyce. llDistils the essentials of the theory of the novel. llFollows the model of Eagletons hugely popular Literary Theory An Introduction (Second Edition, 1996). lulReviewEagletons presentation of the history of the novel is admirably clear and almost entirely free of the disfiguring jargon so relied upon by theorists and bamboozlers.The Irish Independenta Eagleton, almost alone among academic literary critics of his generation, has never been afraid of asking big questions about big things. In The English Novel An Introduction he takes aim at a very large target indeed. Being Eagleton (the most articulately and discriminately ideological critic of our time) he does, of course, do much more than merely introduce. He makes sense of the English novel.John Sutherland, Lord Northcliffe Professor of Modern English Literature, UCLBook DescriptionWritten by one of the worlds leading literary theorists, this book provides a wide-ranging, accessible and humorous introduction to the English novel from Daniel Defoe to the present day.Following the model of his hugely popular Literary Theory An Introduction, Terry Eagleton starts by distilling the essentials of the theory of the novel, summarizing what has been written on the genre by a range of prominent theorists. There then follows a series of chapters on major novelists, including Daniel Defoe, Henry Fielding, Samuel Richardson, Laurence Sterne, Walter Scott, Jane Austen, the Brontes, Charles Dickens, George Eliot, Thomas Hardy, Henry James, Joseph Conrad, Virginia Woolf, D.H. Lawrence and James Joyce. Each chapter discusses the major works of the author in question, outlines the relevant historical context, and draws out common themes.The English Novel is an ideal introduction for students of English literature or for general readers.
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Created
1 year ago
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application/x-mobipocket-ebook
English