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Utopia is used with permission from Kosta Nikas. Learn more at http://omele.to/3laH1Ce.
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Jack has just come back to his homeland of Australia after over a decade away in paradise. But after being met at the airport by his brother Frank, Jack discovers that the country has radically changed. Citizens report and fine one another for various civil infractions, using their mobile phones to record and upload offenses to a government app.
Jack is in disbelief as he arrives at Frank's home with his wife Margaret, and he can't even believe that swearing is fined and alcohol is banned. There are cameras everywhere, and the only safe place in people's homes is the bathroom. Unable to adapt or accept the changes, Jack attempts to leave the country -- a much harder feat to accomplish than he thought.
Written and directed by Kosta Nikas, this sci-fi short may be named after an ideal paradise of balance and peace, but its title is deeply satirical in how the film portrays the absurdity of the new surveillance state. It constructs a fascinating world that seems only a few steps removed from our phone-saturated society, telling its cautionary tale in an ironically jaunty way.
The writing takes time in its world-building, which is often one of the pleasures of the sci-fi genre. The narrative action at the beginning catalogs the myriad ways that control and order are exerted over people, and there's dour, wry humor embedded in how Frank escorts his increasingly skeptical brother through this brave new world. The bright sunniness of the cinematography and the percolating, cheerful musical score that peppers itself throughout the film also add touches of stylish buoyancy to what is an increasingly dark story.
The aesthetic approach offers a counterpoint to the often horrifying reality shown on screen, in which citizens are incentivized to document one another's offenses through their omnipresent phones. Jack is a stand-in for the audience, looking increasingly askance at how even the most intimate recesses of everyday life can't escape the pitiless lens of a camera and the desperate people wielding them.
It takes some time for the dramatic conflict to emerge, but the world-building is fascinating enough to carry interest through, and is substantial and detailed enough to power an entire series or feature. By the time Jack finally decides that he must escape, the building blocks of the world and story have been carefully laid into place, forming a chain of obstacles that make it harder for him to leave. He seems trapped indefinitely, but then he gets an unexpected chance -- though one that comes at considerable cost.
That cost, however, doesn't seem so bad by the time we conclude "Utopia," which we realize is anything but. Its sense of horror derives not from perversity or violence, but from how the world that the film constructs is only a few clicks from our current reality.
Practically everyone has a smartphone, and the devices are deeply integrated with almost all aspects of our lives, from banking to romance to communication to entertainment. At many levels, we're still reckoning with how mobile technology is transforming our lives and our relationships. A population armed with phones -- and imbued with increasingly knee-jerk punitiveness towards fellow humans -- seems ludicrous, but with deeper reflection, viewers realize those pieces are already in place in other aspects of our culture. Are human beings so weak that they could be weaponized to do a government's surveillance for them? "Utopia" imagines that day isn't as far as one would think.
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A man lives in a society where citizens police each other with their mobile phones. | Utopia
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Lyrics:
Because of you we're in this mess
Forever you will acquiesce
How you love to be decieved
Whatever they tell you, you’ll believe
Dead of sight and dead of mind
News believer you are blind
Break
Critical thinker you are not
Never independent thought
Boxed into your paradigm
Hypnotised with pantomime
Regurgitate all you hear
Spread you terror spread your fear
Chorus
Never your mind to be free
Never your eyes will ever see
Lick the boot of tyranny
Begging for your slavery
It's they who have remote control (spoken)
The tv stole your very soul
Tune in to the great deciever
Television watching news believer
Inject your poisons wear your mask
All they have to do is ask
Never questioning authority
Blindly following like sheep
Yes sir no sir three bags full
You television watching fool
Chorus
Solo
In their world forever locked
Into their world forever boxed
Reality you leave behind
A prisoner of your own mind
Forever you will be deceived
Never ever to be free