His Girl Friday (1940) | Howard Hawks | Cary Grant, Rosalind Russel, Ralph Bellamy, Gene Lockhart
His Girl Friday is a 1940 American screwball comedy drama romance film directed by Howard Hawks, starring Cary Grant and Rosalind Russell and featuring Ralph Bellamy and Gene Lockhart. It was released by Columbia Pictures. The plot centers on a newspaper editor named Walter Burns who is about to lose his ace reporter and ex-wife Hildy Johnson, newly engaged to another man. Burns suggests they cover one more story together, getting themselves entangled in the case of murderer Earl Williams as Burns desperately tries to win back his wife. The screenplay was adapted from the 1928 play The Front Page by Ben Hecht and Charles MacArthur. This was the second time the play had been adapted for the screen, the first occasion being the 1931 film also called The Front Page.
The script was written by Charles Lederer and Ben Hecht, who is not credited for his contributions. The major change in this version, introduced by Hawks, is that the role of Hildy Johnson is a woman. Filming began in September 1939 and finished in November, seven days behind schedule. Production was delayed because the frequent improvisation and numerous ensemble scenes required many retakes. Hawks encouraged his actors to be aggressive and spontaneous, creating several moments in which the characters break the fourth wall. His Girl Friday has been noted for its surprises, comedy, and rapid, overlapping dialogue. Hawks himself was determined to break the record for the fastest film dialogue, at the time held by The Front Page. He used a sound mixer on the set to increase the speed of dialogue and held a showing of the two films next to each other to prove how fast his film was.
Horror Express (Spanish: Pánico en el Transiberiano, lit. "Panic on the Trans-Siberian") is a 1972 science fiction horror film produced by Bernard Gordon, written by Arnaud d'Usseau and Julian Zimet (credited as Julian Halevy), and directed by Eugenio Martín. The film stars Christopher Lee and Peter Cushing, with Alberto de Mendoza, Silvia Tortosa, Julio Peña, George Rigaud and Ángel del Pozo in supporting roles, and Telly Savalas in a guest appearance.
In 1906, Professor Sir Alexander Saxton, a renowned British anthropologist, is returning to Europe by the Trans-Siberian Express from Shanghai to Moscow. With him is a crate containing the frozen remains of a primitive humanoid creature that he discovered in a cave in Manchuria. He hopes it is a missing link in human evolution. Doctor Wells, Saxton's friendly rival and Geological Society colleague, is also on board but travelling separately. Before the train departs Shanghai, a thief is found dead on the platform. His eyes are completely white, without irises or pupils, and a bystander initially mistakes him for a blind man. The Polish Count Marion Petrovski and his wife, Countess Irina, are also waiting to board the train with their spiritual advisor, an Eastern Orthodox monk named Father Pujardov, who proclaims the contents of the crate to be evil. Saxton furiously dismisses this as superstition. Saxton's eagerness to keep his scientific find secret arouses the suspicion of Wells, who bribes a porter to investigate the crate. The porter is killed by the defrosted humanoid within. It then escapes the crate by picking the lock.
My Favorite Brunette is a 1947 American romantic comedy film and film noir parody, directed by Elliott Nugent and starring Bob Hope and Dorothy Lamour. Written by Edmund Beloin and Jack Rose, the film is about a baby photographer on death row in San Quentin State Prison who tells reporters his history. While taking care of his private-eye neighbor's office, he is asked by an irresistible baroness to find a missing baron, which initiates a series of confusing but sinister events in a gloomy mansion and a private sanatorium. Spoofing movie detectives and the film noir style, the film features Lon Chaney, Jr. playing Willie, a character based on his Of Mice and Men role Lennie; Peter Lorre as Kismet, a comic take on his many film noir roles; and cameo appearances by film noir regular Alan Ladd and Hope partner Bing Crosby. Sequences were filmed in San Francisco and Pebble Beach, California.
Bloody Pit of Horror (Italian: Il Boia Scarlatto) is a 1965 gothic horror film. The film, set in Italy, was directed by Domenico Massimo Pupillo and stars Mickey Hargitay, Walter Brandi, Luisa Baratto and Rita Klein. It tells the story of a group of women modeling for a photo shoot at a castle, whose owner takes on the identity of the Crimson Executioner, bent on their deaths.
Bloody Pit of Horror was produced by Francesco Merli and Ralph Zucker.[1] The screenplay, by Roberto Natale and Romano Migliorini, was developed from their own story. Luciano Trasatti served as the cinematographer, Mariano Arditi as the editor. Gino Peguri composed the score.
The film was shot at Balsorano Castle while interior shots were filmed at Palazzo Borghese, Artena. Hargitay stated that he had little experience in acting, noting that he "wasn't any more of an accomplished actor than a taxi driver", but still felt he provided a good performance in the film.
Patterns is a 1956 American drama film directed by Fielder Cook and starring Van Heflin, Everett Sloane, and Ed Begley. The screenplay by Rod Serling was an adaptation of his teleplay Patterns originally telecast January 12, 1955 on the Kraft Television Theatre, which starred Sloane, Begley and Richard Kiley.
Most of the scenes are set in the corporate boardroom and surrounding offices of Ramsey & Co., a Manhattan industrial empire headed by the ruthless Walter Ramsey. He brings youthful industrial engineer Fred Staples, whose performance at a company Ramsey has recently acquired has impressed him, to do a top executive job at the head office. Ramsey is grooming Staples to replace the aging Bill Briggs as the second in command at the company.
Briggs has been with the firm for decades, having worked for and admired the company's founder, Ramsey's father. His concern for the employees clashes repeatedly with Ramsey's ruthless methods. Ramsey will not fire Briggs outright but does everything in his power to sabotage and humiliate him into resigning. The old man stubbornly refuses to give in. Staples has mixed feelings about the messy situation, his ambition conflicting with his sympathy for Briggs.
Invasion of the Bee Girls (UK video title: Graveyard Tramps) is a 1973 American science fiction film.[1] The first film venture for writer Nicholas Meyer, it was directed by Denis Sanders and stars William Smith, Anitra Ford and Victoria Vetri. The script was altered while Meyer was visiting his parents. When he saw the new script, he wanted to take his name off of the project, but was convinced by his manager that he needed a credit.
The premise of the movie is that a mad scientist (played by Anitra Ford) has created an army of female beauties who seduce men to death. One by one, the male victims are killed before the local police catch on to the plans of the infected females.
Carnival of Souls is a 1962 American independent horror film produced and directed by Herk Harvey and written by John Clifford from a story by Clifford and Harvey, and starring Candace Hilligoss. Its plot follows Mary Henry, a young woman whose life is disturbed after a car accident. She relocates to a new city, where she finds herself unable to assimilate with the locals, and becomes drawn to the pavilion of an abandoned carnival. Director Harvey also appears in the film as a ghoulish stranger who stalks her throughout.
Filmed in Lawrence, Kansas and Salt Lake City, Carnival of Souls was shot on a budget of $33,000, and Harvey employed various guerrilla filmmaking techniques to finish the production. It was Harvey's only feature film, and did not gain widespread attention when originally released as a double feature with The Devil's Messenger in 1962.
Set to an organ score by Gene Moore, the film has been contemporarily noted by critics and film scholars for its cinematography and foreboding atmosphere. The film has a large cult following and is occasionally screened at film and Halloween festivals, and has been cited as a wide-ranging influence on numerous filmmakers, including David Lynch, George A. Romero, and Lucrecia Martel.
Attack of the Giant Leeches originally titled as The Giant Leeches is an independently made 1959 black-and-white science fiction-horror film, produced by Gene Corman and directed by Bernard L. Kowalski. It stars Ken Clark, Yvette Vickers and Jan Shepard. The screenplay was written by Leo Gordon. The film was released by American International Pictures on a double bill with A Bucket of Blood. Later, in some areas in 1960, Leeches played on a double bill with the Roger Corman film House of Usher.
Attack of the Giant Leeches was one of a spate of "creature features" produced during the 1950s in response to cold war fears; a character in the film speculates that the leeches have been mutated to giant size by atomic radiation from nearby Cape Canaveral.
The Outlaw and His Wife (Swedish: Berg-Ejvind och hans hustru) is a 1918 Swedish silent film directed by Victor Sjöström, based on a play from 1911 by Jóhann Sigurjónsson. It tells the story of Eyvind of the Hills, an 18th-century Icelandic outlaw. The film was groundbreaking for its portrayal of wild nature. It was shot in two sessions in the spring and late summer 1917, with Åre and Abisko in northern Sweden acting as the highlands of Iceland.
A stranger who calls himself Kári comes to a farm in the north country. He hires on as a laborer, and the widowed farm owner Halla becomes infatuated with him. The local bailiff, who wants to marry Halla, becomes jealous of Kári. Another man tells the bailiff that Kári is in fact a thief and fugitive escapee named Eyvind. Kári at first denies being Eyvind and then defeats the bailiff in a wrestling contest as measure of his sincerity. However, when Halla proposes marriage, he confesses the truth of what happened in his earlier impoverished life as Eyvind.