Author: John Rieder File Type: pdf This is the first full-length study of emerging Anglo-American science fictions relation to the history, discourses, and ideologies of colonialism and imperialism. Nearly all scholars and critics of early science fiction acknowledge that colonialism is an important and relevant part of its historical context, and recent scholarship has emphasized imperialisms impact on late Victorian Gothic and adventure fiction and on Anglo-American popular and literary culture in general. John Rieder argues that colonial history and ideology are crucial components of science fictions displaced references to history and its engagement in ideological production. He proposes that the profound ambivalence that pervades colonial accounts of the exotic other establishes the basic texture of much science fiction, in particular its vacillation between fantasies of discovery and visions of disaster. Combining original scholarship and theoretical sophistication with a clearly written presentation suitable for students as well as professional scholars, this study offers new and innovative readings of both acknowledged classics and rediscovered gems. Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W. H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H. G. Wells. **

Author: Roy Peter Clark File Type: pdf One of Americas most influential writing teachers offers a toolbox from which writers of all kinds can draw practical inspiration. Writing is a craft you can learn, says Roy Peter Clark. You need tools, not rules. His book distills decades of experience into 50 tools that will help any writer become more fluent and effective. WRITING TOOLS covers everything from the most basic (Tool 5 Watch those adverbs) to the more complex (Tool 34 Turn your notebook into a camera) and provides more than 200 examples from literature and journalism to illustrate the concepts. For students, aspiring novelists, and writers of memos, e-mails, PowerPoint presentations, and love letters, here are 50 indispensable, memorable, and usable tools. Pull out a favorite novel or short story, and read it with the guidance of Clarks ideas. . . . Readers will find new worlds in familiar places. And writers will be inspired to pick up their pens. -Boston Globe For all the aspiring writers out there-whether youre writing a novel or a technical report-a respected scholar pulls back the curtain on the art. -Atlanta Journal-Constitution This is a useful tool for writers at all levels of experience, and its entertainingly written, with plenty of helpful examples. -Booklist** One of Americas most influential writing teachers offers a toolbox from which writers of all kinds can draw practical inspiration. Writing is a craft you can learn, says Roy Peter Clark. You need tools, not rules. His book distills decades of experience into 50 tools that will help any writer become more fluent and effective. WRITING TOOLS covers everything from the most basic (Tool 5 Watch those adverbs) to the more complex (Tool 34 Turn your notebook into a camera) and provides more than 200 examples from literature and journalism to illustrate the concepts. For students, aspiring novelists, and writers of memos, e-mails, PowerPoint presentations, and love letters, here are 50 indispensable, memorable, and usable tools. Pull out a favorite novel or short story, and read it with the guidance of Clarks ideas. . . . Readers will find new worlds in familiar places. And writers will be inspired to pick up their pens. -Boston Globe For all the aspiring writers out there-whether youre writing a novel or a technical report-a respected scholar pulls back the curtain on the art. -Atlanta Journal-Constitution This is a useful tool for writers at all levels of experience, and its entertainingly written, with plenty of helpful examples. -BooklistFrom Publishers WeeklyCovering the writing waterfront-from basics on verb tense to the value of forming a support group-Poynter Institute vice president Clark offers tips, tricks and techniques for anyone putting fingers to keyboard. The best assets in Clarks book are in the workshop sections that conclude each chapter and list strategies for incorporating the material covered in each lesson (minimize adverbs, use active verbs, read your work aloud). Though some suggestions are classroom campy (Listen to song lyrics to hear how the language moves on the ladder of abstraction and With some friends, take a big piece of chart paper and with colored markers draw a diagram of your writing process), Clarks blend of instruction and exercise will prove especially useful for teachers. One exercise, for instance, suggests reading the newspaper and marking the location of subjects and verbs. Another provides a close reading of a passage from The Postman Always Rings Twice to look at the ways word placement and sentence structure can add punch to prose. Clark doesnt intend his guide to be a replacement for classic style guides like Elements of Style, but as a companion volume, it does the trick.br Reed Business Information, a division of Reed Elsevier Inc. From BooklistThe author, vice president of the Poynter Institute School of Journalism, wants you to understand that a tool isnt the same thing as a rule. A tool is something designed to help you, not constrict you. The 50 tools discussed here take writers through the process of storytelling in prose, from the basic (construct a sentence with a subject and a verb) to the advanced (make your characters archetypes, not stereotypes). Many of Clarks rules are technical, having to do with such matters as punctuation and tense, but some of them are more thematically oriented (for example, discussions of the proper uses of foreshadowing and suspense). Use the tools when you like, the author says, and throw them away when it suits you. Just know what it is youre throwing away and why. This is a useful tool for writers at all levels of experience, and its entertainingly written, with plenty of helpful examples. David Pittbr American Library Association. lt