Get some cool drag & drop VFX here! ► https://www.famefocus.com/go/getvfx/ ◄ Don't forget to visit OUR SHOP here! ► https://fame-focus-vfx.creator-spring.com/ ◄ Joker is one of those films (like The Revenant or Once Upon A Time In Hollywood) that feel like they don't have Visual effects and that everything was done for real, or "In Camera", as they say. But in reality, these films actually have a tonne of VFX. It's just that they're done so cleverly, you didn't notice them. So, In this video, I'm going to go through the film Joker and point out those very FX you totally didn't notice. Like the music in this video? I made it! Support me by getting it on any of these sites :P Get it on iTunes: ► https://apple.co/2ENGfu9 ◄ Listen on Spotify: ► https://spoti.fi/3boTfCl ◄ Buy it on Amazon: ► https://amzn.to/2QVJZfk ◄ Like, this blood, for example. It's not even there! Neither is this blood, nor this blood. In fact none of the blood in this movie was actually filmed for real! Although it may initially seem a lot easier to film real shots of fake blood on set, there was actually a very good reason for doing it digitally: -It actually made it quicker and easier for the filmmakers and more intuitive and relaxed for the actors. This was because they could repeat takes as many times as necessary without having to clean up fake blood from the set and costumes and reset special effects like squibs in between each take. However, the trade-off for doing it digitally meant that the VFX teams had to create an exact 3D digital copy of each set. And the reason why is this: if you have a static camera pointing at a wall or flat surface, a blood spatter can just be a 2D layer composited over the top. But if the background, or the camera itself, is moving, the blood spatter cannot be a 2D layer over a background layer or "plate" because each will move independently of the other. Instead, the blood must somehow be anchored to the wall within the set's 3D space. To do this they must know exactly where the "spatter point" on the wall is on the set's X, Y, and Z axis and they must track exactly where the camera moves in relation to that point. They can then put the CG blood on the same point on the axis and have a virtual camera mimic the real camera's motion, but, in order to achieve this, the VFX teams must be able to accurately replicate the 3D set inside their computers. To create an exact digital copy the VFX teams must first measure absolutely everything on the physical set and they do this by using L.I.D.A.R. Laser Imaging, Detection, and Ranging. This system scans everything around it by bouncing lasers off every surface and measuring how long they take to return in order to determine how far away they are from the sensor. Although it may seem like relatively new technology, LIDAR has been around since the 1960s and it's a lot more common than you might think, It's used in Agriculture, Archaeology, The Military, Autonomous Vehicles, Police speed guns, in fact, if you have a high-end android phone or an iPhone Pro, you probably have a LIDAR sensor incorporated. Anyway, the Movie Joker required a lot of LIDAR scans, not only for the CG blood that had to appear on the walls of the train but also for the CG blood that had to appear on the "Murray Franklin show" set and in Arthur's mom's apartment but LIDAR scans weren't just needed for adding CG blood, they were also used to add more trash and graffiti. This is the train they filmed in principal photography and this is how it appears in the movie. Although, on the face of it, the addition of graffiti might seem a frivolous use of VFX. When comparing the two you can see that it adds to the deterioration and oppression that surrounds Arthur. VFX were also used to apply this depressive feeling to the city of Gotham itself. They wanted to give Gotham a "New York" feel without actually being New York, so they shot it in New York, and then removed the things that were too iconic. To add to the oppression felt by Arthur, VFX were used to make everything appear in decline, jaded, and weatherworn. They also made the buildings appear taller so that they'd loom over him. Everything was raised to tower above him, dwarfing and suffocating him. This continued even to the point where they filled this space right here with buildings, just so there would be no breaks as they ran by, no little glimpse of blue sky to alleviate the oppression. In films like Joker, The Revenant, and Once Upon A Time In Hollywood, the visual effects were invisible because they focused on the imagery that you feel and perceive, but don't necessarily see! #joker #batman #dc #dccomics #vfx #vfxbreakdown #makingof #behindthescenes #filmmaking #filmmaker #movie #film The above ActionVFX link contains a Special Fame Focus Discount. We also earn an affiliate percentage of each purchase. Read more here: www.famefocus.com Follow us on Twitter: https://twitter.com/focusfame ... https://www.youtube.com/watch?v=JVGDbY7mruI

Get some cool drag & drop VFX here! ► https://www.famefocus.com/go/getvfx/ ◄ Also WATCH Tiny T-Rex, HUGE VFX! Here's What Mr Green Found While Watching Jurassic Park. https://youtu.be/U_ivKwi4wUw Deep Dive into Fallen Kingdom's Incredible Jurassic VFX! https://youtube.com/shorts/oDM5LNww2X4 Don't forget to visit OUR SHOP here! ► https://fame-focus-vfx.creator-spring.com/ ◄ Like the music in this video? I made it! Support me by getting it on any of these sites :P Get it on iTunes: ► https://apple.co/2ENGfu9 ◄ Listen on Spotify: ► https://spoti.fi/3boTfCl ◄ Buy it on Amazon: ► https://amzn.to/2QVJZfk ◄ The above ActionVFX link contains a Special Fame Focus Discount. We also earn an affiliate percentage of each purchase. Read more here: www.famefocus.com Follow us on Twitter: https://twitter.com/focusfame #mrgreen #famefocus #greenman #vfx #jurassicworld #jurassicpark #makingof #behindthescenes #videooftheday #trending #viral #funny #hilarious #funnyvideo #bts #movie #moviescene #filmmaking #film ... https://www.youtube.com/watch?v=oDM5LNww2X4

Get some cool drag & drop VFX here! ► https://www.famefocus.com/go/getvfx/ ◄ Don't forget to visit OUR SHOP here! ► https://fame-focus-vfx.creator-spring.com/ ◄ Dubbed as a "Love Letter" to the classic, the original 1984 Ghostbusters. Afterlife attempted to capture the magic of the original movie and also bring it all into the 21st century Like the music in this video? I made it! Support me by getting it on any of these sites :P Get it on iTunes: ► https://apple.co/2ENGfu9 ◄ Listen on Spotify: ► https://spoti.fi/3boTfCl ◄ Buy it on Amazon: ► https://amzn.to/2QVJZfk ◄ In order to do this, rather than concentrate on making things look modern and hyperrealistic, they had to concentrate on making sure they didn't. The Proton Beam was something DNEG started working on early on when they had just begun principal photography. On the camera test day, they had McKenna in the full Ghostbuster outfit and with the proton pack and they did some tests adding interactive lighting on set. They started with something that was really similar to the 1984 version, including the colors, but after looking at the shot over and over they agreed that going toward something more advanced was a better choice. So instead of the original big, stronger core beam and the other one overlapping, now there are actually millions of particles that give that final look and extra noise added on top of it. This gave the proton beam a modern look that at its heart still feels like the original. All the ghosts started out as physical puppets built by Arjen Tuiten and his team. They hand-sculped a very accurate replica of the Terror Dog from the original movie using nearly 300 kilos of clay. They then used this as a mold for the foam latex "Skin" that would cover their animatronic puppet. This puppet they used for close-ups and shots where they didn't have to show its whole body or show it moving excessively. Then the VFX teams 3D scanned the Animatronic puppet and modeled their CG dog to look exactly like it. The CG Terror dog was used in the full-body shots and in sequences where it had to run and jump. In order to animate it they used a bull's behavior as a reference but also attempted to mimic the stop-motion animation look of the original movie. There are other Ghost effects in the movie that were completely practical, like the Miner Ghost in the diner and even the scene where Ivo Shandor gets ripped in two. Surprisingly enough, they actually built a puppet of J.K. Simmons and the entire effect was achieved practically. with the dummy requiring only mild paintwork to hide the pre-rip seam on the clothing. Gozer too was based on the 1984 version. And even though makeup took 5-1/2 hours to apply and consisted of various prosthetics, hair work, lenses, and a suit, in the end, the dynamics and lighting they had to add to give Gozer a powerful and menacing presence on set meant that a fully digital suit was preferred. So Gozer from the neck down was CGI. This also allowed for a more surreal appearance as the team could lengthen her limbs. And while the team remained faithful to the performance, the composited face was often placed higher in the shot, and the leg and arms lengthened. As you can see here they slightly elongated her waist, arms, and legs, and made the body details a bit more translucent enhancing it all with bursts of energy traveling through her body. But the most rewarding effect in Afterlife was also perhaps the most important, the most complex, and the most touching. Harold Ramis who played Egon Spengler in the original Ghostbusters movie had sadly passed away 7 years before Afterlife was released but this "Love Letter" to the original could not be written without him. One of the main problems was that the VFX teams didn't have any data for Harold, no life cast, no body scans, and no possibility of getting them. Because we didn’t have any tangible data to start with, they decided the best approach was to first build a Digital Remis as he appeared in the 84 movie. So they did high-res digital scans of the negatives of the original film and using single frames they built an exact replica of Remis, with a full set of expressions. Then they comped him in a shot of the 84 movie with Dan Aykroyd as a test to prove they had a near-perfect base before they began the aging process. (...) #Ghostbusters #vfx #makingof #behindthescenes #bts #movie #film #filmmaking #moviescene #visualeffects #practicaleffects #BillMurray #vfxartistsreact #vfxbreakdown #videooftheday #trending #didyouknow #moviescene #beforeandafter #afterlife #ghosts #ghost #Ghostbustersafterlife #EgonSpengler #HaroldRamis #Gozer #DanAykroyd #FinnWolfhard #sequel The above ActionVFX link contains a Special Fame Focus Discount. We also earn an affiliate percentage of each purchase. Read more here: www.famefocus.com Follow us on Twitter: https://twitter.com/focusfame ... https://www.youtube.com/watch?v=JlgEAl0HU5k

The path to fame and fortune can be a treacherous one, but many stars have proved that it doesn’t matter where you come from when it comes to following your dreams. In fact, several stars have been down on their luck to the point of homelessness, either at some point in their youth or a through a choice that allowed them to go after a career in Hollywood. Here are some rags to riches stars that have been homeless at one point in time. They didn’t let that temporary setback prevent them from achieving their goals. 1. HILARY SWANK Before she was a Million Dollar Baby, actress Hilary Swank was living out of her car with her mother. When her parents broke up, the ladies drove out to Los Angeles with little more than a dream. They used a payphone to book Hilary’s auditions until they could afford a place to live. Now she’s a two-time Oscar winner. 2. SYLVESTER STALLONE ... https://www.youtube.com/watch?v=70uggKumQpQ