Author: Roger Lewinter File Type: epub A notable discovery of a truly original voice Several stories inhabit Roger Lewinters first small book to appear in English, Story of Love in Solitude. Each story takes the form of a loop a spider who wont stop returning camellias that flourish and then die dying parents whose presence is always yet felt turning again and again to work on Rilke translations a younger man whom the narrator sees each week at the Geneva street markets. All the tales touch on the possibility, the open possibility of lovea loop without end. Lewinters short fictional works are at once prose poems and a form of dreaming they are akin to the great French tradition of things sparking emotions and emotions sparking thingspart Sarraute, part Robbe-Grillet, part Perec. Plot is not really the point of his meditative works. Lewinter concerns himself more with perception, apperception, and sudden inflections of grace loss and beauty meet in an explosion of joy, which becomes, in its brilliance, a means of transmittal.
Author: Steve Jones
File Type: pdf
An introduction to the work, key ideas and influence of Gramsci, Italian Marxist theorist and political activist. Gramsci was a long term prisoner of the Mussolini regime, hence his most famous writings have been those penned in his cell, including the Prison Notebooks and the Prison Letters. Gramscis ideas about the the relationships between the rulers and the ruled, about domination, resistance and transgression, have been extremely influential in cultural studies and cultural theory. He is perhaps best-known for formulating the concept of hegemony which describes the process whereby the ruling power wins the consent of the ruled to the status quo, and hence to fit their subordination , and their ways of understanding the world with the interests of the ruling power. Gramscis ideas were much employed during the grim years of Thatcherism, as critics on the left (notably Stuart Hall) struggled to find ways to explain the fact that the working classes kept voting for Thatcher, even though it was apparently against their interests to do so. Gramscis thought also offers hope in that challenges or transgressions to hegemonic ideas or structures can be found even in the most outwardly conservative of narratives. Popular culture has often been cited as a key battleground, on which struggles for meaning and power take place - for example debates about whether Eminem is a good thing - because he speaks for the disenfranchised white working-class American, and argues against racial boundaries in music - or a bad thing because of his homophobic and misogynistic lyrics.Steven Jones book will explain the contemporary relevance of Gramscis ideas, notably about hegemony, through recent texts, phenomena and events such as the death of Diana, La haine, the Global spread of McDonalds and anti-globalization tracts including Naomi Kleins No Logo.
Author: David J. Gundry
File Type: pdf
span orphans 2 widows 2The first monograph published in English on Ihara Saikakus fiction, David J. Gundrys lucid, compelling study examines the tension reflected in key works by Edo-period Japans leading writer of floating world literature between the official societal hierarchy dictated by the Tokugawa shogunates hereditary status-group system and the eras de facto, fluid, wealth-based social hierarchy. The books nuanced, theoretically engaged explorations of Saikakus narratives uses of irony and parody demonstrate how these often function to undermine their own narrators intermittent moralizing. Gundry also analyzes these texts depiction of the fleeting pleasures of love, sex, wealth and consumerism as Buddhistic object lessons in the illusory nature of phenomenal reality, the mastery of which leads to a sort of enlightenment.span
Author: Claudia Clare
File Type: pdf
Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface as pictorial surface imagery or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point. Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate. Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range range from the French artist Honore Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman, whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism. **
Author: Leena Kiviluoma
File Type: pdf
This is a unique, revolutionary and totally natural self-care programme developed to treat muscle based health problems and reduce the signs of ageing. The fully-illustrated handbook guides you through stretching and massage techniques to relax the facial, neck and shoulder muscles, with particular emphasis on the jaw, where tension is often held. The exercises address health issues such as teeth clenching and grinding, pain in the face, jaw, head or neck, and can even improve the effects of Bells Palsy. They also achieve positive cosmetic results such as reduced facial lines and healthy glowing skin. The strengthening exercises will help to lift the facial features and prevent facial sagging. The impact of each exercise is clearly explained so you can concentrate on techniques to target your individual situation, needs and goals. This supportive guide will help anyone who wants to improve the wellbeing and appearance of the face and neck, and will also be of particular interest to those working in the fields of health and beauty.**
Author: Karma Lochrie
File Type: pdf
Literary and cultural historians typically cite Thomas Mores 1516 Utopia as the source of both a genre and a concept. Karma Lochrie rejects this origin myth of utopianism along with the assumption that people in the Middle Ages were incapable of such thinking. In Nowhere in the Middle Ages, Lochrie reframes the terms of the discussion by revealing how utopian thought was, in fact, somewhere in the Middle Ages. In the process, she transforms conventional readings of Mores Utopia and challenges the very practice of literary history today. Drawing on a range of contemporary scholarship on utopianism and a broad premodern archive, Lochrie charts variant utopian strains in medieval literature and philosophy that diverge from Mores work and at the same time plot uncanny connections with it. Examining works such as Macrobiuss fifth-century Commentary on the Dream of Scipio, Mandevilles Travels, and William Langlands Piers Plowman, she finds evidence of a number of utopian drives, including the rejection of European centrality, a desire for more egalitarian politics, and a rethinking of the division between animals and humans. Nowhere in the Middle Ages insists on the relevance and transformative potential of medieval utopias for Mores work and positions the sixteenth-century text as one alternative in a broader historical phenomenon of utopian thinking. Tracing medieval utopianisms forward in literary history to reveal their influences on early modern and modern literature and philosophy, Lochrie demonstrates that looking backward, we might extend future horizons of utopian thinking. **
Author: Lisa Carol Florman
File Type: pdf
Previous studies of Picassos involvement with the classical have tended to concentrate on the period immediately following the First World War, and to attribute that involvement to both the rise of political conservatism in France and the domesticating influence of the artists marriage to Olga Koklova. Focusing instead on the later, classicizing prints of the 1930s, this book offers a radically different view of Picasso and the classicala view that aligns his work much more closely with Surrealist, and specifically Bataillean, revisions of antiquity. The books argument is built around detailed analyses of several separate print series Picassos illustrations for Ovids Metamorphoses, the etchings of the Vollard Suite, and The Minotauromachy. Common to all of them, the book shows, is a strong engagement not only with the classical, but with the viewer. In the latter, Picassos prints are clearly at odds with the understanding of the relationship between classical art and its audience that prevailed throughout most of the nineteenth and twentieth centuriesan understanding that held the works purported autonomy to mirror the viewers own. By exposing that autonomy as a fantasy, Picasso opens the classical work and its viewer alike to the entanglements of desire and the dissolution of boundaries it inevitably brings. Much of the argument turns on close readings of key Surrealist texts by Georges Bataille, Michel Leiris, and Roger Caillois. Even more important, however, are the prints numerous references, heretofore unnoticed, to specific works by, among others, Rubens, Rembrandt, and Goya. These references effectively create an alternative classical tradition out of which Picassos etchings can be seen to have emerged. **
Author: Ethem Ceku
File Type: epub
The Kosovo question posed a great challenge to the international order in the western Balkans for a number of decades prior to the outbreak of war in the 1990s. Yugoslavia, Albania, the USSR, the USA, and Great Britain have all been involved, directly or indirectly, in the question of Kosovo, especially in the period since World War II. In this book, Ethem Ceku studies the Albanian political movement in Kosovo and the efforts that it made to achieve its national programme between 1945 and 1981. He focuses particularly on questions of international diplomacylooking especially at the roles of Albania and Yugoslavia in the Kosovo question. **
Author: Ian James
File Type: pdf
Interrogating the work of four contemporary French philosophers to rethink philosophys relationship to science and sciences relationship to realityThe Technique of Thought explores the relationship between philosophy and science as articulated in the work of four contemporary French thinkersJean-Luc Nancy, Francois Laruelle, Catherine Malabou, and Bernard Stiegler. Situating their writings within both contemporary scientific debates and the philosophy of science, Ian James elaborates a philosophical naturalism that is notably distinct from the Anglo-American tradition. The naturalism James proposes also diverges decisively from the ways in which continental philosophy has previously engaged with the sciences. He explores the technical procedures and discursive methods used by each of the four thinkers as distinct techniques of thought that approach scientific understanding and knowledge experimentally. Moving beyond debates about the constructed nature of scientific knowledge, The Technique of Thought argues for a strong, variably configured, and entirely novel scientific realism. By bringing together post-phenomenological perspectives concerning individual or collective consciousness and first-person qualitative experience with sciences focus on objective and third-person quantitative knowledge, James tracks the emergence of a new image of the sciences and of scientific practice.Stripped of aspirations toward total mastery of the universe or a grand theory of everything, this renewed scientific worldview, along with the simultaneous reconfiguration of philosophys relationship to science, opens up new ways of interrogating immanent reality.**About the Author Ian James is fellow in French at Downing College, Cambridge. He is author of The New French Philosophy, Paul Virilio, and The Fragmentary Demand An Introduction to the Philosophy of Jean-Luc Nancy.
Author: Edward Kessler
File Type: pdf
In an original and provocative demonstration that Coleridges later poetry took on a powerful metaphysical conception, Edward Kessler emphasizes Coleridges struggle with language as a means of both expressing and creating Being. While many of Coleridges late poems are generally viewed as fragments that constitute an aesthetic failure, Professor Kessler contends that what at first may appear to reflect Coleridges inability to finish a poem can otherwise be seen as a deliberate rejection of what the poet came to see as a confining form. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.