Author: Petra Carlsson Redell
File Type: pdf
Michel Foucault wrote prolifically on many topics including, art, religion, and politics. He also eloquently articulated how power structures are formed and how they also might assist resistance and emancipation. This book uses the hermeneutical lens of Foucaults writings on art to examine the performative, material, and political aspects of contemporary theology. The borderland between philosophy, theology, and art is explored through Foucaults analyses of artists such as Diego Velazquez, Edouard Manet, Rene Magritte, Paul Rebeyrolle, and Gerard Fromanger. Here special focus is placed on performativity and materialityor what the book terms the mystery of things. At successive junctures, the book discovers a postrepresentational critique of transcendence an enigmatic material sacramentality playful theopolitical accounts of the transformative force of stupidity and nonsense and political imagery in motion enabling theological interpretations of contemporary collectives such as Pussy Riot and the Sisters of Perpetual Indulgence. In conversation with contemporary thinkers including Catherine Keller, Louise-Marie Chauvet, John Caputo, Daniel Barber, Mark C. Taylor, Jeffrey W. Robbins, and Mattias Martinson, the book outlines this source of inspiration for contemporary radical theology. This is a book with a fresh and original take on Foucault, art, and theology. As such, it will have great appeal to scholars and academics in theology, religion and the arts, the philosophy of religion, political philosophy, and aesthetics. **Review Foucault, Art, and Radical Theology gives us not only a compelling interpretation of Foucault, but also a vital conception of a materialist and non-representational theology. Petra Carlsson Redell engages Foucaults reflections on painting, from Velasquez and Manet to Magritte, Rebeyrolle, and Fromanger, to grasp the complex interaction of bodies and things on a surface of infinite appearances. However, unlike the atheology of Mark C. Taylor, Carlsson Redell emphasizes the political significance of Foucaults aesthetics, and how it contributes to a materialist theology that refuses transcendence while still infusing transformative political activism. This is a wonderful book that imagines a new future for theology! Clayton Crockett, University of Central Arkansas. Author of Radical Political Theology In this riotously refreshing theopolitics of material performativity, art, ritual and protest generate an entrancing mystery. With her beautiful writing and her companionable theorizing, Petra Carlsson Redell paints a surface a brilliantly luminous surfaceof theologys radical and ironic potential for political action. Catherine Keller, George T. Cobb Professor of Constructive Theology, The Theological School, Drew University. Author of Cloud of the Impossible Negative Theology and Planetary Entanglement In Foucault, Art, and Radical Theology Petra Carlsson Redell deftly articulates Foucaults renewal of paintings engagement with surfaces, suggesting that it is time to rethink theology in material terms. Mysteries can now be understood as carnal and performative liturgies, not simply as secrets of transcendent realities. Carlsson Redell argues forcefully that contemporary interruptions of conventional religion like the Russian group Pussy Riot are not anti-religious but embody new forms of sacramentality. Gary Shapiro, University of Richmond. Author of Archaeologies of Vision Foucault and Nietzsche on Seeing and Saying Petra Carlsson Redells study provokes us to realizesome of us for the first timehow often Michel Foucault employed fine-art painting as a vehicle for creative philosophizing. He reflected with profound attention to specific painters unique sensibilities as manifested in the purposive quests and obsessions of their works Velazquez, Manet, Magritte, Rebeyrolle, Fromanger. For him, paintings provide the erratic space in which the creative play between words and things, images and ideas, turns self-ironizing and maximally paradoxical. The author traces through the later decades of Foucaults career, documenting how the philosopher took stock of paintings as implicit philosophies, harbingers of epochal modes of vision in the making. She then demonstrates how this live philosophizing via artistic sensibility can potentially inspire new modes of theological reflection that are wholly immanent within worldly life and duly sensitive to the mysteriesvisible and invisible, named and unnamablethat abound in our midst. As she puts it in her own words Rather than pursuing a theology against the grain of the surrealist play with nonsense and meaninglessness, I have endeavored to infuse theology with the challenges of avant-garde and surrealist thought. Lissa McCullough, Adjunct professor of Philosophy, California State University. Author of The Call to Radical Theology ** ** Petra Carlsson Redells Foucault, Art, and Radical Theology offers an enlightening review of Michel Foucaults aesthetic writings in order to draw out the significance of his thought on the whole for radical theological reflection. As each chapter draws richly from the works of various artists, and Foucaults timely responses to them, we see a narrative unfold on the mystery of surface appearances that actually speaks to the profound depths of human experience. No theologically-minded individual can read this work and walk away unchanged. Colby Dickinson, Loyola University Chicago About the Author Petra Carlsson Redell is an Associate Professor of Systematic Theology at Stockholm School of Theology, Sweden. She has published multiple times on religion, philosophy and art in journals such as Studia Theologica and The Oxford Journal of Literature & Theology, and in books including Mysticism as Revolt (2014).