Author: Christopher (kit) Kelen File Type: pdf The process of poetry has importantly intuitive aspects and poetry embodies an ambivalence towards consciousness and towards those activities of thought in which it is constituted. It was ability to favour doubt over the productions of the rational mind that led Keats to associate poetry with his negative capability. Consciousness is - like poetry - a floating signifier, a term of wide reference, and with a range of implications in the various disciplinary contexts in which it finds currency. Poetry, consciousness and community is about poetry, consciousness and community, about their reflexive relationships in process, and about how these relationships matter to the world today and to worlds to come. This book is interested in the nature of poetic, as opposed to other, thought it is interested in the critical application of these forms of thought to each others productions, and in how poetic thought might or might not be subject to its own regime. Poetry - as practice of testing the limits of language - entails a reflexive goal that of understanding the journey in words made possible for, and by, the poem. Poetic meaning and truth are revealed between languages (likewise between genres, between texts, between subjects) it is in this inter-subjective and inter-cultural space that the limits of language (and so of conceivable worlds) are found. Christopher (Kit) Kelen is an Associate Professor at the University of Macau in south China, where he has taught Literature and Creative Writing over the last nine years. The most recent of Kelens nine published volumes of poetry are After Meng Jiao (published in 2008 by VAC in Chicago) and as from the living page - a trilingual volume of one hundred poems for Yao Feng (published in 2008 by ASM in Macao). A new volume God preserve me from those who want whats best for me is forthcoming from Picaro in Australia. Kelen publishes in a range of theoretical areas, including poetics, pedagogy, literary and cultural studies. He is the editor of the on-line journal Poetry Macao and poetry editor for the monthly lifestylecurrent affairs journal Macao Closer.**
Author: Elias Canetti
File Type: epub
Auto Da Fe is the story of Peter Kien, a distinguished, reclusive sinologist living in Germany between the wars. With masterly precision, Canetti reveals Kiens character, displaying the flawed personal relationships which ultimately lead to his destruction.Manipulated by his illiterate and grasping housekeeper, Therese, who has tricked him into marriage, and Benedikt Pfaff, a brutish concierge, Kien is forced out of his apartment - which houses his great library and one true passion - and into the underworld of the city. In this purgatory he is guided by a chess-playing dwarf of evil propensities, until he is eventually restored to his home. But on his return he is visited by his brother, an eminent psychiatrist who, by an error of diagnosis, precipitates the final crisis...Auto Da Fe was first published in Germany in 1935 as Die Blendung (The Blinding or Bedazzlement) and later in Britain in 1947, where the publisher noted Canetti as a writer of strongly individual genius, which may prove influential, an observation borne out when the author was awarded the Nobel Prize for Literature in 1981. Auto Da Fe still towers as one of the greatest novels of the twentieth century, and Canettis incisive vision of an insular man battling agianst the outside world is as fresh and rewarding today as when first it appeared in print.
Author: Michael Thompson
File Type: pdf
How do objects that are worth little to nothing become valuable? Who is behind the creation of value, and which types of people find value and comfort in transient, durable, and rubbish objects? When his highly influential Rubbish Theory, first published in 1979, Michael Thompson launched the discipline of waste studies. It remains the most comprehensive analysis on the culture of waste to date. Thompson argues that there are two mutually exclusive cultural categories that are socially imposed on the world of objects a transient category and a durable category. However, he identifies a region of flexibility, wherein a transient object that declines in value and life span can linger in a valueless and timeless limbo of rubbish, until it is discovered by a creative individual and transferred into something deemed durable. He links stability and change on one hand, with materiality on the other, providing a rich analysis of social and cultural dynamics. His instrumental theory of rubbish draws on case studies and anthropological fieldwork to highlight the ever-changing subtleties of object value and our complex relationship to waste. Bringing Rubbish Theory back into print, this updated edition includes a new introduction, preface, foreword, and afterword, thoroughly exploring how Thompsons key theories have affected our world in the four decades since it was first published and placing it in a contemporary context that shines light on the continued relevance of the book today.
Author: Manning Marable
File Type: pdf
This anthology of black writers traces the evolution of African-American perspectives throughout American history, from the early years of slavery to the end of the 20th century. The essays, manifestos, interviews, and documents assembled here, contextualized with critical commentaries from Marable and Mullings, introduce the reader to the character and important controversies of each period of black history. The selections represent a broad spectrum of ideology. Conservative, radical, nationalistic, and integrationist approaches can be found in almost every period, yet there have been striking shifts in the evolution of social thought and activism. The editors judiciously illustrate how both continuity and change affected the African-American community in terms of its internal divisions, class structure, migration, social problems, leadership, and protest movements. They also show how gender, spirituality, literature, music, and connections to Africa and the Caribbean played a prominent role in black life and history.
Author: Paul Schilder
File Type: pdf
Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the International Library of Psychology series is available upon request.
Author: Simon Marsden
File Type: pdf
This study examines theological themes and resonances in post-1970 Gothic fiction. It argues that contemporary Gothic is not simply a secularised genre, but rather one that engages creatively and often subversively with theological texts and traditions. This creative engagement is reflected in Gothic fictions exploration of theological concepts including sin and evil, Christology and the messianic, resurrection, eschatology and apocalypse. Through readings of fiction by Gothic and horror writers including Stephen King, Joyce Carol Oates, Peter Straub, William Peter Blatty and others, this book demonstrates that Christianity continues to haunt the Gothic imagination and that the genres openness to the mysterious, numinous and non-rational opens space in which to explore religious beliefs and experiences less easily accessible to more overtly realist forms of representation. The book offers a new perspective on contemporary Gothic fiction that will be of interest to students and scholars of contemporary Gothic and of the relationship between literature and religion more generally. **About the Author Simon Marsden is Senior Lecturer in English Literature at the University of Liverpool, UK. He writes widely on the relationships between literature and theology from the nineteenth century to the present and is the author of Emily Bronte and the Religious Imagination.
Author: Susana Araújo
File Type: pdf
At a time when the mass media insist on bombarding us with news about natural, political and economic disasters, words, ideas and images associated with such crises and catastrophes shape to a great extent collective memory and current imagination. Fear and Fantasy in a Global World seeks to stir the debate on the processes and meanings of, as well as on the relations between, fear and fantasy in the globalized world. Collective fears and fantasies are analysed from a number of cross-disciplinary perspectives, promoted by the epistemological underpinnings of comparative literature. In various ways and from different disciplinary angles, the 17 essays here gathered respond to and scrutinize key questions related to the imaginaries of fear and fantasy, as well as their relations to trauma, crisis, anxiety, and representations of both the conscious and the unconscious. Contributors Alexandra Hills, Ana Filipa Prata, Brecht de Groote, Christin Grunert, Christopher Bollas, Daniela Di Pasquale, David Vichnar, Edith Beltran, Gero Guttzeit, Hande Gurses, Harriet Hulme, James Rushing Daniel, Joao Pedro da Costa, Margarita Garcia Candeira, Marija Sruk, Martijn Boven, and Ortwin de Graef.