Title: Gargantua and Pantagruel
Author: Francois Rabelais
File Type: Mobi
Subject:classics
Description:ReviewCollective title of five comic novels by Francois Rabelais, published between 1532 and 1564. The novels present the comic and satiric story of the giant Gargantua and his son Pantagruel. The first two novels were published under the anagrammatic pseudonym Alcofribas (Alcofrybas) Nasier. The first book, commonly called Pantagruel (1532), deals with some of the fantastic incidents of the early years of Pantagruel. While at the University of Paris he receives a letter from his father that is still considered an essential exposition of French Renaissance ideals. In Paris Pantagruel also meets the cunning rogue Panurge, who becomes his companion throughout the series. In Gargantua (1534), old-fashioned scholastic pedagogy is ridiculed and contrasted with the humanist ideal of King Francis I, whose efforts to reform the French church Rabelais supported. Le Tiers Livre (1546; The Third Book) is Rabelais's most profound and erudite work. In it Pantagruel has become a sage; Panurge is self-absorbed and bedeviled, wondering if he should marry. He consults various prognosticators, allowing Rabelais to hold forth on sex, love, and marriage, and to satirize fortune tellers, judges, and poets. Panurge persuades Pantagruel and friends to join him on a voyage to the Oracle of the Holy Bottle in Cathay for an answer. This they do in Le Quart Livre (1552; The Fourth Book), which reflects the era's interest in exploration; the Pantagruelians encounter a series of islands that present opportunities for the author to satirize the religious and political forces wreaking havoc on 16th-century Christendom. In a fifth book, Le Cinquieme Livre (1564; of doubtful authenticity), the band arrives at the temple of the Holy Bottle, where the oracle answers Panurge with a single word: Drink! -- __An elaborate parody written in the 16th century, Gargantua and Pantagruel is a comic blend of energetic realism and carnival fantasy. The two main characters are giants, a father and his son, who have numerous adventures. Many different types of people are satirized during their chivalric exploits, from lawyers to theologians, generals to monarchs, with humor that is often grotesque or obscene. Intertwined with this crude comedy, however, is the wisdom of Renaissance learning, which exposes countless examples of human foolishness. Divided into two volumes, one describes a sullied giant who grows into a grand knight and prince, and the other portrays his erudite son who himself becomes a Renaissance Socrates. Rabelais' work is full of freedom and laughter, as well as a certain understanding that will give readers a renewed worldview.