The Politics of Canonicity: Lines of Resistance in Modernist Hebrew Poetry
Author: Michael Gluzman File Type: pdf The Politics of Canonicity sheds new light on the dynamics of canon formation in modern Hebrew literature. It explores the ways in which literary cultureas site and as toolparticipates in the production of national identity. The aesthetic paradigms, political ideologies, and social interests that privilege certain texts and literary modes are reexamined within the framework of the conscious and deliberate practices of Zionism to formulate a national discourse. As the author shows, the suppressed, the marginal, the undesired others of the nation demonstrate the limits of both the literary canon and societys own self-understanding. The book combines the specific questions of Hebrew literature with a critical inquiry of the theoretical debates surrounding the notion of canon. It begins by examining the formative debate in both Hebrew letters and European discourses of modernity at the end of the nineteenth century which address the tension between writing the nation and writing the self. It moves on to the equally constitutive question within Jewish nationalism of the relation between diaspora and homeland in literary writing. While international modernism tends to glorify exile, Hebrew modernism demonstrated a fierce antagonism toward a diaspora mentality. In his analysis of the suppressed margins of the Hebrew literary canon, the author outlines the specific aesthetic fault lines of the new national community. In chapters devoted to the poets David Fogel and Avot Yeshurun, and the poetics of a feminine voice in Rachel Bluvstein, Esther Raab, and Anda Pinkerfeld, he analyzes the historical tensions between margin and canon, highlighting the ways in which these marginalized poets were able to speak within a discursive system that suppressed their voices. We are grateful for support from the Koret Jewish Studies Publication Program. **
Author: Daniela Bandelli
File Type: pdf
This book questions gendered readings of violence by analyzing how this paradigm has become normalized in Italy since the feminist term femminicidio, or femicide, entered the mainstream media during the 2013 general election. It also sheds light on discourses of contestation on the part of family activists, mens rights campaigners and divorced fathers groups. Two counter-discourses emerge. The first is what the author terms an ideology narrative, for which discourses built around the conceptual category of gender normalize simplistic representations of relationships between men and women. The second is a female violence discourse, which sheds light on under-represented aggressor-victim relations and modifies dominant representations of femininity and masculinity. The author argues that integrating these two discourses into public debates helps to reappropriate the complexity and biological dimensions of (violent) relationships between men and women, often overshadowed by genderfeminist perspectives. In this way, she concludes, we can address neglected social issues that contribute to violence beyond gender. This thought-provoking book will appeal to students and scholars of sociology, critical discourse studies and gender. **
Author: Babette B. Tischleder
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Obsolescence is fundamental to the experience of modernity, not simply one dimension of an economic system. The contributors to this book investigate obsolescence as a historical phenomenon, an aesthetic practice, and an affective mode. Because obsolescence depends upon the supersession and disappearance of what is old and outmoded, this volume sheds light on what usually remains unseen or overlooked. Calling attention to the fact that obsolescence can structure everything from the self to the skyscraper, Cultures of Obsolescence asks readers to rethink existing relationships between the old and the new. Moreover, the essays in this volume argue for the paradoxical ways in which subjects and their concepts of the human, of newness, and of the future are constituted by a relationship to the obsolete. **
Author: Jaime RodrÃguez Matos
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In this book, Jaime Rodriguez Matos proposes the formless as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodriguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodriguez Matos takes the writing and thought of Jose Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition--a time of the absence of time, in which the absence of time no longer means eternity. In this book, Jaime Rodriguez Matos proposes the formless as a point of departure in thinking through the relationship between politics and time. Thinking through both literary and political writings around the Cuban Revolution, Rodriguez Matos explores the link between abstract symbolic procedures and various political experiments that have sought to give form to a principle of sovereignty based on the category of representation. In doing so, he proposes the formless as the limit of modern and contemporary reflections on the meaning of politics while exploring the philosophical consequences of a formless concept of temporality for the critique of metaphysics. Rodriguez Matos takes the writing and thought of Jose Lezama Lima as the guiding thread in exploring the possibility of a politicity in which time is imagined beyond the disciplining functions it has had throughout the metaphysical tradition--a time of the absence of time, in which the absence of time no longer means eternity. **
Author: Simone Castaldi
File Type: pdf
Exploring an overlooked era of Italian history roiled by domestic terrorism, political assassination, and student protests, Drawn and Dangerous Italian Comics of the 1970s and 1980s shines a new light on what was a dark decade, but an unexpectedly prolific and innovative period among artists of comics intended for adults.Blurring the lines between high art and popular consumption, artists of the Italian comics scene went beyond passively documenting history and began actively shaping it through the creation of fictional worlds where history, cultural data, and pop-realism interacted freely. Featuring brutal Stalinist supermen, gay space travelers, suburban juvenile delinquents, and student activists turned tech-savvy saboteurs, these comics ultimately revealed a volatile era more precisely than any mainstream press.Italian comics developed a journalistic, ideology-free, and sardonic approach in representing the key events of their times. Drawn and Dangerous makes a case for the importance of the adult comics of the 70s and 80s. During those years comic production reached its peak in maturity, complexity, and wealth of cultural references. The comic artists analyses of the political and religious landscape reveal fresh perspectives on a transformative period in Italian history.
Author: Lynda Birke
File Type: pdf
Many people feel strong bonds with nonhuman animals, and these relationships are central to much emerging scholarship in human-animal studies. Yet to study relationships is not straightforward research often focuses on how humans affect animals or vice versa rather than on the relationships themselves. Partly, this is a consequence of the history of disciplinary divisions, particularly between natural and social sciences. In this book, contributors from a wide range of disciplinary backgrounds reflect on the methodological challenges they face, and how they go about studying relationships between people and animals. The book provides fascinating insights into how research on human-animal relationships can rise to the challenges of interdisciplinarity, and help us to understand the animals with whom we bond. **
Author: Aileen Moreton-Robinson
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The White Possessive explores the links between race, sovereignty, and possession through themes of property owning property, being property, and becoming propertyless. Focusing on the Australian Aboriginal context, Aileen Moreton-Robinson questions current race theory in the first world and its preoccupation with foregrounding slavery and migration. The nation, she argues, is socially and culturally constructed as a white possession.Moreton-Robinson reveals how the core values of Australian national identity continue to have their roots in Britishness and colonization, built on the disavowal of Indigenous sovereignty. Whiteness studies literature is central to Moreton-Robinsons reasoning, and she shows how blackness works as a white epistemological tool that bolsters the social production of whitenessdisplacing Indigenous sovereignties and rendering them invisible in a civil rights discourse, thereby sidestepping thorny issues of settler colonialism. Throughout this critical examination Moreton-Robinson proposes a bold new agenda for critical Indigenous studies, one that involves deeper analysis of how the prerogatives of white possession function within the role of disciplines. **