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26 Jan 2021 02:07:41 UTC
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Editors Introduction Walter Benjamins Media Tactics: Optics, Perception, and the Work of Art
Author: Michael W. Jennings
File Type: pdf
div contentInfoDiv Spring 2010, No. 39, Pages 6-9 Posted Online April 30, 2010. div (doi10.1162grey.2010.1.39.6) 2010 by Grey Room, Inc. and the Massachusetts Institute of Technology. div htmlContentp fulltexth1 arttitlediv hlFld-TitleEditors Introduction Walter Benjamins Media Tactics Optics, Perception, and the Work of Arth1div artAuthorsdiv hlFld-ContribAuthorspan hlFld-ContribAuthor Michael W. Jenningsspanp fulltext nospacebMichael W. Jenningsb teaches literature, cultural theory, and the history of photography in the German Department at Princeton. He is the author of two books on Walter Benjamin (Dialectical Images, Cornell University Press, 1987 and, with Howard Eiland, A Life of Walter Benjamin, forthcoming), and serves as the General Editor of Benjamins Selected Writings. His published work includes articles on the theory of art history, modernism in its relationship to capitalist modernity, Weimar culture, and the photo-essay.span hlFld-ContribAuthor Tobias Wilkespanp fulltext nospacebTobias Wilkeb is Assistant Professor of German Literature at Columbia University and Project Leader in the Cluster of Excellence Languages of Emotion at the Freie Universitat Berlin. His most recent book is Medien der Unmittelbarkeit Dingkonzepte und Wahrnehmungstechniken 19181939 [Media of Immediacy Concepts of Thingness and Technologies of Perception, 19181939] (Wilhelm Fink Verlag, 2010).
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