Delve into the eerie depths of a soundtrack I wrote for the feature film, "The Victorians," where haunting melodies and atmospheric tones merge with chilling artwork by Miles Newcombe!
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https://www.youtube.com/watch?v=fi7WSMPaq7E
Telepathic Birds' version of Beach House's "Myth" using only synths and drum machines, and vocals.
Telepathic Birds is a dreamy, melancholic, synth pop, new wave, space rock trio, with punk rock undertones (think Air, David Bowie, Cocteau Twins, Depeche Mode, Ladytron, Love & Rockets, Beach House, New Order, Sonic Youth, Cat Power, and The Pixies). The band was originally created with Tony Cameron in 2013 in Concord, CA. The music is moody (think Portishead but not triphop-y), heavily layered, and less dance-y.
Personel:
Feona Lee Jones: vocals, Korg Poly 800II, Roland Ax-1, DX7
Our Birdly Mission:
Telepathic Birds are space explorers who have come here to Earth to bring people together through their mysterious, bird-like, insect, space-y, Persephone-like presence. They have come to be a Beacon of Light and Love to guide others in reconnecting with their essence and stepping fully into peace, love, and vulnerability. Their music is both dreamy, melancholic, and uplifting–bridging the shadow and the light– the underworld and the heavens–bringing light to the darkness, and depth to the light–creating opportunities for worldly Beings to “transition” in peace.
Connect:
Facebook: https://www.facebook.com/telepathicbirds
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https://www.youtube.com/watch?v=gYVklSYxEl8
I composed music (String Quartet No. 2) to Maya Deren's silent experimental film, "Meshes of the Afternoon" to create my own twist on the narrative.
Movement 1: 0:35
Movement 2: 4:08
Movement 3: 9:05
Movement 4: 12:18
Other Maya Deren films I've scored:
Meshes of the Afternoon (1943): https://www.youtube.com/watch?v=JoETYvwI7I0
At Land (1944): https://www.youtube.com/watch?v=EvafmE3Lel0
A Study In Choreography For Camera (1945): https://www.youtube.com/watch?v=h3W9yFHaVGI
Ritual in Transfigured Time (1946): https://www.youtube.com/watch?v=P86jPAHOvG4&ab_channel=FeonaLeeJones
Performed by: Del Sol String Quartet
Banjamin Kreith (Violin 1)
Sam Weiser (Violin 2)
Charlton Lee (Viola)
Katheryn Bates (Cello)
Meshes of the Afternoon (1943) is a short experimental film directed by wife-and-husband team Maya Deren and Alexander Hammid who also starred in the film. The film's narrative is circular and repeats several motifs, including a flower on a long driveway, a key falling, a door unlocked, a knife in a loaf of bread, a mysterious Grim Reaper–like cloaked figure with a mirror for a face, a phone off the hook and an ocean. Through creative editing, distinct camera angles, and slow motion, the surrealist film depicts a world in which it is more and more difficult to catch reality.
Plot:
A woman sees someone on the street as she is walking back to her home. She goes to her room and sleeps on a chair. As soon as she is asleep, she experiences a dream in which she repeatedly tries to chase a mysterious hooded figure with a mirror for a face but is unable to catch it. With each failure, she re-enters her house and sees numerous household objects including a key, a knife, a flower, a telephone and a phonograph. The woman follows the hooded figure to her bedroom where she sees the figure hide the knife under a pillow. Throughout the story, she sees multiple instances of herself, all bits of her dream that she has already experienced. The woman tries to kill her sleeping body with a knife but is awakened by a man. The man leads her to the bedroom and she realizes that everything she saw in the dream was actually happening. She notices that the man's posture is similar to that of the hooded figure when it hid the knife under the pillow. She attempts to injure him and fails. Towards the end of the film the man walks into the house and sees a broken mirror being dropped onto wet ground. He then sees the woman in the chair, who was previously sleeping, but is now dead.
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As a composer som
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https://www.youtube.com/watch?v=JoETYvwI7I0
Performing my original composition, "Melting Snow" from my 2013 solo piano album, Water For Notes.
Download this album on Bandcamp: https://feona.bandcamp.com/album/water-for-notes
My influences include: Michael Nyman, Dustin O'Halloran, Karen O, Keith Jarrett, Yann Tiersen, Rachel Grimes, Philip Glass, and Frederic Chopin.
Don't be a stranger!
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https://www.youtube.com/watch?v=kqqYU1_lPu0
"Time is Running Out" for String Quartet performed live at Golden Hornet by Invoke String Quartet Feb 10, 2018.
Score: http://feonaleejones.com/wp-content/uploads/2016/05/String-Quartet-No.-1_FeonaLeeJones.pdf
⭐️ Where to find me ⭐️
▸ blog | http://feonaleejones.com
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https://www.youtube.com/watch?v=eyb3RUvWEAE
Performing my original composition, "Morning Mist" from my 2013 solo piano album "Water For Notes."
Download this album on Bandcamp: https://feona.bandcamp.com/album/water-for-notes
My influences include: Michael Nyman, Keith Jarrett, Yann Tiersen, Rachel Grimes, Philip Glass, and Frederic Chopin.
Connect:
Facebook: https://www.facebook.com/feonaleejones
Twitter: https://twitter.com/feonaleejones
Instagram: https://www.instagram.com/feonaleejones/
Website: http://feonaleejones.com/
Soundcloud: https://soundcloud.com/feona
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https://www.youtube.com/watch?v=E32084tc-fk