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7 May 2021 20:34:49 UTC
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Society
Author: Theodor Adorno
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SACRE
112298
Author: Galit Noga-Banai
File Type: pdf
Sacred Stimulus offers a thorough exploration of Jerusalems role in the formation and formulation of Christian art in Rome during the fourth and fifth centuries. The visual vocabulary discussed by Galit Noga-Banai gives an alternative access point to the mnemonic efforts conceived while Rome converted to Christianity not in comparison to pagan art in Rome, not as reflecting the struggle with the emergence of New Rome in the East (Constantinople), but rather as visual expressions of the confrontation with earthly Jerusalem and its holy places. After all, Jerusalem is where the formative events of Christianity occurred and were memorialized. Sacred Stimulus argues that, already in the second half of the fourth century, Rome constructed its own set of holy sites and foundational myths, while expropriating for its own use some of Jerusalems sacred relics, legends, and sites. Relying upon well-known and central works of art, including mosaic decoration, sarcophagi, wall paintings, portable art, and architecture, Noga-Banai exposes the omnipresence of Jerusalem and its position in the genesis of Christian art in Rome. Noga-Banais consideration of earthly Jerusalem as a conception that Rome used, or had to take into account, in constructing its own new Christian ideological and cultural topography of the past, sheds light on connections and analogies that have not necessarily been preserved in the written evidence, and offers solutions to long-standing questions regarding specific motifs and scenes. **
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ARCHA
47154
Author: Clive Gamble
File Type: pdf
From archaeological jargon to interpretation, Archaeology The Basics provides an invaluable overview of a fascinating subject andprobes the depths of this increasingly popular discipline, presenting critical approaches to the understanding of our past. Lively and engaging, Archaeology The Basics fires the archaeological imagination whilst tackling such questions asullWhat are the basic concepts of archaeology?llHow and what do we know about people and objects from the past?llWhat makes a good explanation in archaeology?llWhy dig here?lulThis ultimate guide for all new and would-be archaeologists, whether they are students or interested amateurs, will prove an invaluable introduction to this wonderfullyinfectious discipline.ReviewStrongly recommended for novice undergraduates ... makes an absolutely excellent case for archaeology as a discipline. - AntiquityThis is a thought-provoking guide to what Gamble terms an archaeological imagination. The digger boasting the worn stub of a trowel in their right back trouser pocket should feel incomplete without a copy of Archaeology The Basics in the other. - Current Archaeology From archaeological jargon to interpretation, this volume probes the depths of this increasingly popular discipline, presenting critical approaches to the understanding of our past.This ultimate guide for all new and would-be archaeologists, whether they are students or interested amateurs, introduces its readers to archaeological thought, history and and practice.Lively and engaging, Archaeology The Basics fires the archaeological imagination whilst tackling such questions as * what are the basic concepts of archaeology?* how and what do we know about people and objects from the past?* what makes a good explanation in archaeology?* why dig here?Archaeology the Basics provides an invaluable overview of a fascinating subject.
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THE A
121966
Author: Michael T. Saler
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The Avant-Garde in Interwar England addresses modernisms ties to tradition, commerce, nationalism, and spirituality through an analysis of the assimilation of visual modernism in England between 1910 and 1939. During this period, a debate raged across the nation concerning the purpose of art in society. On one side were the aesthetic formalists, led by members of Londons Bloomsbury Group, who thought art was autonomous from everyday life. On the other were Englands so-called medieval modernists, many of them from the provincial North, who maintained that art had direct social functions and moral consequences. As Michael T. Saler demonstrates in this fascinating volume, the heated exchange between these two camps would ultimately set the terms for how modern art was perceived by the British public. Histories of English modernism have usually emphasized the seminal role played by the Bloomsbury Group in introducing, celebrating, and defining modernism, but Salers study instead argues that, during the watershed years between the World Wars, modern art was most often understood in the terms laid out by the medieval modernists. As the name implies, these artists and intellectuals closely associated modernism with the art of the Middle Ages, building on the ideas of John Ruskin, William Morris, and other nineteenth-century romantic medievalists. In their view, modernism was a spiritual, national, and economic movement, a new and different artistic sensibility that was destined to revitalize Englands culture as well as its commercial exports when applied to advertising and industrial design. This book, then, concerns the busy intersection of art, trade, and national identity in the early decades of twentieth-century England. Specifically, it explores the life and work of Frank Pick, managing director of the London Underground, whose famous patronage of modern artists, architects, and designers was guided by a desire to unite nineteenth-century arts and crafts with twentieth-century industry and mass culture. As one of the foremost adherents of medieval modernism, Pick converted Londons primary public transportation system into the culminating project of the arts and crafts movement. But how should todays readers regard Picks achievement? What can we say of the legacy of this visionary patron who sought to transform the whole of sprawling London into a post-impressionist work of art? And was medieval modernism itself a movement of pioneers or dreamers? In its bold engagement with such questions, The Avant-Garde in Interwar England will surely appeal to students of modernism, twentieth-century art, the cultural history of England, and urban history. **
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ENGEN
67359
Author: Jean E. Howard
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Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England. Plays featured includeullKing JohnllHenry VI, Part IllHenry VI, Part IIllHenry, Part IIIllRichard IIIllRichard IIllHenry V.lulIt will be a must for students and scholars interested in the cultural and social implications of Shakespeare today.ReviewThis is good Shakespearean scholarship from a feminist aspect ... or maybe good feminist scholarship from a Shakespearean standpoint? - Fawcett Library NewsletterAbout the AuthorJean E. Howard is Professor of English and Comparative Literature at Columbia University. She is the author of The Stage and Social Struggle in Early Modern England, also published by Routledge. Phyllis Rackin is Professor of English in General Honors at the University of Pennsylvania.
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INVEN
83080
Author: Wim Wenders
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Inventing Peace revolves around the question of how we look at the world, but do not see it when there is so much war, injustice, suffering and violence. What are the ethical and moral consequences of looking, but not seeing, and, most of all, what has become of the notion of peace in all this? In the form of a written dialogue, Wim Wenders and Mary Zournazi consider this question as one of the fundamental issues of our times as well as the need to reinvent a visual and moral language for peace. Inspired by various cinematic, philosophical, literary and artistic examples, Wenders and Zournazi reflect on the need for a change of perception in the everyday as well as in the creation of images. In its unique style and method, Inventing Peace demonstrates an approach to peace through sacred, ethical and spiritual means, to provide an alternative to the inhumanity of war and violence. Their book might help to make peace visible and tangible in new and unforeseen ways. **
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REPUB
110101
Author: Andrew S. Crines
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This is the first thorough and systematic interrogation of Republican Party oratory and rhetoric that examines a series of leading figures in American conservative politics. It asks How do leading Republican Party figures communicate with and influence their audiences? What makes a successful speech, and why do some speeches fail to resonate? Most importantly, it also investigates why orators use different styles of communication with different audiences, such as the Senate, party conventions, public meetings, and through the media. By doing so it shines important new light into conservative politics from the era of Eisenhower to the more brutal politics of Donald Trump. The book will appeal to students and scholars across the fields of US politics, contemporary US history, and rhetoric and communication studies. **About the Author Andrew S. Crines is Lecturer in Politics at the University of Liverpool, UK. He holds the 2017 PSA Richard Rose Prize, and is a Fellow of the Royal Historical Society. His previous publications include Democratic Orators from JFK to Obama (with D. S. Moon and R. Lehrman, 2016) The Political Rhetoric and Oratory of Margaret Thatcher (with T. Heppell and P. Dorey, 2016), and two volumes on oratory in Conservative and Labour Party politics respectively (with R. Hayton, 2015). Sophia Hatzisavvidou is Lecturer in Politics at the University of Bath, UK. She is working on a project on environmental rhetoric funded by the Leverhulme Trust. She has previously taught rhetoric at Goldsmiths, University of London and she has published in academic journals such as Political Studies, Social Movements Studies, Global Discourse, as well as the monograph Appearances of Ethos in Political Thought (2016).
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THE A
120689
Author: Alys Eve Weinbaum
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In The Afterlife of Reproductive Slavery Alys Eve Weinbaum investigates the continuing resonances of Atlantic slavery in the cultures and politics of human reproduction that characterize contemporary biocapitalism. As a form of racial capitalism that relies on the commodification of the human reproductive body, biocapitalism is dependent upon what Weinbaum calls the slave epistemethe racial logic that drove four centuries of slave breeding in the Americas and Caribbean. Weinbaum outlines how the slave episteme shapes the practice of reproduction today, especially through use of biotechnology and surrogacy. Engaging with a broad set of texts, from Toni Morrisons Beloved and Octavia Butlers dystopian speculative fictionto black Marxism, histories of slavery, and legal cases involving surrogacy, Weinbaum shows how black feminist contributions from the 1970s, 1980s, and 1990s constitute a powerful philosophy of historyone that provides the means through which to understand how reproductive slavery haunts the present. **Review In this innovative and ambitious book Alys Eve Weinbaum expands our understanding of the black radical tradition while pushing it in a distinctly feminist direction. The Afterlife of Reproductive Slavery is an important work that will have major reverberations in black studies, literary studies, feminist theory, and postcolonial studies. (Saidiya Hartman, author of Wayward Lives, Beautiful Experiments Intimate Histories of Social Upheaval) In this sophisticated and erudite study Alys Eve Weinbaum demands her readersengage with the history of slavery, new reproductive technologies, dystopian literatures, and black feminist theory in ways that renderthem all both as unsettling and as generative food for thought. This works political urgency will call out to a wide audience of scholars and students. (Jennifer L. Morgan, author of Laboring Women Reproduction and Gender in New World Slavery) About the Author Alys Eve Weinbaum is Professor of English at the University of Washington,author of Wayward Reproductions Genealogies of Race and Nation in Transatlantic Modern Thought, and coeditor of The Modern Girl Around the World Consumption, Modernity, and Globalization, both also published by Duke University Press.
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THE C
124041
Author: Michael Marder
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THEOR
143373
Author: Fabio Rojas
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Theory for the Working Sociologist makes social theory easy to understand by revealing sociologys hidden playbook. Fabio Rojas argues that sociologists use four different theoretical moves when they try to explain the social world they explain how groups defend their status, how people strategically pursue their goals, how values and institutions support each other, and how people create their social reality. Rojas uses famous sociological studies to illustrate these four types of theory and show how students and researchers may apply them to their interests. The guiding light of the book is the concept of the social mechanism, which clearly and succinctly links causes and effects in social life. Drawing on dozens of empirical studies that define modern sociology and focusing on the nuts and bolts of social explanation, Rojas reveals how areas of study within the field of sociology that at first glance seem dissimilar are, in fact, linked by shared theoretical underpinnings. In doing so, he elucidates classical and contemporary theory, and connects both to essential sociological findings made throughout the history of the field. Aimed at undergraduate students, graduate students, journalists, and interested general readers who want a more formal way to understand social life, Theory for the Working Sociologist presents the underlying themes of sociological thought using contemporary research and plain language.**ReviewTheory for the Working Sociologist points the way forward for educators across the field of sociology, as it connects classical to contemporary theory, and both to essential findings and ongoing research programs. You may not find yourself agreeing with Rojas at all moments in the text, but that is the pointhe sets up an arena of debate both sophisticated and accessible to students. (Isaac Ariail Reed, University of Virginia) This highly readable and accessible book will soon become required reading for upper-level undergraduate and doctoral students of sociology. Rather than merely revisiting and reinterpreting core texts of abstract sociological theory, Rojas identifies four core themes of sociological theorypower and inequality, strategic action, values and social structures, and social constructionismthat motivate empirical work and lead sociologists to generate explanations for why empirical patterns exist. (Sarah Soule, Stanford University) Book Description Theory for the Working Sociologist makes social theory easy to understand by revealing sociologys hidden playbook. Fabio Rojas argues that sociologists use four different types of theoretical moves when they try to explain the social world how groups defend their status, how people strategically pursue their goals, how values and institutions support each other, and how people create their social reality. In doing so, Rojas reveals how areas of study within sociology that at first glance seem dissimilar are, in fact, linked by shared theoretical underpinnings.
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