Khrushchevs Thaw and National Identity in Soviet Azerbaijan, 1954–1959
Author: Jamil Hasanli File Type: pdf On February 25, 1956, Soviet leader Nikita S. Khrushchev delivered the so-called secret speech in the Twentieth Party Congress of the CPSU in which he denounced Stalins transgressions and the cult of personality around the deceased dictator. Replete with sharp criticism of the Terror of the late 1930s, the unpreparedness of the USSR for the Nazi invasion, numerous wartime blunders, and the deportation of various nationalities, the speech reverberated throughout the subordinate Soviet republics. For republics such as Azerbaijan, the speech was an unmistakable signal to readjust the entire political orientation and figure out ways to redefine governance in post-Stalin era. Previously frozen under the mortal threat of Stalinist persecution, various forms of national self-expression began to experience rapid revival under the Khrushchev thaw. Encouraged by the winds of change at the Center, the Azeris cautiously began to reclaim possession of their administrative domain. Among other local initiatives, the declaration of the Azerbaijani language as the official language was one step that stood out in its audacity, for it was not pre-arranged with the Kremlin and defied the modus operandi of the Soviet leadership. Somewhat reformist in his intentions yet ignorant of the non-Slavic peripheries, Mr. Khrushchev had not foreseen the scenarios that would unfold as a result of its new tone and the developments that would come to be interpreted as the rise of nationalism in the republics. Jamil Hasanlis research on 1950s Azerbaijan sheds light on this watershed period in Soviet history while also furnishing the reader with a greater understanding of the root causes of the dissolution of the USSR.
Author: Elaine Pagels
File Type: pdf
The instant New York Times bestseller interpreting the controversial long-lost gospel The recently unearthed Gospel of Judas is a source of fascination for biblical scholars and lay Christians alike. Now two leading experts on the Gnostic gospels tackle the important questions posed by its discovery, including How could any Christian imagine Judas to be Jesus favorite? And what kind of vision of God does the author offer? Working from Karen L. Kings brilliant new translation, Elaine Pagels and King provide the context necessary for considering its meaning. Reading Judas plunges into the heart of Christianity itself and will stand as the definitive look at the gospel for years to come.**
Author: Morehshin Allahyari
File Type: pdf
p box-sizing border-box word-wrap normal 10emThea href=httpadditivism.orgcookbook target=_blank box-sizing border-box -webkit-tap-highlight- a(0, 0, 0, 0.298039)3D Additivist Cookbookaspan box-sizing border-box, devised and edited byspanspan box-sizing border-boxMorehshin Allahyari and Daniel Rourkespanspan box-sizing border-box, is a compendium of imaginative, provocative works from over 100 world-leading artists, activists and theorists. The 3D Additivist Cookbook contains 3D .obj and .stl files, critical texts, templates, recipes, (im)practical designs and methodologies for living in this most contradictory of times.spanp box-sizing border-box word-wrap normal 10emIn March 2015 Allahyari and Rourke released The 3D Additivist Manifesto, a call to push creative technologies to their absolute limits and beyond into the realm of the speculative, the provocative and the weird. The 3D Additivist Cookbook is composed of responses to that call, an extensive catalog of digital forms, material actions, and post-humanist methodologies and impressions.p box-sizing border-box word-wrap normal 10em#Additivism is a portmanteau of additive and activism a movement concerned with critiquing radical new technologies in fablabs, workshops, and classrooms at social, ecological, and global scales. The 3D Additivist Cookbook questions whether its possible to change the world without also changing ourselves, and what the implications are of taking a position.
Author: Sarah Rose Nordgren
File Type: pdf
*Winner of the 2013 Agnes Lynch Starrett Poetry Prize Best Bones is a house. When you walk around the rooms of the house, you overhear the desires and griefs of a family, as well as the unresolved concerns of lingering ghosts. The various voices in the house struggle against the family roles and social identities that they must wear like heavy garmentsmother, father, wife, husband, sister, brother, servant, and master. All these voices crave unification they want to join themselves into one whole sentient being, into a mansion steering itself. The poems in Best Bones* also explore the experience of living in a physical body, and how the natural world intersects with manmade landscapes and technologies. In it, mother has a reset button, servants blend into the furniture, and a doctor patiently oversees the pregnancy of the earth. In these poems, the body is a working machine, a repository of childhood myth and archetype, and a window to the spiritual world. The poems strive to be visceral on the level of dream, or of a story that is half remembered and half fabricated. **
Author: Steven R. Sabat
File Type: pdf
Alzheimers is swiftly on the rise it is estimated that every 67 seconds, someone develops the disease. For many, the words Alzheimers diseas or dementia immediately denote severe mental loss and, perhaps, madness. Indeed, the vast majority of media coverage of Alzheimers disease (AD) and other types of dementia focuses primarily on the losses experienced by people diagnosed and the terrible burden felt by care partners yearning for a magic bullet drug cure. Providing an accessible, question-and-answer-format primer on what touches so many lives, and yet so few of us understand, Alzheimers Disease and Dementia What Everyone Needs to Know contributes what is urgently missing from public knowledge unsparing investigation of their causes and manifestations, and focus on the strengths possessed by people diagnosed. Steven R. Sabat mines a large body of research to convey the genetic and biological aspects of Alzheimers disease, its clinical history, and, most significantly, to reveal the subjective experience of those with Alzheimers or dementia. By clarifying the terms surrounding dementia and Alzheimers, which are two distinct conditions, Sabat corrects dangerous misconceptions that plague our understanding of memory dysfunction and many other significant abilities that people with AD and dementia possess even in the moderate to severe stages. People diagnosed with AD retain awareness, thinking ability, and sense of self crucially, Sabat demonstrates that there are ways to facilitate communication even when the person with AD has great difficulty finding the words he or she wants to use. From years spent exploring and observing the points of view and experiences of people diagnosed, Sabat strives to inform as well as to remind readers of the respect and empathy owed to those diagnosed and living with dementia. Alzheimers Disease and Dementia conveys this type of information and more, which, when applied by family and professional caregivers, will help improve the quality of life of those diagnosed as well as of those who provide support and care. **
Author: T. J. Clark
File Type: pdf
div text-align centerPainting at Ground Leveldiv text-align centerT. J. CLARKdiv text-align centerTHE TANNER LECTURES ON HUMAN VALUESdiv text-align centerDelivered atdiv text-align centerPrinceton Universitydiv text-align centerApril 1719, 2002
Author: Abigail de Kosnik
File Type: pdf
The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists -- fans, pirates, hackers -- have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives.De Kosnik explains that media users today regard all of mass culture as an archive, from which they can redeploy content for their own creations. Hence, remix culture and fan fiction are core genres of digital cultural production. De Kosnik explores, among other things, the anticanonical archiving styles of Internet preservationists the volunteer labor of online archiving how fan archives serve women and queer users as cultural resources archivists efforts to attract racially and sexually diverse content and how digital archives adhere to the logics of performance more than the logics of print. She also considers the similarities and differences among free culture, free software, and fan communities, and uses digital humanities tools to quantify and visualize the size, user base, and rate of growth of several online fan archives. **
Author: Maria José Silveira
File Type: epub
p margin 14px padding Spanning 500 years of Brazilian history,Her Mothers Mothers Mother and Her Daughtersfont face=Segoe UI, serif size=2chronicles a family of women, beginning in 1500 with the birth of Inaia, daughter of a Tupiniquim warrior, and ending in 2001 with Inaias distant descendent, Maria Flor. As each new daughter takes the place of her mother, and the mothers before her, Maria Jose Silveiras captivating, cinematic prose takes us through the formation of the country itself, as well as through the roles, customs, challenges, and intrigues of the women within it.fontp margin -4px 14px padding Subversive and refreshing, Silveira blends great storytelling with personal politics to critique the machismo, authoritarianism, and abuses of power prevalent in Brazilian culture.p margin -4px 14px padding Its a delicate subject, the family story is complicated, and not everything was wine and roses. There was, of course, much happiness and love, many battles and accomplishments, great featsafter all, the women here helped to build this country from nearly nothing. But there were also stories of insanity, or murderesses, and not a few sorrows and tragedies. Great disappointments. A good many of them.p margin -4px 14px padding bMaria Jose Silveirabspanspanis the author of ten novels, including the prize-winningspanspanHer Mothers Mothers Mother and Her Daughters, the film rights to which were sold to TV Globo.p margin -4px padding bEric M. B. Beckerbfont face=Segoe UI, serif size=2is editor offontWords Without Bordersfont face=Segoe UI, serif size=2and an award-winning journalist and literary translator. He received a PENHeim Translation grant for his work on Mia Couto, and has also translated works by Lygia Fagundes Telles, Noemi Jaffe, and others.font
Author: Nicole Bolleyer
File Type: pdf
State regulation of civil society is expanding yet widely contested, often portrayed as illegitimate intrusion. Despite ongoing debates about the nature of state-voluntary relations in various disciplines, we know surprisingly little about why long-lived democracies adopt more or less constraining legal approaches in this sphere, in which state intervention is generally considered contentious. Drawing on insights from political science, sociology, comparative law as well as public administration research, this book addresses this important question, conceptually, theoretically, and empirically. It addresses the conceptual and methodological challenges related to developing systematic, comparative insights into the nature of complex legal environments affecting voluntary membership organizations, when simultaneously covering a wide range of democracies and the regulationapplicable to different types of voluntary organizations. Proposing the analytical tools to tackle those challenges, it studies in-depth the intertwining and overlapping legal environments of political parties, interest groups, and public benefit organizations across 19 long-lived democracies. After presentingan innovative interdisciplinary theoretical framework theorizing democratic states legal disposition towards, or their disinclination against, regulating voluntary membership organizations in a constraining or permissive fashion, this framework is empirically tested. Applying Qualitative Comparative Analysis (QCA), the comparative analysis identifies three main paths accounting for the relative constraints in the legal environments democracies have created for organized civil society,defined by different configurations of political systems democratic history, their legal family, and voluntary sector traditions. Providing the foundation for a mixed-methods design, three ideal-typical representatives of each path - Sweden, the UK, and France - are selected for the in-depth study ofthese legal environments long-term evolution, to capture reform dynamics and their drivers that have shaped group and party regulation over many decades. **About the Author bNicole Bolleyerb is a Professor of Comparative Politics at the University of Exeter. Her publications include * New Parties in Old Party Systems Persistence and Decline in 17 Democracies (OUP, 2013) and * Intergovernmental Cooperation Rational Choices in Federal Systems and Beyond (OUP, 2009), and she has published in numerous journals such as * Comparative Political Studies, * Journal of Politics, * European Journal of Political Research, * Governance, * Political Studies, * Party Politics, and the * European Political Science Review*.
Author: Michael Lucken
File Type: pdf
Japanese memories of World War II exert a powerful influence over the nations society and culture. Concentrating on the years immediately before and after the war (1937 to 1952), Michael Lucken explores in The Japanese and the War how WWII manifested in the literature, art, film, clothing, and education reform of the time, creating an idea of Japanese identity that still resonates in everything from soap operas to the response to the Fukushima nuclear disaster. Lucken defines three layers of Japans distinct memory of WWII the populations expectations at the beginning of the war, the trauma caused by conflict and defeat, and the politics of memory that arose after Japan lost to the Allied powers. Emphasizing Japanese-language sources, Lucken writes a narrative of the making of Japanese cultural memory that moves away from Western historical modes and perspectives. His approach also paints a new portrait of the U.S. occupation, while still maintaining a cultural focus. Lucken sets out to capture the many ways people engage with war, but particularly the rich range of encounters Japan experienced, which, Lucken argues, the Japanese state has yet to fully confront, leading to a range of tensions at home and abroad.**ReviewIn this highly readable book, Michael Lucken combines an encyclopedic overview of Japans diverse conflicts over the memory of WWII with a razor-sharp dissection of their historical origins. At the core of this, Lucken argues, lies the fateful interplay between wartime ideologies and Japans American-brokered entry into the postwar world. (Franziska Seraphim, Boston College) Michael Luckens The Japanese and the War provides, in the form of a wonderfully curated collection of insightful and instructive vignettes, both a comprehensive overview and an intimate portrayal of trans-war Japanese society. The work skillfully ties together the disparate fields of visual and material culture, the experience of all-out war, and the politics of war memory. Deftly translated, the book is a pleasure to read. (Akiko Takenaka, University of Kentucky) Michael Lucken skillfully combines a cultural history of wartime Japan with an account of how narratives and memories of the conflict emerged during the occupation and beyond. For those seeking to understand the roots of Japans memory wars and the history issue in Asia, this book is an excellent place to start. (Philip Seaton, Hokkaido University) Book Description Japanese memories of World War II exert a powerful influence over the nations society and culture. Concentrating on the years immediately before and after the war (1937 to 1952), Michael Lucken explores in The Japanese and the War how WWII manifested in the literature, art, film, funerary practices, and education reform of the time, creating an idea of Japanese identity that still resonates in everything from soap operas to the response to the Fukushima nuclear disaster.