Author: Elizabeth Robinson File Type: pdf Most academic philosophers and intellectual historians are familiar with the major historical figures and intellectual movements coming out of Scotland in the 18th Century. These scholars are also familiar with the works of Immanuel Kant and his influence on Western thought. But with the exception of discussion examining David Humes influence on Kants epistemology, metaphysics, and moral theory, little attention has been paid to the influence of the Scottish Enlightenment thinkers on Kants philosophy. This volume aims to fill this perceived gap in the literature and provide a starting point for future discussions looking at the influence of Hume, Thomas Reid, Adam Smith, and other Scottish Enlightenment thinkers on Kants philosophy. **About the AuthorElizabeth Robinson is an assistant professor of philosophy at Nazareth College in Rochester, NY. Her research primarily considers early modern philosophy with a focus on Hume and Kant. hr Chris W. Surprenant is an associate professor of philosophy at the University of New Orleans, where he directs the Alexis de Tocqueville Project in Law, Liberty, and Morality. He is the author of Kant and the Cultivation of Virtue (Routledge 2014).
Author: Jack Self
File Type: epub
Neoliberalism as a wealth redistribution imperative has made property ownership impossible or unprofitable for much of society. Whether in the form of mortgages or rent, we are consigned to living in conditions of perpetual debt. Real Estates Life Without Debt explores the moral, political and economic ramifications of property and ownership in neoliberal debt economies, and asks what role the architect might play in addressing widening social and spatial inequality in the built environment.
Author: Adam Y. Wells
File Type: pdf
Offers a new phenomenological method for biblical interpretation that opens up the possibility of an absolute science of scripture. What is scripture and how does it function? Is there a scientific way to understand its meaning? In answer, Adam Wells proposes a phenomenological approach to scripture that radicalizes both phenomenology and its relation to Christianity. By reading the kenosis hymn (Philippians 2511) alongside the work of Edmund Husserl, Wells develops a kenotic reduction that rehabilitates the Husserlian idea of absolute science while also disclosing the radical philosophical implications of Pauls new creation. More broadly, The Manifest and the Revealed pushes the fields of phenomenology and biblical studies forward. The turn to scripture, as a source for theological and philosophical reflection, marks an important advance for the recent theological turn in phenomenology. At the same time, by bringing to light the incredible complexity of scripture, phenomenology provides a ay for contemporary biblical studies to exceed its own limits. Wells demonstrates how phenomenology and scripture ultimately illuminate one another in profound and surprising ways. Adam Y. Wells is Assistant Professor of Religion at Emory & Henry College and the editor of Phenomenologies of Scripture. **
Author: Corinne Hofmann
File Type: epub
Lketinga zet zijn krabbeltje op het papier en zegt I dont know if I see you and Napirai again! Dan springt hij uit de bus, en we rijden weg. Nu rollen de tranen over mijn wangen. Zo eindigde De blanke Masai van Corinne Hofmann, de wereldwijde besteller waarin zij haar leven in Kenia als bruid van de Samburu-krijger Lketinga beschreef. Na haar terugkeer uit Afrika besluit Corinne contact te houden met haar Afrikaanse familie door middel van brieven en financiele steun. Ondertussen probeert ze haar ervaringen in Afrika te verwerken en haar bestaan in Europa weer op te pakken, maar na haar lange afwezigheid en het leven in een volstrekt andere cultuur valt haar dat zwaar. Toch lukt het Corinne met dezelfde moed en kracht waarmee ze in Kenia een bestaan opbouwde, ook weer aan het westerse leven te wennen. Terug uit Afrika is een openhartig portret van een vrouw die zelfs na de bittere afloop van haar leven in Afrika blijft verlangen naar dit ondoorgrondelijke continent.
Author: Michael Coogan
File Type: pdf
For decades students, professors, clergy, and general readers have relied on The New Oxford Annotated Apocrypha as an unparalleled authority on the Apocrypha. This fifth edition remains the best way to study and understand the material at home or in the classroom. This thoroughly revised and substantially updated edition contains the best scholarship informed by recent discoveries and anchored in the solid Study Bible tradition. Introductions and extensive annotations for each book by acknowledged experts in the field provide context and guidance. Introductory essay on the Apocrypha gives readers an overview that guides more intensive study. Maps and diagrams within the text contextualize where events took place and how to understand them. A timeline, calendar, and essay on the Persian and Hellenistic Periods help to contextualize the books. A volume that users will want to keep for continued reference, The New Oxford Annotated Apocrypha continues the Oxford University Press tradition of providing excellence in scholarship for the general reader. Generations of users attest to its status as the best one-volume Bible reference tool for any home, library, or classroom. **
Author: Anthony Bourdain
File Type: mobi
A lot has changed since Kitchen Confidential- for the subculture of chefs and cooks, for the restaurant businessand for Anthony Bourdain. Medium Raw explores these changes, moving back and forth from the authors bad old days to the present. Tracking his own strange and unexpected voyage from journeyman cook to globe-travelling professional eater and drinker, Bourdain compares and contrasts what hes seen and what hes seeing, pausing along the way for a series of confessions, rants, investigations, and interrogations of some of the most controversial figures in food. And always he returns to the question Why cook? Or the harder one to answer Why cook well? Beginning with a secret and highly illegal after-hours gathering of powerful chefs he compares to a Mafia summit, Bourdain, in his distinctive, no-holds-barred style, cuts to the bone on every subject he tackles.
Author: Anna Bentkowska-Kafel
File Type: pdf
This book looks at the transformation that Art and Art history is undergoing through engagement with the digital revolution. Since its initiation in 1985, CHArt (Computers and the History of Art) has set out to promote interaction between the rapidly developing new Information Technology and the study and practice of Art. It has become increasingly clear in recent years that this interaction has led, not just to the provision of new tools for the carrying out of existing practices, but to the evolution of unprecedented activities and modes of thought. This collection of papers represents the variety, innovation and richness of significant presentations made at the CHArt Conferences of 2001 and 2002. Some show new methods of teaching being employed, making clear in particular the huge advantages that IT can provide for engaging students in learning and interactive discussion. It also shows how much is to be gained from the flexibility of the digital image Ai or could be gained if the road block of copyright is finally overcome. Others look at the impact on collections and archives, showing exciting ways of using computers to make available information about collections and archives and to provide new accessibility to archives. The way such material can now be accessed via the internet has revolutionized the search methods of scholars, but it has also made information available to all. However the internet is not only about access. Some papers here show how it also offers the opportunity of exploring the structure of images and dealing with the fascinating possibilities offered by digitisation for visual analysis, searching and reconstruction. Another challenging aspect covered here are the possibilities offered by digital media for new art forms. One point that emerges is that digital art is not some discreet practice, separated from other art forms. It is rather an approach that can involve all manner of association with both other art practices and with other forms of presentation and enquiry, demonstrating that we are witnessing a revolution that affects all our activities and not one that simply leads to the establishment of a new discipline to set alongside others. ** Digital Visual Culture presents the latest research into the relationship between theory and practice across digital media and technology in the visual arts and investigates the challenges of contemporary research and art curation, particularly in regard to new media artworks. The contributors to this volume discuss the impact of technological advances on visual art and the new art practices that are developing as a result. Many aspects of new interdisciplinary and collaborative practices are considered, such as net art and global locative environments, , and installations that are themselves performance, or games that often take place simultaneously online and in reality. Digital Visual Culture is an important addition to the ongoing discussion surrounding postmodern art practice in art and digital media.
Author: Charles Martindale
File Type: pdf
Virgil became a school author in his own lifetime and the centre of the Western canon for the next 1800 years, exerting a major influence on European literature, art, and politics. This Companion is designed as an indispensable guide for anyone seeking a fuller understanding of an author critical to so many disciplines. It consists of essays by seventeen scholars from Britain, the USA, Ireland and Italy which offer a range of different perspectives both traditional and innovative on Virgil s works, and a renewed sense of why Virgil matters today. The Companion is divided into four main sections, focussing on reception, genre, context, and form. This ground-breaking book not only provides a wealth of material for an informed reading but also offers fresh and sophisticated insights which point to the shape of Virgilian scholarship and criticism to come.
Author: James A. Reilly
File Type: pdf
At the beginning of the sixteenth century Sultan Selim I invaded Syria and Lebanon, and the area would remain nominally under Ottoman rule until the end of World War I. Whether defined as essentially Turkish, and therefore alien to the Lebanese experience, or remembered in its final years as a tyrannical and brutal dictatorship, the period has not been thought of fondly in most Lebanese historiography. In a far-reaching and much-needed analysis of this complex legacy, James A. Reilly looks at Arabic-language history writing emanating from Lebanon in the post-1975 period, focusing on the three main Ottoman administrative centres of Saida, Beirut, and Tripoli. This examination highlights key aspects of Lebanons current political and cultural climate, and emphasizes important points of agreement and conflict in contemporary historical discourse. The 1989 Taif Accords, for example, which ended the Lebanese Civil War, were accompanied by calls for reinterpretation of how the countrys history could assist in creating a sense of national cohesion. The Ottoman Cities of Lebanon is invaluable to all historians and researchers working on Lebanese history and politics, and wider issues of identity, post-imperialist discourse, and nationhood in the Middle East. **