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21 May 2021 12:00:35 UTC
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92703
Author: Ludwig von Mises
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These are difficult times for those who love freedom. But they are nothing like what Mises faced during his life. He prevailed, and his Memoirs explain how. How one carries on in the face of unavoidable catastrophe is a matter of temperament, wrote Ludwig von Mises in his private memoir of his life in Europe.It was true in his time and it is true in ours. This new translation and edition of Misess moving account of his life, published by the Mises Institute, provides not only deeply fascinating personal history it also functions as a moral and spiritual guide for any lover of liberty during times of despotism. It was written during and after his immigration to the United States in 1940. Despite being driven from his home, seeing his country taken over by a foreign dictator, having his books burned and his papers stolen, and finally pushed out of the sanctuary he had for six years, he never lost determination and never doubted the truth of liberty. Again and again I had met with situations from which rational deliberation found no means of escape but then the unexpected intervened, and with it came salvation. I would not lose courage even now. I wanted to do everything an economist could do. I would not tire in saying what I knew to be true.Mises wrote his memoirs and then promptly locked up the manuscript. He had good reason. Many of the politicians and intellectuals he exposed were still alive. Much of the jaw-dropping detail had never been revealed. He figured it would have to wait until after his death. He was 59-years old, and a political exile, first from Vienna (fleeing the Nazi takeover) and then from Geneva. He had been camped out in Switzerland for six years, teaching and writing the masterpiece that would later become Human Action. But he had been warned that some people wanted him turned in. He had to find a new home. Leaving Geneva, he and his wife Margit drove across France, just in front of the advancing German army. They barely made it out. There was no professorship waiting for him in the United States. He had lost everything. His library had been burned. His papers were missing. He had no money. He would have to start over, writing and speaking in a new language. Making this transition would require all his moral courage. As he looked back over his life, he wrote the most moving, personal work ever to bear his name. It is one of the most inspiring books ever written by an intellectual and it happens to be by one of the greatest intellectuals of all time. There is anger in this book but also inspiration. What strikes the reader is how Mises never lost his focus on the battle of ideas. The enemies in this book are bad ideas. The answer, however, is not war or revolution or a new form of rule. For him, the path to liberty is through the right ideas. In this sense, this book is incredibly high minded, revealing his nobility and intellectual commitments to truth.Mises writes about his time as an economic advisor to Austrian officials his battles against Bolshevism and the inflationism and his attempts to prevent New Deal-like policies in Europe. He talks about his teaching and his seminar. He discusses corrupt politicians and central bankers, and all the shills for statism in academia and the media. He had almost singlehandedly stopped a Bolshevik takeover, and stopped Austrian from following Germany into the inflationist abyss. And here he even writes of his one regret that he compromised more than he should have! The vault that held Misess manuscript wasnt opened until after his death. He died in 1973. A German translation appeared. F.A. Hayek wrote the introduction. Four years ago, we commission a new translation that preserves his idiom and preciAbout the AuthorThe results are spectacular. Misess memoirs have come alive as never before. With all the interest generated by the Mises biography that came out in 2008, and with the current political trends in the United Stats, this is a perfect time to examine Misess own autobiography. Mises inspires us with his moral example. He tells of his strategy and teaching methods. In my seminar, I seized every opportunity to refute popular errors. Truth is it own standard, he believed. He talks of his private seminar and the culture it fostered. Outsiders knew nothing of our gatherings they saw only the published works of individual participants. They didnt cultivate a sect or society rather they were united in the desire to further the sciences of human action. Each was free to go the way his own law guided him.He blasts the enemies of freedom. Of the German Historical School he writes that it did not produce a single thought. It did not write a single page in the history of science. For eighty years it eagerly propagandized for National Socialism. Further, its members were so unprincipled that they would have become communists had the Bolshevists come to the fore.Finally, he admits to feelings of despair From time to time I entertained the hope that my writings would bear practical fruit and point policy in the right direction.... I set out to be a reformer, but only became the historian of decline.Even with such feelings, he never gave in. He kept writing and teaching. And what a glorious legacy he left! In this prose, we have profound determination moral determination. It wasnt enough that he was a genius of a scientist, that he made earth-shattering contributions to economics, history, philosophy, and more. What made the difference for him was character. This is why Murray Rothbard wrote that he was not only a scholar but a hero, an example to us all. We need more like him. But in order to have that, his example needs to be there for everyone. Guido Hulsmann writes the preface. F.A. Hayek writes the introduction. Arlene Oost-Zinner did the translation. But the book itself is pure Mises, writing his deepest and most private thoughts, now available to the world as an example, a model, and an ideal.
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1 year ago
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122100
Author: John F. Szabo
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Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conquerors invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. This magnificent textile, both celebrated and panned, is both enigmatic artwork and confounding historical record. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. Notably, the Bayeux Tapestry has produced some of the most compelling questions of the medieval period Who commissioned it and for what purpose? What was the intended venue for its display? Who was the designer and who executed the enormous task of its manufacture? How does it inform our understanding of eleventh-century life? And who was the mysterious Aelfgyva, depicted in the Tapestrys main register? This book is an effort to capture and describe the scholarship that attempts to answer these questions. But the bibliography also reflects the popularity of the Tapestry in literature covering a surprisingly broad array of subjects. The inclusion of this material will assist future scholars who may study references to the work in contemporary non-fiction and popular works as well as use of the Bayeux Tapestry as a primary and secondary source in the classroom. The monographs, articles and other works cited in this bibliography reflect dozens of research areas. Major themes are the Tapestry as a source of information for eleventh-century material culture, its role in telling the story of the Battle of Hastings and events leading up to the invasion, patronage of the Tapestry, biographical detail on known historical figures in the Tapestry, arms and armor, medieval warfare strategy and techniques, opus anglicanum (the Anglo-Saxon needlework tradition), preservation and display of the artifact, the Tapestrys place in medieval art, the embroiderys depiction of medieval and Romanesque architecture, and the life of the Bayeux Tapestry itself. **Review The Bayeux Tapestry, its embroidered images recounting the Norman Conquest of England in 1066, is one of the most famous pieces of cloth work. Although the project usually is attributed to the patronage of Odo, bishop of Bayeux and half brother of William the Conqueror, this is by no means certain. Authors Szabo and Kuefler address this question and others about the tapestry. Their annotated bibliography is by no means complete, but important studies are included. Organized alphabetically by authoreasy for finding known scholarseach item is numbered sequentially, to number 1,787. This decision about arrangement, however, makes it difficult to track changes in interpretations according to chronology. The annotations themselves vary in length and depth, from several lines to an entire page. . . .The introduction is brief, listing mostly previous bibliographies. Much more interesting are the appendixes. One, Dramatis Personae, lists and briefly describes not just the conqueror himself and his foes Harold Godwinson and Harald Hardraada but also lesser-known figures, such as lfgyva, Turold (probably the dwarf depicted on the tapestry), and Gruffydd ap Llywelyn of Wales. Another appendix lists medieval sources, including the Anglo-Saxon Chronicle, French texts such as the Song of the Battle of Hastings by Bishop Guy of Amiens, and Anglo-Norman writings to the late 12th century. Summing Up Recommended. Upper-level undergraduates through researchersfaculty. (CHOICE) Commanding its own museum and over 200 years of examination, observation and scholarship, the monumental embroidery, known popularly as the Bayeux Tapestry and documenting William the Conquerors invasion of England in October 1066, is perhaps the most important surviving artifact of the Middle Ages. With over 1780 entries, Szabo and Kuefler offer the largest and most heavily annotated bibliography on the Tapestry ever written. About the Author John F. Szabo is the City Librarian of Los Angeles. He was previously Director of the Atlanta-Fulton Public Library System. Szabo has also headed the public libraries in Clearwater and Palm Harbor, Florida as well as Robinson, Illinois. He holds a bachelors in telecommunication and film from the University of Alabama and a masters in information and library studies from the University of Michigan. He is the author of Death and Dying An Annotated Bibliography of the Thanatological Literature and Mortuary Science A Sourcebook. Nicholas Kuefler is a Los Angeles area educator. He received his bachelor of music education and master of arts administration degrees from Florida State University and has directed numerous youth arts organizations. He has studied the Bayeux Tapestry and its uses in the classroom for many years.
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Created
1 year ago
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application/pdf
English