Author: Andrew M. Stauffer File Type: pdf ReviewStauffers book has so much to tell us, not just about the subject of Romantic anger, but also about the very nature of human nature. Stephen C. Behrendt, University of Nebraska, Eighteenth-Century Life...A study that is educative and stimulating, offering a detailed and compelling picture of the complex history...of negotiations regarding power, justice and the creative self that emerges from the study of Romantic anger. Alan Rawes, University of Manchester, RomanticismStauffers text brings forth a seminal study on Romantic anger that accomplishes an essential role in Romantic scholarship, placing his interpretations on anger within the context of cultural understanding. Linda Reesman, City University of New York, Romanticism on the NetAnger, Revolution, and Romanticism is a brilliant analysis of anger management in the Romantic period...[Stauffer] locates a literary rhetoric of anger in the wake of the French Revolution and connects this both to political language and to metaphors of anger in Romantic writing more generally as well as to medical theory and practice. Orianne Smith and Matthew Scott, This Years Work in English StudiesAnger, Revolution and Romanticism is a thoughtful and wide-ranging study of an absorbing topic. This book will be long valued for its nuances exploration of the ever-timely question of how words on the page aim to inflict violence and cause harm. -Kim Wheatley, College of William and Mary, 1650-1850 Ideas, Inquiries, and Aesthetics in the Early Modern Era Book DescriptionThe Romantic age was one of anger and its consequences revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and culture of the period, as English men and women rethought their relationship to the aggressive passions in the wake if the French Revolution.
Author: Henry Staten
File Type: pdf
Only since the Romantic period has art been understood in terms of an ineffable aesthetic quality of things like poems, paintings, and sculptures, and the art-maker as endowed with an inexplicable power of creation. From the Greeks to the 18th century, art was conceived as techne--the skill and know-how by which things and states of affairs are ordered. Techne Theory shows how to use this concept to cut through the Romantic notion of art as a kind of magic by returning to the original sense of art as techne, the standpoint of the person who actually knows how to make a work of art. Understood as techne, art-making, like all other cultural accomplishments, is a form of work performed by an artisan who has inherited the know-how of previous generations of artisans. Along the way, Techne Theory cuts through the humanist-structuralist impasse over the question of artistic agency and explains what form really means. **Review In this learned, original, important, and always lively new study, Henry Staten moves todays heated and often sterile debate about aesthetic form to a new place-a place that is also (and in the best sense), an old place, newly inhabited. Staten rethinks Platos and Aristotles concepts of eidos and techne in three ways first, by bringing searching attention of a scholarly and critical kind to tensions and contradictions within the founding works themselves second, by making those works respond to the very developments that they sponsored in both Romantic and modernist works and third, by coordinating ancient Greek concepts of art, form, medium, making, and doing, with a posthumanist framework that reunites knowledge and know-how, theory and practice, eidos and hyle, and vates and poietes. Anyone with any interest in the idea of form (and in the formation of ideas) should read this book. It changes the game weve been playing. 15012019 About the Author Henry Staten is Byron W. and Alice L. Lockwood Professor in the Humanities, University of Washington, USA. His acclaimed first book, Wittgenstein and Derrida (1984) was one of the first philosophical commentaries on deconstruction. Since then his work has ranged widely across literature and philosophy from the Greeks through modernism.
Author: Dick Lehr
File Type: pdf
A riveting investigation of the brutal murders of two Dartmouth professors a book that, like In Cold Blood, reveals the chilling reality behind a murder that captivated the nation. On a cold night in January 2001, the idyllic community of Dartmouth College was shattered by the discovery that two of its most beloved professors had been hacked to death in their own home. Investigators searched helplessly for clues linking the victims, Half and Susanne Zantop, to their murderer or murderers. A few weeks later, across the river, in the town of Chelsea, Vermont, police cars were spotted in front of the house of high school senior Robert Tulloch. The police had come to question Tulloch and his best friend, Jim Parker. Soon , the town discovered the incomprehensible reality that Tulloch and Parker, two of Chelseas brightest and most popular sons, were now fugitives, wanted for the murders of Half and Susanne Zantop. Authors Mitchell Zuckoff and Dick Lehr provide a vivid explication of a murder that captivated the nation, as well as dramatic revelations about the forces that turned two popular teenagers into killers. Judgement Ridge conveys a deep appreciation for the lives (and the devastating loss) of Half and Susanne Zantop, while also providing a clear portrait of the killers, their families, and their community and, perhaps, a warning to any parent about what evil may lurk in the hearts of boys.
Author: William D. Bryan
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Using the lens of environmental history, William D. Bryan provides a sweeping reinterpretation of the postCivil War South by framing the New South as a struggle over environmental stewardship. For more than six decades, scholars have caricatured southerners as so desperate for economic growth that they rapaciously consumed the regions abundant natural resources. Yet business leaders and public officials did not see profit and environmental quality as mutually exclusive goals, and they promoted methods of conserving resources that they thought would ensure long-term economic growth. Southerners called this idea permanence. But permanence was a contested concept, and these businesspeople clashed with other stakeholders as they struggled to find new ways of using valuable resources. The Price of Permanence shows how these struggles indelibly shaped the modern South. Bryan writes the region into the national conservation movement for the first time and shows that business leaders played a key role shaping the ideals of American conservationists. This book also dismantles one of the most persistent caricatures of southerners that they had little interest in environmental quality. Conservation provided white elites with a tool for social control, and this is the first work to show how struggles over resource policy fueled Jim Crow. The ideology of permanence protected some resources but did not prevent degradation of the environment overall, and The Price of Permanence ultimately uses lessons from the New South to reflect on sustainability today. **
Author: Linda Phyllis Austern
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English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as amateur or professional, native or foreign. These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice. **About the Author Linda Phyllis Austern is Associate Professor of Musicology at Northwestern University. She is author of Music in English Childrens Drama of the Later Renaissance, editor ofMusic, Sensation and Sensuality, editor (with Inna Naroditskaya) of Music of the Sirens, and (withKari Boyd McBride and David Orvis) ofPsalms in the Early Modern World. Candace Bailey is Professor of Music History at North Carolina Central University. She is the author of Music and the Southern Belle From Accomplished Lady to Confederate Composer and Seventeenth-Century British Keyboard Sources. Amanda Eubanks Winkler is Associate Professor of Music History and Cultures at Syracuse University and author of O Let Us Howle Some Heavy Note Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage.
Author: Robert Hahn
File Type: pdf
Anaximander and the Architects opens a previously unexplored avenue into Presocratic philosophy the technology of monumental architecture. The evidence, coming directly from sixth century B.C.E. building sites and bypassing Aristotle, shows how the architects and their projects supplied their Ionian communities with a sprouting vision of natural order governed by structural laws. Their technological innovations and design techniques formed the core of an experimental science and promoted a rational, not mythopoetical, discourse central to our understanding of the context in which early Greek philosophy emerged. Anaximander s prose book and his rationalizing mentality are illuminated in surprising ways by appeal to the ongoing, extraordinary projects of the archaic architects and their practical techniques. **Review novel and exciting. For the first time, the origins of Greek philosophy are illuminated by an appeal to archeology Hahn s study will move Presocratic studies in a new direction, but it also raises a number of interpretative controversies that deserve a critical assessment. Ancient Philosophy In Anaximander and the Architects, Hahn s accomplishment is that he forces us for the first time to consider the new world of technology (techne) in which Thales and Anaximander lived, reminds us pointedly of the other authors of the earliest treatises in prose, and makes us aware of the brutal fact that the earliest Greek philosophers had lives, meaning that they did not have the leisure Aristotle required for the development of philosophy. Anaximander and the Architects is a daring project one that will cause dispute, but one which will concentrate attention afresh on the culture in which Anaximander lived and wrote. Diskin Clay, author of Paradosis & Survival Three Chapters in the History of Epicurean Philosophy Hahn has produced a work of old-fashioned scholarship...written in an unusually engaging style. His book opens new doors to our understanding of so-called Presocratic philosophy by virtue of its interdisciplinary approach...It is a work of genuine significance. Robert Bernasconi, author of Heidegger in Question The Art of Existing Anaximander and the Architects is a groundbreaking work. Through its study of ancient architecture, it opens an entirely unexplored path into Anaximander s cosmic architecture. Hahn s work invites scholars to pay attention, perhaps for the first time, to the light that archaeology can shine on the origins of Greek philosophy. Gerard Naddaf, York University From the Back Cover Opens a previously unexplored avenue into Presocratic philosophy--the technology of monumental architecture. The evidence, coming directly from sixth century b.c.e. building sites and bypassing Aristotle, shows how the architects and their projects supplied their Ionian communities with a sprouting vision of natural order governed by structural laws. Their technological innovations and design techniques formed the core of an experimental science and promoted a rational, not mythopoetical, discourse central to our understanding of the context in which early Greek philosophy emerged. Anaximanders prose book and his rationalizing mentality are illuminated in surprising ways by appeal to the ongoing, extraordinary projects of the archaic architects and their practical techniques.
Author: Sarah Klitenic Wear
File Type: pdf
Dionysius the Areopagite is arguably one of the most mysterious and intriguing figures to emerge from the late antique world. Writing probably around 500 CE, and possibly connected with the circle of Severus of Antioch, Dionysius manipulates a Platonic metaphysics to describe a hierarchical universe as with the Hellenic Platonists, he arranges the celestial and material cosmos into a series of triadic strata. These strata emanate from one unified being and contain beings that range from superior to inferior, depending on their proximity to God. Not only do all things in the hierarchy participate in God, but also all things are inter-connected, so that the lower hierarchies fully participate in the higher ones. This metaphysics lends itself to a sacramental system similar to that of the Hellenic ritual, theurgy. Theurgy allows humans to reach the divine by examining the divine as it exists in creation.Although Dionysius metaphysics and religion are similar to that of Iamblichus and Proclus in many ways, Pseudo-Dionysius differs fundamentally in his use of an ecclesiastical cosmos, rather than that of the Platonic Timaean cosmos of the Hellenes. This book discusses the Christian Platonists adaptation of Hellenic metaphysics, language, and religious ritual. While Dionysius clearly works within the Hellenic tradition, he innovates to integrate Hellenic and Christian thought.
Author: Anna Kornbluh
File Type: pdf
During a tumultuous period when financial speculation began rapidly to outpace industrial production and consumption, Victorian financial journalists commonly explained the instability of finance by criticizing its inherent artifice drawing persistent attention to what they called fictitious capital. In a shift that naturalized this artifice, this critique of fictitious capital virtually disappeared by the 1860s, being replaced by notions of fickle investor psychology and mental equilibrium encapsulated in the fascinating metaphor of psychic economy. In close rhetorical readings of financial journalism, political economy, and the works of Dickens, Eliot, and Trollope, Kornbluh examines the psychological framing of economics, one of the nineteenth centurys most enduring legacies, reminding us that the current dominant paradigm for understanding financial crisis has a history of its own. She shows how novels illuminate this displacement and ironize ideological metaphors linking psychology and economics, thus demonstrating literatures unique facility for evaluating ideas in process. Inheritors of this novelistic project, Marx and Freud each advance a critique of psychic economy that refuses to naturalize capitalism. **Review Realizing Capital is not just about the psychic life of financial capital, about how the mad dance of the capital affects human psyche, and about how Victorian literature from Dickens onwards registered the psychic distortions imposed by the mad circulation of the capital. The underlying premise is a much more radical one the psychic life of capital, the way individuals experience and fictionalize financial circulation, is a key ingredient of economic reality itself, since the reality of the financial capital is itself structured like a fiction. Although Kornbluhs book deals with Victorian England, it holds a mirror to our era - if you want to understand what goes on today, how a madness like the 2008 meltdown was possible, read Realizing Capital! -Slavoj Zizek, University of Ljubljana . . . Impressively researched, highly inventive, and powerfully driven by original close readings of nineteenth-century fiction and non-fiction.-Zarena Aslami, Michigan State University By tracing the cultural circulation of two specific tropes--fictitious capital-- and psychic economy--Kornbluh makes a compelling argument about the complex figurative ties that bind the realist novel to our understanding of both capitalism and the psyche. This exciting and original book will make us reconsider the novels cultural work as well as that of its criticism.--Mario Ortiz-Robles, University of Wisconsin-Madison This highly original and far-reaching book puts Marx and Freud into an exciting new dialogue with the Victorian novel. Kornbluh reads these imposing thinkers as engaged in the same project as the realist novelists, all of them struggling to defamiliarize the frighteningly fictitious character of capital. Offering thrilling new insights into Great Expectations, Middlemarch, and The Way We Live Now, this book culminates in a tour de force reading of Marxs Capital as a Bildungsroman and a radical rethinking of Freuds psychic economy.-Caroline Levine, University of Wisconsin, Madison Realizing Capital should be essential reading for anyone wishing to follow cutting edge work on the form of the Victorian novel. -Adela Pinch, Studies in English Literature 1500-1900 About the Author Anna Kornbluh is Assistant Professor of Victorian Literature and Critical Theory at the University of Illinois, Chicago. html
Author: Dina Gusejnova
File Type: pdf
This book is the first study to engage with the relationship between cosmopolitan political thought and the history of global conflicts. Accompanied by visual material ranging from critical battle painting to the photographic representation of ruins, it showcases established as well as emerging interdisciplinary scholarship in global political thought and cultural history. Touching on the progressive globalization of conflicts between the eighteenth and the twentieth century, including the War of the Spanish Succession, the Seven Years War, the Napoleonic wars, the two World Wars, as well as seemingly internal civil wars in eastern Europes imperial frontiers, it shows how these conflicts produced new zones of cultural contact. The authors build on a rich foundation of unpublished sources drawn from public institutions as well as private archives, allowing them to shed new light on the British, Russian, German, Ottoman, American, and transnational history of international thought and political engagement. **From the Back Cover This book is the first study to engage with the relationship between cosmopolitan political thought and the history of global conflicts. Accompanied by visual material ranging from critical battle painting to the photographic representation of ruins, it showcases established as well as emerging interdisciplinary scholarship in global political thought and cultural history. Touching on the progressive globalization of conflicts between the eighteenth and the twentieth century, including the War of the Spanish Succession, the Seven Years War, the Napoleonic wars, the two World Wars, as well as seemingly internal civil wars in eastern Europes imperial frontiers, it shows how these conflicts produced new zones of cultural contact. The authors build on a rich foundation of unpublished sources drawn from public institutions as well as private archives, allowing them to shed new light on the British, Russian, German, Ottoman, American, and transnational history of international thought and political engagement. About the Author Dina Gusejnova is Lecturer in Modern History at the University of Sheffield, UK. She has previously taught at the Universities of Cambridge, UK, Chicago, USA, University College London, UK and Queen Mary University, UK. Gusejnova is the author of European Elites and Ideas of Empire, 1917-57 (2016).