The first painting I actually sold was done at a live-painting performance; me and my friend were part of an awards ceremony in high-school and had a live-stream of us painting and creating clay sculptures that was projected in the hall, where the ceremony was taking place.
It was a 100x120 cm colourful canvas with pop-art style pigs painted upside down, and the word “Klabase” (meaning sausage in a rural Slovenian dialect) written in giant bold letters across the whole canvas — you can probably tell I was on a rigorous intellectual path back then.
I have finally found the time to watch the new arty horror movie [Velvet Buzzsaw](https://www.imdb.com/title/tt7043012/?ref_=nv_sr_1). The trailer, like the whole movie, really intrigued me in the first half — until badly executed demonic powers started killing people — from there it kinda went downhill …
Art can be beautiful. It can be ugly or just plain disgusting. The variety of emotions that artists can produce with a few brushstrokes is astounding. But do we actually look at our work from such a perspective or can our emotions sometimes get sidetracked (or even more often) by the concepts and ideas that our works should communicate?
Rather than waiting for destiny, I am a fan of action, but the problem with a lot of us is, we are constantly searching for that one piece of information that will change our lives. Now, what if I shared with you today exactly that information? Would you be willing to really give it a try and see the transformative powers of finally having the right mental and physical tools to conquer your dreams?
The art market is a volatile place for investors, and these are the people gallerists cater to, so there are certain check boxes your work has to tick in order for them to decide to sign and represent you and your work.
Be it as a person, a society, a business or a local community; art gives us the tools to express ourselves and to connect, create common identity and express our power. And if we see it as such, it gives us a much easier time understanding why the majority of people don’t collect art or just don’t give art the same importance in their lives as we do. They just don’t feel the need for it.
The amount of CVs and portfolios the average gallery receives on a daily basis is immense, so having a good tactic when trying to approach one is imperative.
Even though we live in the digital age, the more or less most important factor to take into consideration when trying to get signed is where your targeted gallery is located. Because even though you could theoretically email your portfolio to any place in the world, the majority of gallerists appreciate artists that are in close proximity to where their institution operates and this is because of several factors.
While it’s wonderful to enjoy our process and to like talking to other artists and art lovers about philosophy and the meaning of life, it’s really the simple questions that may get overlooked sometimes.
Yesterday’s blog dabbled a bit in talking about things to keep in mind when searching for gallery representation and after a lot of feedback from all of you reading my blunders I decided to expand on it and provide a more in-depth look into what tactics could land you your first gallery gig. So expect this week’s blogs to be focused solely on this topic.
This is not a social commentary folks, so for anyone expecting a rant on all the junk that gets sold off as artistic masterpieces; I’m sorry to disappoint you, this is not the point of today’s blog. But that’s not to say I don’t have a book’s worth of it, waiting patiently to be distributed over time on various social channels, preferably in text-based format on any platform that rhymes with bitter.
To get to today’s point though, enormous amounts of texts have been written on the topic of art, especially the question of: “What makes something become art?”
Link to the book: “[The Concept and Phenomenon of Art](https://survivingart.com/wp-content/uploads/2019/05/The-Phenomenon-and-Concept-of-Art.zip)”. Enjoy.