George Eliot for the Twenty-First Century: Literature, Philosophy, Politics
Author: K. M. Newton File Type: pdf George Eliot for the Twenty-First Centuryreexamines Eliot two hundred years after her birth and offers an innovative critical reading that seeks to change perceptions of Eliot.Tracing Eliots literary reception from the nineteenth century to the late twentieth and early twenty-first century, K. M. Newton frames Eliot as an unorthodox radical and considers the philosophical, ethical, political, and artistic subtleties permeating her writings. Drawing from close readings of her novels, essays, and letters, Newton offers a new critical perspective on George Eliot and reveals her enduring relevance in the twenty-first century. **
Author: Victor Ostrovsky
File Type: pdf
The first time the Mossad came calling, they wanted Victor Ostrovsky for their assassination unit, the kidon. He turned them down. The next time, he agreed to enter the grueling three-year training program to become a katsa, or intelligence case officer, for the legendary Israeli spy organization. By Way of Deception is the explosive chronicle of his experiences in the Mossad, and of two decades of their frightening and often ruthless covert activities around the world. Penetrating far deeper than the bestselling Every Spy a Prince, it is an insiders account of Mossad tactics and exploits. In chilling detail, Ostrovsky asserts that the Mossad refused to share critical knowledge of a planned suicide mission in Beirut, leading to the death of hundreds of U.S. Marines and French troops. He tells how they tracked Yasser Arafat by recruiting his driver and bodyguard how they withheld information on the whereabouts of American hostages, paving the way for the Iran-Contra scandal and how their intervention into secret UN negotiations led to the sudden resignation of ambassador Andrew Young and the downfall of his career. By Way of Deception describes the shocking scope and depth of the Mossads influence, disclosing how Jewish communities in the U.S., Europe, and South America are armed and trained by the organization in secret ?self-defense? units, and how Mossad agents facilitate the drug trade in order to pay the enormous costs of its far-flung, clandestine operation. And it portrays a network that has grown dangerously out of control, as internal squabbles have led to the escape of terrorists and the pursuit of ?policies? completely at odds with the interests of the state of Israel. This document is possibly the most important and controversial book of its kind since Spycatcher.
Author: Hilaire Kallendorf
File Type: pdf
Exorcism and demonic possession appear as recurrent motifs in early modern Spanish and English literatures. In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this infection was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics like Shakespeare, Cervantes, Ben Jonson, and Lope de Vega, to obscure works by anonymous writers. From comic and tragic drama to picaresque narrative and eight other genres, possession worked as a paradigm through which authors could convey extraordinary experience, including not only demonic possession but also madness or even murder. The devil was thought to be able to enter the bodily organs and infect memory, imagination, and reason. Some came to believe that possession was tied to enthusiasm, poetic frenzy, prophecy, and genius. Authors often drew upon sensational details of actual exorcisms. In some cases, such as in Shakespeare, curing the body (and the body politic) meant affirming cultural authority in others, as with Zamora, it clearly meant subverting it. Drawing on the disciplines of literary theory and history, Exorcism and its Texts is the first comprehensive study of this compelling topic. **
Author: Naurice Frank Woods, Jr.
File Type: pdf
Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (18591937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with Americas great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.
Author: David McCullagh
File Type: epub
John A. Costello remains the most elusive of our former Taoisigh, despite his enormous contribution to Irish history. He declared the Republic, led the countrys first ever coalition government, and faced the Mother and Child Crisis. A surprise choice who battled against taking the job, Costello was the Reluctant Taoiseach. Historian and political correspondent David McCullagh charts the life of this fascinating man, using his personal archive of papers, as well as interviews with former colleagues, family and friends. McCullagh offers new insights into a political career which stretched from Independence to the end of the 1960s, including the Commonwealth Conferences of the 1920s, to the new Constitution of 1937, and Governments in the 1940s and 1950s. Politician, barrister, Attorney General, politician, family man--The Reluctant Taoiseach takes a fresh and revealing look at the life of a man at the centre of politics and law during one of the most turbulent periods in Irish history. This is the best historical biography in recent yearsMaurice Manning, Irish Mail on Sunday In David McCullagh, John Costello has found the best biographer he could possibly have hoped forAndrew Lynch, Sunday Business Post Agenda A biography that is not just hugely authoritative but also highly readableShane Coleman, The Sunday Tribune
Author: Scarlett Baron
File Type: pdf
Strandentwining Cable explores the works of two of the most admired and mythologized masters of nineteenth- and twentieth-century prose Gustave Flaubert (1822-1880) and James Joyce (1882-1941). This book is a study of their literary relationship. In six chronologically ordered chapters it carries out a detailed intertextual analysis of Joyces engagement with Flaubert over the entire course of his writing career. In doing so it delineates the contours and uncovers the effects of one of the most crucially formative artistic relationships of Joyces life. Travelling through Flauberts native Normandy in 1925, on a holiday trip which bears all the appearances of a pilgrimage journey, Joyce acknowledged to himself - in a private notebook devoted to the preparation of Finnegans Wake - that Gustave Flaubert can rest having made me. The book identifies and interprets the traces of Joyces responses to Flaubert from his early work through Dubliners, A Portrait of the Artist as a Young Man, Exiles, Ulysses, and Finnegans Wake. Drawing on extensive bibliographical, archival, and manuscript evidence, it sheds light on the timing and circumstances of Joyces reading of such Flaubertian masterpieces as Madame Bovary and LEducation sentimentale , as well as of lesser known works such as Salammbo, La Tentation de saint Antoine, Trois Contes, Bouvard et Pecuchet, and the Dictionnaire des Idees Recues. Examining letters, notebooks, drafts, and published texts, it shows that in all his creative endeavours Joyce uses Flauberts writing to think through the dynamics and implications of any texts inevitable relations to other texts, and argues that these reflections helped crystallize his own sense of literature as a dense intertextual web of strandentwining cables. Ultimately, this study contends that the ever more radical and self-conscious nature of the citational methods Joyce adopted and adapted from Flaubert paved the way for the emergence of intertextual theory in the 1960s. **
Author: Sarah Neal
File Type: pdf
Cover -- Half Title -- Book Title -- -- Table of Contents -- List of illustrations -- Acknowledgements -- 1 Spatialising multiculture changing formations of urban diversity and the difference a place makes -- Introduction -- Urban diversity and cultural difference between crisis and the ordinary -- Situated multiculture the return of place in debates about migrant settlement and cultural difference -- Multicultural drift and super-diversityevolving urban multiculture -- Putting multiculture in its place -- The value of the comparative gesture -- Making the argument introducing the chapters of the book -- 2 The increasingly ordinary and increasingly complex nature of ethnic diversity Conviviality, community and why the micro matters -- Introduction -- Explaining the ascendency of conviviality - emphasising the everyday -- Situating multiculture and the importance of place -- Repositioning conviviality -- From community to conviviality - and back again? -- Conclusions -- 3 Researching difference differentiated populations, lives and places -- Introduction -- Research practice for complex multiculture settings, observation, participation, research populations and interviewing -- Researching difference fixing or connecting difference? -- Researching place in places -- Using research data - processes of listening -- Conclusions -- Note -- 4 Multiculture and public parks social practice and attachment in urban green space -- Introduction -- Multiculture, public space and urban green spaces -- Researching urban parks and affective urban green space -- Park practices - everyday activities and diverse populations -- Park affections materialities, memories and mixings -- Conclusions -- Note -- 5 Semi-publicspace corporate cafes, multiculture and everyday social life -- Introduction -- Rethinking corporate cafe spaces
Author: Michael Howard
File Type: pdf
By the time the First World War ended in 1918, eight million people had died in what had been perhaps the most apocalyptic episode the world had known. This Very Short Introduction provides a concise and insightful history of the Great War, focusing on why it happened, how it was fought, and why it had the consequences it did. It examines the state of Europe in 1914 and the outbreak of war the onset of attrition and crisis the role of the US the collapse of Russia and the weakening and eventual surrender of the Central Powers. Looking at the historical controversies surrounding the causes and conduct of war, Michael Howard also describes how peace was ultimately made, and the potent legacy of resentment left to Germany. ABOUT THE SERIES The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
Author: Zygmunt Bauman
File Type: pdf
In our individualized society we are all artists of life whether we know it or not, will it or not and like it or not, by decree of society if not by our own choice. In this society we are all expected, rightly or wrongly, to give our lives purpose and form by using our own skills and resources, even if we lack the tools and materials with which artists studios need to be equipped for the artists work to be conceived and executed. And we are praised or censured for the results for what we have managed or failed to accomplish and for what we have achieved and lost. In our liquid modern society we are also taught to believe that the purpose of the art of life should be and can be happiness though its not clear what happiness is, the images of a happy state keep changing and the state of happiness remains most of the time something yet-to-be-reached. This new book by Zygmunt Bauman one of the most original and influential social thinkers writing today is not a book of designs for the art of life nor a how to book the construction of a design for life and the way it is pursued is and cannot but be an individual responsibility and individual accomplishment. It is instead a brilliant account of conditions under which our designs-for-life are chosen, of the constraints that might be imposed on their choice and of the interplay of design, accident and character that shape their implementation. Last but not least, it is a study of the ways in which our society the liquid modern, individualized society of consumers influences (but does not determine) the way we construct and narrate our life trajectories. **Review Brilliant ... To be read while listening to the Manic Street Preachers. *Steven Poole, The Guardian An insightful reflection on the pursuit of happiness - that state to which we are all conditioned to aspite - as well as whats wrong with the designs for life we pursue in order to attain it ... Reading this definitely made me reconsider my own priorities. Frieze*** From the Back Cover In our individualized society we are all artists of life whether we know it or not, will it or not and like it or not, by decree of society if not by our own choice. In this society we are all expected, rightly or wrongly, to give our lives purpose and form by using our own skills and resources, even if we lack the tools and materials with which artists studios need to be equipped for the artists work to be conceived and executed. And we are praised or censured for the results for what we have managed or failed to accomplish and for what we have achieved and lost. In our liquid modern society we are also taught to believe that the purpose of the art of life should be and can be happiness though its not clear what happiness is, the images of a happy state keep changing and the state of happiness remains most of the time something yet-to-be-reached. This new book by Zygmunt Bauman one of the most original and influential social thinkers writing today is not a book of designs for the art of life nor a how to book the construction of a design for life and the way it is pursued is and cannot but be an individual responsibility and individual accomplishment. It is instead a brilliant account of conditions under which our designs-for-life are chosen, of the constraints that might be imposed on their choice and of the interplay of design, accident and character that shape their implementation. Last but not least, it is a study of the ways in which our society the liquid modern, individualized society of consumers influences (but does not determine) the way we construct and narrate our life trajectories.
Author: Louise McReynolds
File Type: pdf
An athlete becomes a movie star a waiter rises to manage a chain of nightclubs a movie scenarist takes to writing restaurant reviews. Intrepid women hunt bears, drive in automobile races, and fly, first in balloons and then in airplanes. Sensational crimes jump from city streets onto the screen almost before the pistols have had a chance to cool. Paris in the Twenties? Fitzgeralds New York? Early Hollywood? No, tsarist Russia in the last decades before the Revolution. In Russia at Play, Louise McReynolds recreates a vibrant, rapidly changing culture in rich detail. Her account encompasses the legitimate stage, vaudeville, nightclubs, restaurants, sports, tourism, and the silent movie industry. McReynolds reveals a pluralist and dynamic society, and shows how the new icons of mass culture affected the subsequent gendering of identities. The rapid industrialization and urbanization of the late tsarist period spawned dramatic social changesan urban middle class and a voracious consumer culture demanded new forms of entertainment. The result was the rapid incursion of commercial values into the arts and the athletic field and unprecedented degrees of social interaction in the new nightclubs, vaudeville houses, and cheap movie houses. Traditional rules of social conduct shifted to greater self-fulfillment and self-expression, values associated with the individualism and consumerism of liberal capitalism. Leisure-time activities, McReynolds finds, allowed Russians who partook of them to recreate themselves, to develop a modern identity that allowed for different senses of the self depending on the circumstances. The society that spawned these impulses would disappear in Russia for decades under the combined blows of revolution, civil war, and collectivization, but questions of personal identity are again high on the agenda as Russia makes the transition from a collectivist society to one in which the dominant ethos remains undefined. **