Q5 (3 existing episodes) - Spike Milligan (1969) + in rare stand-up comic mode on a 1964 Billy Cotton Band Show & a 1960s London Palladium
"Though many found it to be more "hit and miss" than Milligan's earlier work, especially The Goon Show, it is considered by many to be one of the landmarks in British comedy. In particular Q5, which first aired on 24 March 1969, and with its surreal bent and almost stream-of-consciousness format is seen by many as a forerunner to Monty Python's Flying Circus, which debuted a few months later. The Pythons themselves remember that, having seen Q5, they had been forced to scurry around for a new hook for their series, as the format they had been intending to use had now already been done. Michael Palin recalls "Terry Jones and I adored the Q... shows...[Milligan] was the first writer to play with the conventions of television.........Also, in the Pythons' (2004) autobiography, Cleese cites a conversation between himself and Terry Jones: "We both happened to watch Spike Milligan's Q5, and one or the other of us phoned up and said kind of jokingly but also rather anxiously, 'I thought that's what we were supposed to be doing?' And the other one said, 'That's what I thought too.' We felt that Spike had got to where we were trying to get to, but if you'd asked us the previous day, we couldn't have described very well what that was. However, when we saw it on the screen we recognised it, and in a way the fact that Spike had gone there probably enabled us to go a little bit further than we would otherwise have gone" Only three episodes of Q5 still exist. Episodes 2 and 3 both survive as 16mm black and white tele-recordings. Episode 4 exists in colour in its original form, and a few short clips from this colour episode appeared on the documentary Heroes of Comedy: Spike Milligan, and again on BBC4's "Assorted Q" in December 2014
plus : Spike Milligan in rare stand-up comic mode on a 1964 Billy Cotton Band Show & a 1960s London Palladium
Shakedowns and Shibboleths by Maddie Bannon
To prevent the end of humanity or the world, we are then permitted—even more we are required— to do just about anything.
Link to original article : https://tlavagabond.substack.com/p/protected-shakedowns-and-shibboleths
link to Grand Theft World Podcast 120 | Paradigm Blindness (full programme)
https://odysee.com/@GrandTheftWorld:9/grand-theft-world-podcast-120-paradigm-blindness:a
there's no place like home, there's no place like home x 3
no peace in my home, no faith in my home,
no love in my home, no love in my home
no fun in my home, I don't want to go home, don't make me go home,
'cause I hate my home, don't want to go home,
don't make me go home, 'cause I hate my home,
don't make me, don't make me, don't make me, don't make me, don't hate me, don't hate me, don't hate me, don't hate me, make me, make me, make me, make me,
hate me hate me, hate me, hate me
make me, make me, make me, make me,
hate me hate me, hate me, hate me
I hate my beautiful clean white pristine, neat, tidy
interior designed, architect built, minimal..... shoes off!
Home sweet home, home sweet home
Episode 421 - The Gutenberg Conspiracy (The Media Matrix — Part 1)
https://www.corbettreport.com/gutenberg/
From the Renaissance to the Reformation, from the fall of feudalism to the rise of capitalism, from the Scientific Revolution to the Industrial Revolution, from the way we order our thoughts to what we choose to think about, nothing survived the printing revolution intact. Our world is the world that the printing press has created.
Episode 422 - What Hath God Wrought (The Media Matrix — Part 2)
https://www.corbettreport.com/whathathgodwrought/
It's difficult for us to appreciate just how incredible it was for those who first witnessed communication from a distance with a disembodied electric ghost. In fact, it was almost impossible for people to understand this type of communication in anything but spiritual terms. Even the word "medium" evokes the specter of contact with the spirit world. . . .
Episode 423 - Into The Metaverse (The Media Matrix — Part 3)
https://www.corbettreport.com/metaverse/
We stand at a precipice. On one side is "reality": the original, authentic, lived human experience. And on the other side is the metaverse: the world of constantly mediated experience. In the middle is hyperreality, that blurry space between the real world and the mediated world. And, living as we do on this side of the electronic media revolution, it is the only place we have ever known.
A conversation with 11-year-old Andrew Hsu, during the 2003 Washington state science fair gave John Taylor Gatto a curious insight to his extensive study of state schooling. Hsu was awarded a prize for his work on sequenced genes held in common between mice and human beings. When Gatto asked him about his research he was intrigued to hear how Hsu had started, by looking at a flea circus and the observation that, ‘you can’t train fleas until you break their will’.
If you fill a Petri-dish with fleas, they will instantly jump out and head off in every direction because they have an agenda of their own. To eliminate their personal agendas you put a lid on the Petri-dish and you go away for two hours. When you come back, the fleas will have hurt themselves so badly leaping out of the dish and never being able to budge that lid an inch that when you take the lid off [] not one of the fleas will try to get out of the dish. Now they’re in a state where they can be trained.
Gatto continues,
Instantly on him (Hsu) finishing that sentence I knew what I’d been hired to do for 30 years, I was the lid on that dish. And as long as I and my colleagues could frustrate the personal agendas often enough very few if any of them would survive and they then could be conditioned to the purposes of management. (2007)