3 things that could help your social media presence
We shouldn’t just be painting pictures on canvases and Fabriano paper, we should be painting mental images onto the minds of our followers and soon-to-be-followers. Only then can we ever succeed in expanding our reach to the people who really care and genuinely like our work.
The first painting I actually sold was done at a live-painting performance; me and my friend were part of an awards ceremony in high-school and had a live-stream of us painting and creating clay sculptures that was projected in the hall, where the ceremony was taking place.
It was a 100x120 cm colourful canvas with pop-art style pigs painted upside down, and the word “Klabase” (meaning sausage in a rural Slovenian dialect) written in giant bold letters across the whole canvas — you can probably tell I was on a rigorous intellectual path back then.
A few days ago I had the great pleasure to interview Amy Whitaker (she has an MBA from Yale and an MFA in Painting from Slade University — an incredible mix!).She is also an associate professor at NYU and the author of two very interesting books: Museum Legs and Art Thinking. Our conversations and her writing got me thinking about my own exploration of both worlds and the ever-present question of economics in art.
Amy speaks of two inherently different but incredibly interconnected ways of thinking and experiencing the world. The first kind she calls Art Thinking; this is the process of letting go, of giving ones mind the time and space to wander, explore, and get excited about the world and the question I want to ask today is:
How can one create their own system that incorporates both? Or better yet: How can we find already created ones, that we can reappropriate and reuse to fit our own needs?
LINK TO HER TWO BOOKS (Both are incredibly interesting for artist, that would like to nurture their business side and I highly recommend reading them both!):
Museum Legs: https://amzn.to/2XBUZEm
Art Thinking: https://amzn.to/2YRpHGt
I had an interesting conversation on Facebook the other day about the struggle we artists tend to go through because of the nature of our work.
Nothing to do with having to be sad and crazy to make art (a dumb myth if I ever heard one), but about the divide between the upper echelon of art consumption that is the auction market and the low end of our world, the regular Joes and Jolenes, that are selling their art on Etsy or Saatchi Art.
During a conversation I had with a friend of mine about a show I got invited to in the summer, she mentioned ROI and how her goal was to produce the most effective show with the least amount of capital. And while the last 15 years or so have been predicated on me making as much as possible for as little as I could afford, something clicked and it really got me thinking.
The art market can be divided into roughly 5 segments:
1.) The direct market 2.) The primary beta market, 3.) The primary alpha market, 4.) The secondary alpha market and 5.) The auction market.
Today we will be looking at the last three: the primary and secondary alpha market and the auction market.
One of the more underlying issues of open calls is the sheer amount of artists, who can now apply to such open calls and with such a supply, naturally the demand becomes more picky, meaning the specifics of each open call don’t just stop at “only painting submissions” or “we only accept video and new media works” but can be as narrow as “only blockchain-based figural video works, not longer than 2 min will be accepted”.
We all have probably experienced that “click”, a moment when things suddenly fall into place and the big picture finally becomes clear. These “clicks” tend to happen randomly and it may seem like no real method is behind the convoluted internal workings of the mind — but as with everything in life, our cognition does follow a certain mode of operation.
Let's stop with this romantic preposition that one hears all to often when talking with artists in academia. We go through a list of 8 steps to keep in mind when creating a commissioned work.
Lately I have been listening to and reading a bunch of books on time management, work ethics and just all-around self-fulfilment and motivational literature and a thought crossed my mind yesterday, while thinking about us artists and the work we do.