Robert Weston Smith, known as Wolfman Jack (January 21, 1938 – July 1, 1995), was an American disc jockey. Famous for his gravelly voice, he credited it for his success, saying, "It's kept meat and potatoes on the table for years for Wolfman and Wolfwoman. A couple of shots of whiskey helps it. I've got that nice raspy sound." Smith was born in Brooklyn on January 21, 1938, lived on 12th Street and 4th Avenue and went to Manual Training High School in the Park Slope section. His parents divorced while he was a child. To help keep him out of trouble, his father bought him a large Trans-Oceanic radio, and Smith became an avid fan of R&B music and the disc jockeys who played it, including Douglas "Jocko" Henderson of Philadelphia, New York's "Dr. Jive" (Tommy Smalls), the "Moon Dog" from Cleveland, Alan Freed, and Nashville's "John R." Richbourg, who later became his mentor. Smith attended the National Academy of Broadcasting in Washington, D.C. After he graduated in 1960, he began working as "Daddy Jules" at WYOU in Newport News, Virginia. When the station format changed to "beautiful music", Smith became known as "Roger Gordon and Music in Good Taste". In 1962, he moved to country music station KCIJ/1050 in Shreveport, Louisiana, as the station manager and morning disc jockey, "Big Smith with the Records". He married Lucy "Lou" Lamb in 1961, and they had two children. Smith's adaptation of the Alan Freed's Moondog theme was to call himself Wolfman Jack and add his own sound effects. The character was based in part on the manner and style of bluesman Howlin' Wolf. At KCIJ,at he first began to develop his famous alter ego Wolfman Jack. According to author Philip A. Lieberman, Smith's "Wolfman" persona "derived from Smith's love of horror films and his shenanigans as a 'wolfman' with his two young nephews. The 'Jack' was added as a part of the 'hipster' lingo of the 1950s, as in 'Take a page from my book, Jack,' or the more popular, 'Hit the road, Jack'." In 1963, Smith took his act to the border when the Inter-American Radio Advertising's Ramon Bosquez hired him and sent him to the studio and transmitter site of XERF-AM at Ciudad Acuña in Mexico, a station across the U.S.-Mexico border from Del Rio, Texas, whose high-powered border blaster signal could be picked up across much of the United States. Smith described the reach of the XERF signal: "We had the most powerful signal in North America. Birds dropped dead when they flew too close to the tower. A car driving from New York to L.A. would never lose the station." Most of the border stations broadcast at 250,000 watts, five times the U.S. limit, meaning that their signals were picked up all over North America, and at night as far away as Europe and the Soviet Union. At XERF, Smith developed his signature style (with phrases such as, "Who's this on the Wolfman telephone?") and widespread fame. The border stations made money by renting time to Pentecostal preachers and psychics, and by taking 50% of the profit from anything sold by mail order. The Wolfman did pitches for dog food, weight-loss pills, weight-gain pills, rose bushes, and baby chicks. Even a pill called Florex, which was supposed to enhance one's sex drive, was sold. "Some zing for your ling nuts", the Wolfman would say. That sales pitch was typical of Wolfman Jack's growling, exuberant on-air style. In the spirit of his character name, he punctuated his banter with howls, while urging his listeners to "get naked" or "lay your hands on the radio and squeeze my knobs". Part of the persona was his nocturnal anonymity; listeners from coast to coast had no idea how to recognize the face behind the voice that said things such as, "Wolfman plays the best records in the business, and then he eats 'em!" ///// https://en.wikipedia.org/wiki/Wolfman_Jack https://odysee.com/@OpenAllNight:7?view=lists

Pier Paolo Pasolini (5 March 1922 - 2 November 1975) was an Italian film director, poet, writer, and intellectual, who also distinguished himself as an actor, journalist, novelist, playwright, and political figure. A controversial personality in Italy due to his straightforward style, Pasolini's legacy remains contentious. He voiced strong criticism of petty bourgeois values and the emerging "totalitarianism of consumerism" in Italy, juxtaposing socio-political polemics with a critical examination of taboo sexual matters. A prominent protagonist of the Roman cultural scene of the post-war period, he was an established major figure in European literature and cinematic arts. Pasolini's unsolved murder at Ostia in November 1975 during an altercation with a young male prostitute prompted an outcry in Italy, and its circumstances continue to be a matter of heated debate. Pasolini's later movies centered on sex-laden folklore, such as Boccaccio's Decameron (1971), Chaucer's The Canterbury Tales (1972), and Il fiore delle mille e una notte (literally The Flower of 1001 Nights, released in English as Arabian Nights, 1974). These films are usually grouped as the Trilogy of Life. While basing them on classics, Pasolini wrote the screenplays and took sole credit as writer. This trilogy, prompted largely by Pasolini's attempt to show the secular sacredness of the body against man-made social controls and especially against the venal hypocrisy of religious state (indeed, the religious characters in The Canterbury Tales are shown as pious but amorally grasping fools) were an effort at representing a state of natural sexual innocence essential to the true nature of free humanity. Alternately playfully bawdy and poetically sensuous, wildly populous, subtly symbolic and visually exquisite, the films were wildly popular in Italy and remain perhaps his most enduringly popular works. Yet despite the fact that the trilogy as a whole is considered by many as a masterpiece, Pasolini later reviled his own creation on account of the many soft-core imitations of these three films in Italy that happened afterwards on account of the very same popularity he wound up deeply uncomfortable with. He believed that a bastardisation of his vision had taken place that amounted to a commoditisation of the body he had tried to deny in his trilogy in the first place. The disconsolation this provided is seen as one of the primary reasons for his final film, Salò, in which humans are not only seen as commodities under authoritarian control but are viewed merely as ciphers for its whims, without the free vitality of the figures in the Trilogy of Life. ///// The Decameron (Italian: Il Decameron) is a 1971 anthology film written and directed by Pier Paolo Pasolini, based on the 14th-century allegory by Giovanni Boccaccio. It is the first film of Pasolini's Trilogy of Life, the others being The Canterbury Tales and Arabian Nights. Each film was an adaptation of a different piece of classical literature focusing on ribald and often irreligious themes. The tales contain abundant nudity, sex, slapstick and scatological humour. Pasolini's intention was not to faithfully recreate the world of Boccaccio's characters but to criticise the contemporary world through metaphorical use of the themes present in the stories. Stories are often changed to southern Italy and heavy use of the Neapolitan dialect is used to signify the mistreatment and economic exploitation of the poorer region by the richer northern parts of Italy. The film was entered into the 21st Berlin International Film Festival, where it won the Silver Bear Extraordinary Jury Prize. Despite the success and critical acclaim of this movie, Pasolini was upset with the numerous low quality knock offs and remakes it generated. He considered these an affront to the anti-capitalist message of the movie and would disown this movie in his final days before dying. Cast Franco Citti as Ciappelletto of Prato Ninetto Davoli as Andreuccio of Perugia Vincenzo Amato as Masetto of Lamporecchio Maria Gabriella Maione as Madonna Fiordaliso Angela Luce as Peronella Giuseppe Zigaina as German Monk Pier Paolo Pasolini as Giotto's Pupil Giacomo Rizzo as Friend of Giotto's Pupil Guido Alberti as Musciatto Elisabetta Genovese as Caterina Giorgio Iovine as Lizio of Valbona Lino Crispo as Don Gianni Vittorio Vittori as Don Giovanni Vincenzo Ferrigno as Giannello Silvana Mangano as La Madonna Gianni Rizzo as Father Superior Monique van Vooren as Queen of Skulls Giani Esposito Guido Mannari Score The score was compiled by Ennio Morricone. It is composed mainly of authentic Neapolitan folk songs. https://en.wikipedia.org/wiki/Pier_Paolo_Pasolini https://en.wikipedia.org/wiki/The_Decameron_(1971_film) https://www.imdb.com/title/tt0065622/ https://odysee.com/@OpenAllNight:7?view=lists