Technical Studies of Paintings: Problems of Attribution
Author: Till-Holger Borchert File Type: pdf Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium. **
Author: Gary S. Cross
File Type: pdf
During the first part of the twentieth century thousands of working-class New Yorkers flocked to Coney Island in search of a release from their workaday lives and the values of bourgeois society. On the other side of the Atlantic, British workers headed off to the beach resort of Blackpool for entertainment and relaxation. However, by the middle of the century, a new type of park began to emerge, providing well-ordered, squeaky-clean, and carefully orchestrated corporate entertainment. Contrasting the experiences of Coney Island and Blackpool with those of Disneyland and Beamish, Gary S. Cross and John K. Walton explore playful crowds and the pursuit of pleasure in the twentieth century to offer a transatlantic perspective on changing ideas about leisure, class, and mass culture. Blackpool and Coney Island were the definitive playgrounds of the industrial working class. Teeming crowds partook of a gritty vulgarity that offered a variety of pleasures and thrills from roller coaster rides and freak shows to dance halls and dioramas of exotic locales. Responding to the new money and mobility of the working class, the purveyors of Coney Island and Blackpool offered the playful crowd an industrial saturnalia.Cross and Walton capture the sights and sounds of Blackpool and Coney Island and consider how these Sodoms by the sea flouted the social and cultural status quo. The authors also examine the resorts very different fates as Coney Island has now become a mere shadow of its former self while Blackpool continues to lure visitors and offer new attractions. The authors also explore the experiences offered at Disneyland and Beamish, a heritage park that celebrates Britains industrial and social history. While both parks borrowed elements from their predecessors, they also adapted to the longings and concerns of postwar consumer culture. Appealing to middle-class families, Disney provided crowds a chance to indulge in child-like innocence and a nostalgia for a simpler time. At Beamish, crowds gathered to find an escape from the fragmented and hedonistic life of modern society in a reconstructed realm of the past where local traditions and nature prevail.**
Author: William E. Connolly
File Type: pdf
Why would a political theorist venture into the nexus between neuroscience and film? According to William Connolly -- whose new book is itself an eloquent answer -- the combination exposes the ubiquitous role that technique plays in thinking, ethics, and politics. By taking up recent research in neuroscience to explore the way brain activity is influenced by cultural conditions and stimuli such as film technique, Connolly is able to fashion a new perspective on our attempts to negotiate -- and thrive -- within a deeply pluralized society whose culture and economy continue to quicken.In Neuropolitics Connolly draws upon recent brainbody research to explore the creative potential of thinking, the layered character of culture, the cultivation of ethical sensibilities, and the critical role of technique in all three. He then shows how a series of films -- including Vertigo, Five Easy Pieces, and Citizen Kane -- enhances our appreciation of technique and contests the linear image of time now prevalent in cultural theory.Connolly deftly brings these themes together to support an ethos of deep pluralism within the democratic state and a politics of citizen activism across states. His book is an original and rigorous study that attends to the creative possibilities of thinking in identity, culture, and ethics.
Author: Robin Schuldenfrei
File Type: pdf
This beautifully illustrated book provides a new interpretation of modern architecture and design in Germany during the heyday of the Bauhaus and the Werkbund, tracing modernisms lasting allure to its many manifestations of luxury. Robin Schuldenfrei casts the work of legendary figures such as Peter Behrens, Walter Gropius, and Ludwig Mies van der Rohe in an entirely different light, revealing the complexities and contradictions inherent to modernisms promotion and consumption.Luxury and Modernism shows how luxury was present in bold, literal forms in modern designs--from lavish materials and costly technologies to deluxe buildings and household objectsand in subtler ways as well, such as social milieus and modes of living. While modernism was publicized as a fusion of technology, new materials, and rational aesthetics to improve the lives of ordinary people, it was often out of reach to the very masses it purportedly served. Schuldenfrei exposes the disconnect between modernisms utopian discourse and its luxury objects and elite architectural commissions. Despite the movements egalitarian rhetoric, many modern designs addressed the desires of the privileged individual. Yet as Schuldenfrei demonstrates, luxury was integral not only to how modern buildings and objects were designed, manufactured, and sold, but has contributed to modernisms appeal to this day.Featuring stunning color images throughout, Luxury and Modernism provides an entirely new look at one of the most celebrated and influential eras in the history of architecture.**ReviewThis provocative book upends long-standing tropes about the egalitarian credo and industrial mantra integral to the canonic episodes of German design history. Schuldenfrei unveils modernisms guilty pleasures to confront us with the foundational paradoxes at the heart of the Werkbund, the Bauhaus, and Mies van der Rohes most heralded residential designs.Barry Bergdoll, Columbia University One of the most persistent myths about modern architecture is that it was inherently politically progressive. In this compelling account, Robin Schuldenfrei reminds us that modernism was often out of the reach of the masses, which of course enhanced its appeal to those who embraced its lavishness.Kathleen James-Chakraborty, University College Dublin Luxury and Modernism offers many wonderful insights into a story we thought we already knew. By repurposing the notion of luxury away from being a taint, Schuldenfrei makes an important case for the depth and complexity of modernism as it was practiced, sold, and consumed.Amy F. Ogata, author of *Designing the Creative Child Playthings and Places in Midcentury America* Courageous and compelling, Luxury and Modernism is an important work that offers a critical reassessment of key figures and designs that have become central to our understanding of the birth, evolution, and legacy of modernism.Monica Penick, University of Texas at Austin
Author: Noam Chomsky
File Type: epub
An essential overview of the problems of our world today -- and how we should prepare for tomorrow -- from the worlds leading public intellectualWe have two choices. We can be pessimistic, give up, and help ensure that the worst will happen. Or we can be optimistic, grasp the opportunities that surely exist, and maybe help make the world a better place. Not much of a choice.From peerless political thinker Noam Chomsky comes an exploration of rising neoliberalism, the refugee crisis in Europe, the Black Lives Matter movement, the dysfunctional US electoral system, and the prospects and challenges of building a movement for radical change.Including four up-to-the-minute interviews on the 2016 American election campaign and global resistance to Trump, this Penguin Special is a concise introduction to Chomskys ideas and his take on the state of the world today.
Author: Ha-Joon Chang
File Type: pdf
Contrarian economist Chang blasts holes in the World Is Flat theories of Thomas Friedman and other neo-liberal economists who argue that only unfettered capitalism and wide-open international trade can lift struggling nations out of poverty. On the contrary, Chang shows, todays economic superpowers--from the United States to Britain to his native South Korea--all attained prosperity by protectionism and government intervention in industry. We in the wealthy nations have conveniently forgotten this fact, telling ourselves a fairy tale about the magic of free trade and forcing policies that suit ourselves on the developing world. Unlike typical economists who construct models of how economies are supposed to behave, Chang examines the past what has actually happened. He calls on America to return to its abandoned role, embodied in programs like the Marshall Plan, to offer a helping hand, instead of a closed fist, to countries struggling to follow in our footsteps.--From publisher description.
Author: Michael Lynch
File Type: pdf
Was Mao the first red emperor or the last great Marxist leader? Mao Zedong was held in awe by his people, seen by many as a supreme hero who had freed their country. He led a vast social revolution and made China a world power that competed with the Soviet Union as the leader of international socialism. Michael Lynch presents an engaging and thorough account of Maos life and politics, making use of a wealth of primary and secondary sources. He locates Maoism in the broader context of twentieth-century Chinese history, discussing the development of the Chinese Communist Party, the creation of the Peoples Republic of China and the Cultural Revolution, and the part of Maos China in the Cold War. Details of Maos private life as well as his political and philosophical thought add to this diverse picture of the influential leader.
Author: Julia Simon
File Type: pdf
Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseaus work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In Rousseau Among the Moderns, Julia Simon puts forth fresh interpretations of The Social Contract, the Discourse on the Origin of Inequality, and the Confessions, as well as other texts. She links Rousseaus understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individuals relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseaus modernism resides in the unique role that he assigns to music in forging communal relations. **Review The research in Rousseau Among the Moderns is excellent. The book is clearly written and deploys an interesting and puckish sense of relation to present-day music. It is an important contribution to Rousseau scholarship and brings together a lot of material that has been published in very different venues. Tracy B. Strong, Distinguished Professor of Political Science, University of California, San Diego Julia Simons Rousseau Among the Moderns is a fabulous book that adds something new and important to the field of Rousseau studies. In the past two decades or so, a number of studies have attempted to bridge a long-standing critical gulf between Rousseaus literary works and his social theory, Simons included. But hers is perhaps the first study to integrate what are already interdisciplinary readings of works such as The Social Contract, the Discourse on the Origin of Inequality, and Julie with Rousseaus considerable writing about music. Patrick Riley, Colgate University About the Author Julia Simon is Professor of French at the University of California, Davis.
Author: Ulrich Pothast
File Type: pdf
The Metaphysical Vision Arthur Schopenhauers Philosophy of Art and Life and Samuel Becketts Own Way to Make Use of It expands upon the ideas and theories set forth in the authors Die eigentlich metaphysische Tatigkeit Uber Schopenhauers Asthetik und ihre Anwendung durch Samuel Beckett, published (in German) in 1982 and hailed by Catharina Wulf in her book The Imperative of Narration (1997) as an excellent study and the most thorough enquiry into Beckett and Schopenhauer. In the last years of the twentieth century, new documents regarding Samuel Becketts reading and thinking, especially important notebooks and letters, have become accessible to scholars. These documents show much more clearly than could ever be demonstrated previously that Beckett had a strong, lifelong interest in Schopenhauers philosophy. There is no other philosopher to whom Beckett refers more often in his personal comments throughout the years of his writing up to his seventies no other philosopher whose view of life and the world comes closer to the image of human existence we find in Samuel Becketts literary work. The striking similarity in matters of world view and human life, and especially the evidence obtained from Becketts previously unknown notebooks and letters, call for a close systematic study of the Beckett-Schopenhauer relationship. Due to its comprehensiveness and in-depth approach, The Metaphysical Vision is, and will be for many years to come, what its forerunner was for more than two decades the most thorough enquiry into Beckett and Schopenhauer.**