Author: Michael J. Miller File Type: pdf Review*Therapists of all persuasions will relish Michael Millers lucid, beautifully written discussion of the use of Lacans work in clinical practice. Targeting topics of concern to the widest range of practitioners including insight, opening up of potential space, transference, countertransference, gender, and power dynamics he provides word-for-word transcripts of interactions with his clients that beautifully illustrate a Lacanian approach to listening and interpreting that can be applied in a great many therapeutic settings, using theory to illuminate but never overshadow the case material. The level of detail provided in his case studies is unrivaled. A fabulous achievement! *- Bruce Fink, Duquesne University, Pennsylvania, USA*This is an excellent introduction to Lacanian clinical practice, written for the general clinicianpsychotherapist who is beginning to consider the field of Lacanian psychoanalysis. Despite the focus being psychotherapy rather than psychoanalysis, the book approaches the scope ofanalytical experience and provides an abundance of clinical material which should be of great help to the psychotherapist not familiar with the intricacies of Lacanian theory and practice. All in all this is a well-written and insightful book that was a joy to read. - Raul Moncayo,Supervising Analyst of the Lacanian School of Psychoanalysis, and author, *Evolving Lacanian Perspectives for Clinical PsychoanalysisMy psychotherapy training was not Lacanian and I have struggled to make sense of what it might mean to be informed by Lacan. Millers book, written by a psychotherapist who regards the relationship as core to any therapy, is a significant contribution to understanding the clinical value of Lacan. Had this book been available earlier, my struggles would have been eased. - Dr Steve Nolan, Therapy Today, December 2011About the AuthorMichael J. Miller, Ph.D., is an Assistant Professor of Psychiatry at SUNY Upstate Medical University, New York, USAand an adjunct professor at Syracuse University, USA. He has been published in The Humanistic Psychologistas well as Lacan and Addictions (Karnac, 2011), andhas presented to groups of psychoanalytic clinicians on clinical applications of Lacan.
Author: Sean Hsiang-Lin Lei
File Type: pdf
Neither Donkey nor Horse tells the story of how Chinese medicine was transformed from the antithesis of modernity in the early twentieth century into a potent symbol of and vehicle for Chinas exploration of its own modernity half a century later. Instead of viewing this transition as derivative of the political history of modern China, Sean Hsiang-lin Lei argues that Chinas medical history had a life of its own, one that at times directly influenced the ideological struggle over the meaning of Chinas modernity and the Chinese state.Far from being a remnant of Chinas premodern past, Chinese medicine in the twentieth century coevolved with Western medicine and the Nationalist state, undergoing a profound transformationinstitutionally, epistemologically, and materiallythat resulted in the creation of a modern Chinese medicine. This new medicine was derided as neither donkey nor horse because it necessarily betrayed both of the parental traditions and therefore was doomed to fail. Yet this hybrid medicine survived, through self-innovation and negotiation, thus challenging the conception of modernity that rejected the possibility of productive crossbreeding between the modern and the traditional.By exploring the production of modern Chinese medicine and Chinas modernity in tandem, Lei offers both a political history of medicine and a medical history of the Chinese state.**
Author: Geoff Stahl
File Type: pdf
The night and popular music have long served to energise one another, such that they appear inextricably bound together as trope and topos. This history of reciprocity has produced a range of resonant and compelling imaginaries, conjured up through countless songs and spaces dedicated to musical life after dark. Nocturnes Popular Music and the Night is one of the first volumes to examine the relationship between night and popular music. Its scope is interdisciplinary and geographically diverse. The contributors gathered here explore how the problems, promises, and paradoxes of the night and music play off of one another to produce spaces of solace and sanctuary as well as underpinning strategies designed to police, surveil and control movements and bodies. This edited collection is a welcome addition to debates and discussions about the cultures of the night and how popular music plays a continuing role in shaping them.
Author: Rebecca Stott
File Type: epub
As everybody knows, oysters are the ultimate aphrodisiac. Casanova is said to have eaten 50 raw oysters every morning with his mistress of the moment, in a bathtub designed for two. Whether oysters truly have exciting properties is open to debate, but like all seafoods, they contain high amounts of phosphorus and iodine, which are believed to be conducive to stamina. Author and food expert M.F.K. Fisher wrote There are many reasons why an oyster is supposed to have this desirable quality . . . Most of them are physiological, and have to do with an oysters odour, its consistency, and probably its strangeness. As well as an aphrodisiac, the oyster has since the earliest times been an inspiration to philosophers, artists, poets, chefs, gourmets, epicures and jewellers. It has been pursued by poachers and thieves, and defended by oyster-police and parliaments. In Oyster, literary historian and radio broadcaster Rebecca Stott tells the extraordinary story of the oyster and its pearl, revealing how this curious creature has been used and depicted in human culture and what it has variously meant to those who have either loved or loathed it the Romans carried much-sought-after British oysters across the Alps on the backs of donkeys to be eaten as delicacies at banquets in Rome, whilst by contrast Woody Allen once famously said I will not eat oysters. I want my food dead not sick, not wounded dead. Using many unusual images and anecdotes, Oyster will appeal to oyster lovers and haters everywhere, and for those too who have an interest in the way animals such as the oyster have woven themselves into the fabric of our culture. **
Author: Shane O'Mara
File Type: pdf
Torture is banned because it is cruel and inhumane. But as Shane OMara writes in this account of the human brain under stress, another reason torture should never be condoned is because it does not work the way torturers assume it does. In countless films and TV shows such as Homeland and 24, torture is portrayed as a harsh necessity. If cruelty can extract secrets that will save lives, so be it. CIA officers and others conducted torture using precisely this justification. But does torture accomplish what its defenders say it does? For ethical reasons, there are no scientific studies of torture. But neuroscientists know a lot about how the brain reacts to fear, extreme temperatures, starvation, thirst, sleep deprivation, and immersion in freezing water, all tools of the torturers trade. These stressors create problems for memory, mood, and thinking, and sufferers predictably produce information that is deeply unreliableand, for intelligence purposes, even counterproductive. As OMara guides us through the neuroscience of suffering, he reveals the brain to be much more complex than the brute calculations of torturers have allowed, and he points the way to a humane approach to interrogation, founded in the science of brain and behavior. Torture may be effective in forcing confessions, as in Stalins Russia. But if we want information that we can depend on to save lives, OMara writes, our model should be Napoleon It has always been recognized that this way of interrogating men, by putting them to torture, produces nothing worthwhile. **
Author: Jacqueline Millner
File Type: pdf
When the body is foregrounded in artwork as in much contemporary performance, sculptural installation and video work so is gendered and sexualised difference. Feminist Perspectives on Art Contemporary Outtakes looks to interactions between art history, theory, curation, and studio-based practices to theorise the phenomenological import of this embodied gender difference in contemporary art.The essays in this collection are rooted in a wide variety of disciplines, including art-making, curating, and art history and criticism, with many of the authors combining roles of curator, artist and writer. This interdisciplinary approach enables the book to bridge the theorypractice divide and highlight new perspectives emerging from creative arts research. Fresh insights are offered on feminist aesthetics, womens embodied experience, curatorial and art historical method, art world equity, and intersectional concerns. It engages with epistemological assertions of how the body feels, how the land has creative agency in Indigenous art, and how the use of emotional or affective registers may form ones curatorial method.This anthology represents a significant contribution to a broader resurgence of feminist thought, methodology, and action in contemporary art, particularly in creative practice research. It will be of particular value to students and researchers in art history, visual culture, cultural studies, and gender studies, in addition to museum and gallery professionals specialising in contemporary art. *
Author: Jeffrey T. Leigh
File Type: pdf
This book analyzes the conduct of press policy in Bohemia from the Revolutions of 1848 through the period of the Tabory, 1867-71. In the aftermath of the revolutions, the Habsburg state, far from constituting an historical relic, proved itself boldly innovative, inaugurating liberal reforms, most importantly the rule of law. While the reforms helped it to survive its immediate challenges, they nonetheless, quite paradoxically, created an environment in which the periodical press continued to advance perspectives emblematic of the revolution, even during the era of Neoabsolutism. This new legal environment fostered the rise of the bourgeois public sphere, as theorized by Jurgen Habermas, and the very political movements that would contribute to its demise, as signaled in the Tabory campaign of 1867-71. At the nexus of civil society and the state stood the provincial Habsburg officials responsible for public order and security. Their experience was one of endeavoring to balance the ideals of the rule of law imposed by the Imperial center and their own vital concerns regarding the survival of the Monarchy. This work, for the first time, concentrates on the role of these officials who determined what wouldand would notappear in print. **About the Author Jeffrey T. Leigh is Associate Professor of History at theUniversity of Wisconsin-Marathon County, USA.
Author: Gerhard Hoffmann
File Type: pdf
This systemic study discusses in its historical, cultural and aesthetic context the postmodern American novel between the years of 1960 and 1980. A general overview of the various definitions of postmodernism in philosophy, cultural theory and aesthetics provides the framework for the inquiry into more specific problems, such as the broadening of aesthetics, the relationship between aesthetics and ethics, the transformation of the artistic tradition, the interdependence between modernism and postmodernism, and the change in the aesthetics of fiction. Other topics addressed here include situationalism, montage, the ordinary and the fantastic, the subject and the character, the imagination, comic modes, and the future of the postmodern strategies. The authors whose fiction is treated in some detail under the various aspects thematized are John Barth, Donald Barthelme, Richard Brautigan, Robert Coover, Stanley Elkin, Raymond Federman, William Gaddis, John Hawkes, Jerzy Kosinski, Thomas Pynchon, Ishmael Reed, Ronald Sukenick, and Kurt Vonnegut. Table of Contents 1. Introduction Methods of Approach 2. Postmodern Culture, Aesthetics, and the Arts 3. Situationalism 4. Philosophy and Postmodern American Fiction Patterns of Disjunction, Complementarity and Mutual Subversion 5. The Fantastic 6. The Space-Time Continuum 7. Character 8. The Imagination 9. The Perspectives of Negation The Satiric, the Grotesque, the Monstrous, Farce and Their Attenuation by Play, Irony, and the Comic Mode 10. The Novel After Postmodernism Notes Primary Sources Secondary Sources Index**
Author: Alina Feld
File Type: epub
An impressive study that prompts the reader toward philosophical reflection on the hermeneutics of melancholy in its relation to maturing theological understanding and cultivation of a profound self-consciousness. Melancholy has been interpreted as a deadly sin or demonic temptation to non-being, yet its history of interpretation reveals a progressive coming to terms with the dark mood that ultimately unveils it as the selfs own ground and a trace of the abysmal nature of God. The book advances two provocative claims that far from being a contingent condition, melancholy has been progressively acknowledged as constitutive of subjectivity as such, a trace of divine otherness and pathos, and that the effort to transcend melancholy-like Perseus vanquishing Medusa-is a necessary labor of maturing self-consciousness. Reductive attempts to eliminate it, besides being dangerously utopian, risk overcoming the labor of the soul that makes us human. This study sets forth a rigorous scholarly argument that spans several disciplines, including philosophy, theology, psychology, and literary studies.**